VOL. 1 / NO. 10
SA / TX / US
trust the process.
Mar ch 6 Editor’s Note : TRUST THE PROCESS
arts.
9 The Wild Rumpus of Basqo Bim
19 The Never Ending Friend : Lulu Bella Art 27 Words & Pictures with George Horner 36 The Innovator : Amira Alsareinye
business.
43 Shawn Kraft invites you to Get Busy Living 52 The Game Changer : Bokcreative
fashion.
59 Colour : David Rodriguez 69 Havana : Edwin & Elliot 77 Bodega Behavior : Desja Channel 90 City Style Review : LScout Model, Marianna Vesku, Metty Unuabona & Stephan Adam
habitat.
113 How to Thrift Like a Pro • with Becky Witte-Marsh 120 The High Life / Highlight
savor.
123 SAVOR : Part One.
culture.
131 Actress Arianna Coromoto Coltellacci Castillo 138 Humans of Cuba : John Hendrick 146 Love Sparkles + Bright Thoughts : Sinenkosi Msomi 149 Ukraine : Aleksandra Marigodova
passport.
158 Tales of La Isla Bonita : The Canary Islands by Seigar
Rx. 166 Her Story : Lucy Byrd Hope 171 Fit to a T.
psych. 175 A Modern Mystic 178 Positively Crystal
no.10 I S S U E
PEPPER
prodigy. 181 To be Truly Limitless : Anais Ginzburg-Maly
lit.
191 Eighteen Four 192 The Stretching 194 Never Give Up, Don’t Quit 196 AND i am happy
138
get involved. 198 Fashion for Life
disquiet. 204 Candy Factory 209 Union of the Impossible : Headphone
directory.
211 ICON : Shia LaBeouf 217 Cover Artist : K. Day Gomez on the Legitimacy of Ai Acknowledgments Staff Bios
PEPPER Magazine Est. 2022 SA / TX / US arts • culture • business web directory msha.ke/peppermagazine website hellopepper.weebly.com email hello.pepper@outlook.com available on MagCloud Issuu copyright K. Day Gomez San Antonio, Texas 78209 PEPPER Magazine
•desjachanel.com • @desjachanel
PEPPER Magazine
EDITOR’S NOTE
TRUST THE PROCESS.
Editor in Chief K. Day Gomez San Antonio, Texas
“One must live as if it would be forever, and as if one must die each moment. Always both at once.” - Mary Renault
It was hard for me to reign this one in, honestly. There are so many aspects of my own life— personally and professionally—that I could pull from to exemplify what it means to truly ‘trust the process’. Instead, I shift my focus to the commonalities that arose every time I’ve had to do just that. The first step in any given scenario was to acknowledge that something was not ok and admitting to myself where I was responsible for it (even if only in part). So, in a way, it begins with accountability. Next, I had to dissect and account for the different choices I’d made that had gotten me to the place I did not want to be. Taking inventory is important, not to beat yourself up, but rather to recognize toxic elements and patterns that need to be broken away from. Once we understand what we’re doing, allowing, or who we are inviting in that goes against our best interest or culminates in a way that ends in self sabotage, we’re able to figure out what we can do differently, which needs to be followed by implementation. If we don’t then implement what we’ve learned, by following through with action, all of the previous hard work may as well have been for nothing. We can’t expect change without action. It’s in this action part where we truly learn the meaning of trusting the process. I say this because attempting to create new healthy habits as a way to break away 6
from the bad habits we‘ve developed can feel impossible. We are creatures of habit, and even misery can be a comfort zone when that’s what we’ve become used to. The only way to push past the discomfort of this realignment is to push forward—to truly lean into the discomforting uncharted territory. I’m sure you’ve heard the saying, “the only way out is through.” In essence, that’s what trusting the process is all about. We trust the process because we know (logically) that a better, healthier, happier version of ourselves and our lives exists on the other side of getting over our own shite. It has to—it’s physics. Cause and effect. It’s not complicated, no matter how much we attempt to complicate it. I’m not suggesting it’s always a straight line. But the formula is sound : epiphany + desire to change + introspection + steady and consistent action = change. When you’re able to see it broken down that way, it tends to make all of our excuses feel pretty silly. It also shows you HOW it works. Some of us need to understand the ‘how’ in order to believe in something. It’s not so much about faith, since faith requires the subject to suspend doubt in favor of a thing or results that cannot be proven. But this can be proven. I’m living, breathing proof that when we lean into the discomfort, refuse to go backward and literally trust the process, we really can do and be better—oftentimes than we ever dared to imagine.
Who is Seigar? Find him on IG: @jseigar
Meet the pop and conceptual artist behind My Plastic People.
creating
LA • NY • MIA • LHR • SAT • ATX
THE WILD RUMPUS OF
Basqo Bim
ARTIST BASQO BIM New Orleans, Louisiana
journalist K. Day Gomez photohraphers Justine Woods, Mila Nijinsky & Hannah Richter
the arts. Their desire is to offer new worlds to the viewer by reflecting their own tensions onto the viewer by utilizing a jarring shift from consensus reality, while also offering visual and psychological anchors rooted in familiar temporal and cultural reference points.
Their Story When you view Basqo Bim’s work, you can’t help but imagine a grand sort of adventure, your heartbeat timing to an inner tribal drum that invites you to lose yourself and find yourself all at once—or at least, that’s how I felt when I stumbled upon their work. And what a happy discovery! Though this wildly inventive art is new to me, art has played a role in Basqo’s life in one form or another from the beginning. “I remember enjoying coloring and drawing as most children do, and I half-heartedly took art classes in middle and high school, but I can’t remember being pulled towards it in any significant way.
Welcome to the curious world of artisan and maker, Basqo Bim. Like something straight out of the storybook ‘Where the Wild Things Are’, from monster parades to celebrations of identity—real and imagined—to true liberation through creativity, this Colombian-American multidisciplinary artist is based in New Orleans with a focus on assemblage and sculpture.
Artist’s Statement Their practice centers around the intentional antagonization of the tensions between their intertwining and conflicting needs, desires, paranoias and nostalgias. Their intent is to explore their physical, mental and psychological limitations in terms of the process of creation and manifestation of their work, and finding new ways to push past the existing boundaries into newer, unknown territories. Simultaneously, their practice revolves around fostering a meditative and healing form of art practice for themselves. Both of these opposing approaches work together to forge a space of internal dialectics in their practice and process, driven by a need to push every facet of their work to adverse extremes in each piece.
I began in earnest when I was 29, after a conversation with my younger brother. We were living in the same city at the time and spent a lot of time together. One day after work, he came over to visit. I don’t recall how we got to this point in the conversation, but he asked “What do you do?” It took some clarification, but I found out he was asking about hobbies or creative outlets. I had none at the time. “Oh, everybody’s got to have something” was his response. He was a lifelong artist and had a degree in printmaking, and was constantly illustrating and playing in bands. So I took him up on it. He has since passed away, but I know he’s with me every step of the way. My family have always been my biggest supporters, now more than ever.” We asked what mediums are used in their work, what core themes they touch on and to walk us through their typical creative process. Basqo began by saying, “I think that’s an interesting question. It’s tough to say, but I would imagine that I tell my story with fabric—but that fabric is on top of foam, and that foam is on top of wire. And do I tell the story with the fabric, or is it ‘on’ the fabric? Do the adornments and disassembled pieces of jewelry tell the story? Or is it the accompanying written piece with each mask that tells the story? It’s assemblage, it’s sculpture, it’s masking. Is the cumulative effort the medium? 11
“Story-telling” feels simultaneously too contrived and too vague, but maybe that’s as good as It gets?” That was actually the perfect answer, as questions often are. “An easy way to pigeonhole my work is to take a top-down view. I am from the American South, I am culturally both American and Colombian, and I make masks and tell stories. These are the most easily-accessible aspects of my work, but I think things are changing. As of right now, my themes are walking down on a path. I am story-telling and world-building, I am creating my own little universe. I am telling the same stories that all artists and writers have told before me and will tell after me. I believe that myth is what unites us as a species, and I believe that global myths and religions intertwine and dance amongst each other. I believe that our collective conscious, and even our collective history, are on a rhizomic growth. There’s no one single root—we’re spread out everywhere, and our stories and myths (while interconnected in a global sense) are all very much our own. They are unique and yet the same. Different costumes, languages, but similar ideas. There are two themes that are constants in my thoughts; I chase the trickster, I chase the dreams from childhood. The other themes I have engaged with feel like planets in orbit. Just in and out, with long stretches before they come into my view again. Others are more comparable to comets or asteroids. I enjoy playing with the themes of alternate worlds, magical yet normal occurrences with strange characters and storylines, postapocalyptic scenarios, nuclear war. My creative process feels straightforward. I read, I write, I view art, film, media. I do my own research into my personal interests. When things strike me, or I have a moment of connection or ideas, I write them down. If I have time or the need, I sketch it. I let these ideas simmer and stew, I let them mix together and strengthen—or fall to the bottom of the pot. I also watch a lot of the same television shows or movies over and over. My comfort show is “The Twilight Zone.” When the idea feels fully formulated, or if it’s extremely exciting, I begin sketches. Then, I make a model if necessary. Once I begin manifesting it in the studio, I begin sorting through all of my objects.”
And so it begins… “I have hundreds (thousands, maybe?) of objects within my view, all sorted into small containers by color, texture, material, or whatever variable strikes my fancy. Most of them are small objects—beads, baubles, bits, findings. When sorting through my objects before starting a new piece, I pull the objects that scream at me. I put them into organized containers whose content specificity grows as this process goes on. If I can see a specific look or feature with a particular object, it goes into a special container. Then, I start building. I work through my plan and things never go perfectly right, and I spend time solving ridiculous issues that I should have foreseen or couldn’t possibly have foreseen. I make notes of what goes wrong during builds and what I could have done to prep, if at all possible. It helps a ton.” It’s important to remember that art isn’t seamless. “I call the adornment phase “the decorating part.” It’s really here where I feel like I’m a conduit for something that’s out there, something I’m just tapping into. It’s not mine, it’s no one’s, it’s everyones. And where I tap in, that’s my personal television channel. I get to physically create what my brain is seeing, in the best way I currently know how to access. It feels silly to even say all of that. I used to not understand that state of mind or that energy when others described it. I thought it was pretty corny, frankly. I was very wrong, I get it now.” 13
As a creative, Basqo is highly self aware of their thoughts and thought process, which in turn aids in the overall storytelling aspect. “I feel that the way my brain translates this moment is by imagining patterns and assemblages that mimic organic growth or are completely mathematical. They feel like weird little lightning strikes into the back of my head. Kind of funny, really.” Getting back to Basqo’s origins, “I was born and raised in a small town in South Carolina. I hope to live in New Orleans for the rest of my life, and I’d love to stay in the home I’m in now. If that doesn’t work out for me, I’ll figure it out wherever I am. I don’t think about traveling too much. It’s not an option at the moment. I go see my folks every few months, and that’s about it. Of those who have inspired their creative journey, Basqo tells us, “In regards to art, my brother was my first mentor. He got me started and kept me going. He let me bother him at all hours, all day long with thoughts, ideas, questions. My partner, Justine, she's an extremely talented multimedia artist. She makes a lot of wearables, costumes, and builds small worlds. She lets me bother her all the time, even after I promise that I’ll stop asking her 14
opinions on an idea, random thoughts I say out loud, or incessant questions. She’s extremely creative and I really value hearing her feedback and her own ideas for her future projects. I have received invaluable advice from a lot of great artists and curators—or creative-minded people, really —since moving to New Orleans. I’m afraid to make a list in case I forget someone. I will say that the person who I’ve leaned on the longest and most frequently is Jeremy Jones. He’s an amazing oil painter and an educator here in town, and a wonderful friend to me.” To all those who weren’t mentioned out loud, we can feel the dearness in sentiment by way of thought, and we thank you for being a part of this incredible artist’s journey. On a slightly random note, Basqo shared, “I really love giant puppets serving political purposes.” I find this wonderful as I too have always been drawn to such puppetry. It’s something we don’t see enough of here in the United States that I hope we will see more of over time. That brings us to The Monster Parade in New Orleans…of course my curiosity was immediately piqued when I viewed photographs from this fantastical event on Basqo Bim’s feed. It’s a city-wide occurrence in which all of the local artisans and
No al hum lo we ans d!
makers come together in full monster costumes they have made and proceed to parade about town together, making music and being their very best monster selves. A glorious thing to behold; Bim shares some of their favorite memories. “One of my favorite stories to tell is that of Donald, who along with his partner Emily, are String and Shadow. They play music, do puppets, plays, performances and seemingly everything else under the sun. During the first parade, before I knew him, he ran the entirety of the parade pretending to be a human. He played the part perfectly, committed completely to the bit. He had his hands tied, a piece of tape with ‘HUMAN’ written on it over his mouth, looked terrified the whole time. It was fantastic. Folks roared at him and pretended to attack him. During the second parade, a clown, followed by a go-kart / Angler Fish, followed by the Monster Flag Corpse (Corps), followed by the Monster Parade Band, led like 6 to 8 blocks of monsters who packed the entire street out on both sides. At the end of the parade, the flag corps and the band performed “Bella Ciao.” Those are great memories.” What an incredible experience it must be, and one I hope I’m one day fortunate enough to participate in. As a parting gift to our readers, Basqo Bim shares a bit of wisdom gained from life experiences. “In terms of advice, I really only feel able to speak on issues or situations that I have encountered. There are some notable issues that I have come up against in my own practice that I have struggled to move past, and my advice is through that lens. If you struggle with mental health issues, address them as immediately as possible. There is a misconception that artists are supposed to ‘suffer’, and some artists believe that they will lose their edge if they engage in regular counseling and medication. It is not the case. Not addressing your mental health will likely make it more difficult for you to have the time, energy and stability that you need to move your work forward. Use PPE and be safety-conscious. The detrimental effects of chemicals and particles slowly but surely add up. Don't take risks with your health or wellbeing. Never throw anything away. Save your sketches, notes, models, supplies and older work. You will be very glad you did. There are bits of treasure in your old stuff, and sometimes it takes a while to find them. Document everything and back it up digitally if you can. Take pictures of everything, including your in-process pictures. You will not remember how you made everything nor in the order you did it, and it is fantastic to be able to go back and look at memories. These things are points in time, and your memory will zoom you right back to that moment. Sketch often and regularly. Make small models, diagrams and maquettes. Keep your electronic and paper notes, ideas, plans, dreams, sketches organized and in one central place. 16
Learn to plan your day, your week, your month, and so on. Learn to plan a piece from the first idea to the sketch to the model to the piece. If your art will be stored and/or displayed, start planning with that in mind. Build the mount, attach your hardware, do whatever it is you need to do before you begin work. Working backwards after finishing a piece is miserable and you risk damaging your work. Learn to finish your work. Clean it up, polish it, hide what you need to hide. Primp it and dress it before you document it, whether it’s for your own records, Instagram, a photoshoot, or hanging in a gallery. Learn to differentiate between what is play, what is practice, what is exploration, and what is your next “big” piece. For some folks, these all occur at the same time, and for some folks they’re in a very strict order. Find your path, certainly, but know that it is important to be aware of these aspects of your practice and process. Refine your practice regularly. Learn to be honest with yourself about what is working and what is not. You will likely experience burnout, creative droughts, big life changes, adversity in life, financial setbacks, and mental health issues. These are things that happen as a human being, and you have to find ways to ensure your practice survives these events. Sometimes these events push one forward, or provide inspirations and new frameworks. To sum all of this up, try and slowly become aware of your rituals, habits, and tendencies when it comes to you, your life and your art practice. Work towards the areas that need the most help, and all the other factors become even more stable as a result. Keep going no matter what. You have your entire lifetime to make your art, to tell your story—so use it!” You can find and connect with Basqo Bim and their amazing art online on Instagram @basqo_ and check out their latest news via the link in their bio. 17
THE NEVER ENDING FRIEND
LULU
BELLA
Artist Julia McClurg New York • Costa Rica • Colorado
I believe art that brings people back to their inner child, unbridled joy, should be uplifted and seen on as large a scale as possible. That is quintessentially the art of Julia McClurg, and her Lulu Bella Art—after her dear departed dog’s namesake.
ABOUT THE ARTIST Julia was born in Manhattan, grew up in Philly and then Colorado. After escaping to the jungles of Costa Rica for a more Pura Vida lifestyle for 9 years, McClurg has returned to the USA with an unstoppable vengeance for creating daily. A Renaissance woman / punk rocker, ex hair stylist who’s band “The Hectics” opened for the Indigo Girls and legendary Patty Smith at Red Rocks in 1995, Mcclurg ultimately found her true calling as a painter and lover of animals. A voice for the animals for many years, McClurg loves painting animals—particularly dogs. Some of Mcclurg’s more recent works depicts bright and bold figurative abstracts on a much larger scale.
OUR INTERVIEW This is Julia’s story—we’re taking it back to the beginning. “I was in my early teens when I was drawn to contemporary art. My earliest memories were drawing Snoopy, repeatedly, and being intrigued by the Peanuts as well as Mad Magazine. I went to art school in 1986 after going to a private school that I hated. It wasn’t until 20
then that I pursued my art career on a serious level.” Technically, McClurg is a mixed media artist. “I will literally paint with anything. My medium of choice is oil because I find that it is the highest quality you can get. I also paint with spray paint and a little bit of acrylic. Although acrylic is not my favorite. I have a number of different styles, so my creative process varies according to whatever my mood is and what is inspiring me in that moment. I see a lot of artists who locked themselves into one style. I have never been able to do that. I like working in clay one day and spray paint the next. Whatever mood strikes me in the moment. I prefer to work as large as I possibly can, and I’m looking at creating larger pieces in the near future.” Dogs and other animals are central in her themes, and there’s a reason for her affinity for utilizing them as subjects. “I am most drawn to animals as they do not have egos, and tend to be the most present of all beings. I find that because they are more present, I can be more spontaneous in my creations with their energy.” In many ways, the animal friends and family in her own life have been her biggest influences. “I lived on a mountain by myself in Costa Rica for nine years with two pet pigs, two goats, six dogs and two cats. It was magic! My pig, Super Honey Pig taught me to not give a fuck, even more then ever. Not that I did before,” she laughs. “Pigs are so intelligent and Super Honey Pig really doesn’t care about anything. Except her food in that order. I look up to anyone who creates and puts themselves out there daily. It is tough out there, and anybody who has the courage to create and put
their work out, there is a hero in my book. I draw my inspiration from the colorful world I see around me… through pop images, fashion—both new and vintage. I seem to be drawn to simple things and anything around me that represents the fresh, bright, bold, simple life. I find art from children very inspiring, and anything that is connected to the id versus the ego. Any time I have painted with kids I find it extremely uplifting and refreshing. So much imagination!” Getting back to her story, “Before I was an artist, I was a punk rock musician, and one of my fondest memories was going on tour with my band. Also, before that, I published a punk rock music fan zine. One of my highlights from that was interviewing Dick Dale, the godfather of surf guitar. I have been very lucky to have a very creative and unique life. When I see the Katy Perry mentality (no offense) I feel very honored and pleased to have lived a more creative life. To be a part of the DIY community in the early mid 90s was a real treat. Jell-O Biafra used to come and see my band play live in Denver. He was also there when we recorded our album.” As far as family goes, “I felt supported most by my family after I began painting commissions of peoples’ pets, when I began making a career / living / business with my artwork approximately 30 years ago.” They may have had to see it work to believe it, but they’ve been in her cheering section ever since. “I have a painting hanging at the Louvre, which is probably my biggest accomplishment. Other than doing commissions for Kristen Davis from Sex and the City, as well as Sheryl Crow and Kevin Costner. All of this is very random, I realize.” Success often is. An important thing to know about Julia McClurg is she’s one of those authentic artists who put their money where their mouth is (as the expression goes). She doesn’t just paint animals because they’re awesome; let’s face it, they are. She is truly invested in their welfare and is a strong voice for their rights. “I have been a voice for the animals for many years and I’m so excited to see the animal rights community growing. Animals give us so much and they ask for so little. I think anything that we can do for the animal kingdom is one step forward in our evolution and it is our job to educate any chance we get to help these beings evolve to have equal rights. Animals are not ours to experiment on, eat, wear, use for entertainment, or abuse in any way. The abuse that animals suffer at human hands is heartbreaking, sickening, and infuriating. It’s even more so when we realize that the everyday choices we make—such as what we eat for lunch and the kind of shampoo we buy—may be directly supporting some of this abuse. But as hard as it is to think about, we can’t stop animals’ suffering if we simply look the other way and pretend it isn’t happening. I have an animal rights page with 50,000 followers but these days I just try to treat my animals the best I can and just live by example.” As of now, life is shifting for Julia in big ways. “After living in the jungle for nine years, I am excited to be back in Colorado. I was born 22
in Queens, New York, grew up in Philly and really love Colorado. One day, I would love to visit Lisbon / Portugal, and explore other artistic cities. However, now I am excited to be back in Colorado.” The excitement is eclipsed by some difficult things she’s been quietly navigating in her life. “I was recently diagnosed with a very rare cancer and just went through one of the toughest treatments mostly on my own. I am still in the early stages of recovery and dealing with a few complications. I think right now a lot of people are struggling—mentally, emotionally and physically—on this planet. There is also a lot of narcissism and pretending going on which hopefully ends one day. I have learned to keep my circle very small and keep my nose to the grindstone as much as possible. I stay in my lane and paint paint paint! My art is my savior and sometimes I think it’s all I have. I am beyond grateful for my passion and love of art! I cannot imagine my life without it.” And on that defining note, McClurg imparts, “My advice to anybody who is starting out in the art world would be to stay away from assholes. Stay away from people who gossip. Surround yourself with people who lift you up, inspire you and support you. I think doing one small thing per day is also helpful if you’re feeling stuck. I went through a period in Costa Rica where I got stuck and that was very helpful.” Just one thing each day; simple, yet effective.
“I think the key to any successful artist these days is to find something you love to do and do it as much as you can. Don’t let anybody or anything stop you. Never give up on your dream EVER EVER EVER!” Now Julia is moving into the next phase of her personal and creative life, and the work she plans to produce will surely reflect these new changes. “I don’t think I have a favorite style. However, working really large appeals to me most at the moment. I can’t wait to be in a larger work space in Colorado soon so I can unleash and go much bigger. Working small always has felt very contrived & oppressive to me.” For our readers looking to connect with Julia online or become a patron, “the best place for others to connect with my artwork would be on Instagram @lulubellaart or @JuliaMcclurgart and through my website, Juliamcclurgart.com .” On a personal note, I’ve found that after spending much time curating for this article and also seeing Julia’s work and admiring it prior, I’ve grown fond of Lulu Bella as the abstract embodiment of her dear dog, the projected character she has cultivated from her essence. Like a character in a story book. So now she’s sort of become one of those characters that stay with me. I hope those reading will explore her work and begin to feel the same way.
words & pictures with
GEORGE HORNER
Special Delivery (Post Modern) private collection ofRudy Sanchez and Becky Rowland Sanchez San Antonio, Texas
Brooklyn, New York
journalist K. Day Gomez
the arts. Contemporary artist George Horner is known for his humorous and wildly abrasive approach to art. From being a founding member of SAMOMA [The San Antonio incarnation of MOMA] as a college student in the ‘70’s to his UBU graphic novel art zine to outrageous neon signs and posters that speak at times in incoherent sentences…At 71, now residing in Brooklyn for the past 39 years, he can tell you there is a reason behind everything he makes. Because he feels like it. And that’s just as good a reason as any. Let’s get down to brass tacks…
artist’s statement “George Horner's work uses humor as a way to confront the unconfrontable and to make the uncomfortable comfortable. The painting [left], titled "House you doin in the stars", is a memento mori of sorts, a reflection on the deaths of his father and several of his best friends. Using comic books and silly putty as his materials, George's picture perfect home in space belies the 28
pathos and loss behind the imagery. George's lifelong interest in comic books has led him to develop his current work titled “Incoherents”— based on solid art history, and a sharply humorous take on the classic comic book format. George Horner lives and works in Park Slope, Brooklyn. He grew up in San Antonio, Texas, and attended the University of Texas, followed by the University of Chicago, where he earned his MFA in 1981. Mr. Horner worked at the Museum of Contemporary Art in Chicago for 3 years before moving to New York in 1984, where he became a staff member at the Tony Shafrazi Gallery for the next 32 years. Mr. Horner has exhibited at Feature, Nancy Lurie, Randolph Street Gallery, N.A.M.E., Mo David Gallery, American Fine Art, Tony Shafrazi Gallery, Judith Charles Gallery, Mark Pasek Gallery, Canada, Arena, Ingrid Dinter Gallery, Spring Break and Luring Augustine.” George has led an interesting life while working as an artist and gallerist. And residing in art hubs like Chicago and New York has afforded him a wealth of eccentric friendships, auspicious encounters and exposure to some of the most influential art and artists of our time. In my time coming to know George, the stories are the best part of who he is—his own story included. Horner views the world through a jaded lens, and yet he’s not hopeless. He‘s observant and meticulous, and somehow he’s managed to take what he observes and run it through the distorted filter of his dark humorous art style so that what comes out on the other side is a parody of what actually is. The world has always needed art like this which acts as a swift kick to the ego. We can stand to be taken down a peg or two. In my interview with him, we started with the basics, spanning back to childhood. “I’ve been interested in art my entire life. I’ve always had a strong interest in newspaper comics (my grandfather was the publisher of the San Antonio newspaper, The Light, before it merged with the Express News. It was a Hearst publication and they had the best comic strips) and with comic books. I have collected them my entire life. I was attracted to their humor and drama and of course to the art and the artists,” he shares.
“I think my first real awareness of contemporary art was Pop Art in the 1960s. It has always been a favorite. But contemporary art—art that is happening now—is my true interest. Family was always supportive but rarely interested in what I cared about. Their tastes tended to be conservative leaning heavily to western and bluebonnet paintings.” Though there is a place for that in a traditional sense, this falls under the ‘sleepier’, ‘safe’ side of the art umbrella. And we’re not known for ‘safe’. As an artist, it can be said that George Horner is as far from playing it safe as it gets. “I use several mediums but mainly flashe on pages torn out from old comic books. Core themes are humor and death. One typical creative process would be to choose a page from an old comic book (the shape of the panels, onomatopoeia, unusual phrases within word balloons, odd images…) and then start painting out whatever was superfluous to the page. My goal would be to try and reduce everything down to it’s most basic level of abstraction but keep the humor and the oddness.” New aroun York subw ay my fird 1974 durin st visit g t o Big A pple. the
There is a strong degree of snark and almost unnerving level of antiestablishment idealism to his work (I mean this in a good way; it’s art’s job to disrupt comfort zones). “Not so sure about that “strong degree of snark” in my work, but okay, I suppose that is true. I do have a disdain for pretentiousness, art speak and the general lack of humor in art, so those are things I tend to focus on in my work. But ultimately, I try not to take myself too seriously and try not to pontificate. Also, I try to keep away from trends and “hot topics” in politics.” Though he spends much time on his Incoherents body of work, centric to the comic book medium as shown, Horner is well versed in neon sign making. What is particularly unique about his neon work is his propensity to place juxtaposing words next to one another to elicit a knee-jerk reaction. And like most things in art, the reaction says more about the viewer than the artist. He also makes use of puns in his neon signage, like his
The Horse Shoe neon was supposed to read “Whore’s Shoe” but was accidentally made into “Horse Shoe”. So I went with it and added a horse wearing spectator shoes for the spectator to speculate on. Turned out much better than originally designed. A happy and funny as shit accident. Fantastic when the magic works.
“Horse Shoes” piece, for example as exhibited in his Mutt Cubism exhibit at SAMOMA, circa 1977. George’s neon signs are what drew me in most, and I still can’t put a finger on why they impact me the way they do. Maybe there is a degree of confidence in boldly making a statement, especially if there is a level of nonsense in what is said—he explains this in his recently showcased November Dallas exhibit as part of a trio of artists with a full back story. George will tell you that most of the time, the phrases in his neon signs or on his bold posters are the result of having heard someone say those things in passing, or seeing a fragment of
a headline or note and finding an ironic humor to it when pulled apart as a standalone statement. This is exemplified by his neon sign “Nuke This Shithole” which was seen as writing on a building, or his poster “Satan is Happy With Your Progress”—a conversation fragment. In an interview with Mark Newgarden in The Comics Journal (2020), Newgarden posed the question, “You have apparently maintained a longrunning fine arts career creating work with a distinct emphasis on humor. Wtf? Explain.” To which, George responded, “From Dada to contemporary artists making joke paintings, the art world has many artists that deal with humor in their
The chair covered in dirt with the Alamo neon on it is titled “I remembered to forget to remember the Alamo.”
work. That said, the Fine Art World does tend to have a huge stick up its ass and takes itself very seriously. I use weird art materials (Silly Putty, porn, comic books, neon, posters, plastic toy soldiers…) but try to use them in serious ways and at the same time not take myself too seriously. It’s a tricky business and it doesn’t always work. Perhaps working at a hotshot hoitytoity Manhattan gallery helped, but that world rarely opened up to me. I get dismissed, but I’ve learned to deal with it with a sense of humor. I just try to make art that I can live with and stick with it.” About that proverbial stick, Horner walked me through one such experience from twelve years ago. “Back in 2011, I was invited to exhibit my posters in a show: DARK HUMOR / TERMINAL JEST, at Delaware County Community College, in Media, Pennsylvania. My posters were hung throughout the campus along with the artworks from the other artists exhibiting in the show. For whatever reason, my posters were all ripped down, torn in half, (some torn many times), tossed on the ground and stomped and spat upon. Weird. It must have been the one that read: “Satan is happy with your progress” that set them off, but all of the posters were attacked. I was asked for more posters by the curators but knew if we put up more posters that they would be destroyed too so instead I just asked for the ripped up posters to be returned to me. I was reimbursed for the ripped posters. Sometime later I was playing around with the stack of ripped posters and just put them together in
random and surprisingly odd and funny combinations. When I showed them to Michael Wynne, he loved them and asked me to exhibit them at PRP in Dallas (2022). I said I would (along with other things) but only if Michael would show with me. We also added my dear departed friend, mentor and tormentor, Donjon Evans, and gave our show three titles: George Horner “Nuke This Shithole” Michael Wynne “Hepatitis Kitchen” and Donjon Evans “Invisible as of yet”.” There is a poetic philosophy in the way George turned a hateful vandalism assault to his work into completely new work that ended up being just as impactful, albeit in a different way. This is the general tone of his art. And like any art that matters, attempting to silence it only makes it louder. Back on the subject of George’s history, when we first connected, he explained, “I was a founding member of Ki-Flow Turtle, the avant-garde performance troupe. Co-founder of the Mutagenic Muster Gallery along with Don Evans (aSan Antonio art legend and pioneer who recently passed). I self published a book on Don Evans last year. Cofounder of SAMOMA (San Antonio Museum of Modern Art) back in 1976-79. From San Antonio originally, but now I live in New York (since 1984).” While managing the Tony Shafrazi Gallery in Manhattan for over 30 years (1984-2016), George says, “We first exhibited and championed Keith Haring, Kenny Scharf, Donald Baechler and JeanMichel Basquiat.” He came to know all of these iconic artists personally, along with many others.
“They were all friends and mentors.” During his lengthy interview with us for the SAMOMA film documentary we are currently working on, George regaled us with some hilarious, impactful and even poignant moments from those times. You’ll have to see the film to get a full picture as he stated it perfectly, those memories are, “too numerous to relate them here.” In San Antonio specifically—our own home base—George Horner has shown at Trinity University, UTSA, SAC, SAMA, South Texas Popular Culture Center, Revenant Gallery, Tre Mendez Studio, and of course, SAMOMA. He exhibited at South West Texas University (now Texas State) and received an NEA Grant in 1987. He also had two pages in Art Forum in 1987 showcasing his Silly Putty work. From then to now, he’s pretty content with where he is. “I was born in Dallas but raised in San Antonio, lived in Chicago for six years and have lived in New York for the past 39 years. I don’t like to travel that much because I did so much of it during my tenure at the gallery. I like staying home here in Brooklyn and making art in my studio.” For our readers, Horner says he has, “no words of advice other than do what you like but be intelligent and passionate about it. Also be ready for a lifetime of rejections and disappointment.” Though it may sound bleak, the takeaway should be that brutal honesty is something we don’t hear often enough. It’s the thing that prepares us most, and in knowing what to expect, we’re also empowered to make a more sound decision on whether this is the industry for us. You can connect with George Horner on Instagram @georgehorner and find his body of work on his website, georgehorner.com .
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THE
INNOVATO R
artist Amira Alsareinye
How one Muslim artist bridges her multicultural heritage and integrates her identity within the context of the modern evolving world.
San Antonio, Texas journalist K. Day Gomez
Amira Alsareinye is a painter and fine artist who resides in San Antonio, Texas and whose art serves more of a purpose than meets the eye.
ARTIST’S STATEMENT “The focus of my art is to explore my religious, cultural and spiritual identies outside of stereotypes and the enclosing walls of keeping tradition without growth. Growing up with a culturally mixed identity in America can be both confusing, claustrophobic, and mind-blowing. With a father from Syria and a mother from Mexico, while being born and raised in Texas. As a practicing Muslim woman, I decided to seek liberation from traditional constructs placed on people like me through the art that I create. I do this by utilizing surrealist principles, and more recently, pop-art styles in my pieces. There is a notion that brown veiled women are quiet, demure and submissive. Art is my protest and a way to use my voice. I am especially inspired by Corita Kent, who often used art as a means of protest. Using bold contrasting colors, I make connections to the colorful folk art styles of the cultures that belong to my heritage while also making a commentary on being unapologetic.”
WHO IS AMIRA? As we are known to do, we’re taking it back to the beginning. Now 32 years old, Amira gives us a deeper look into her history when it comes to art. “I have been painting since I was a teenager, and completed my first commission at 19. I have never been a stranger to criticism from family on how art is not a money-maker or isn't seen as "productive”. However, the more I created and got my work out there, the less criticism I received and even had some support where, before, there was none.” Getting to the mediums she uses most frequently, we also asked about the core themes and her creative process. “I enjoy working with watercolor and acrylic. However, I have used other media as well. Two years ago, I became displaced. I had no art supplies and little money, so I used crayons and still found my creative process similar if not the same. Usually I will see "a vision" in my mind’s eye and feel compelled to create something as close to the vision as possible. Often the visions are prompted from memories, dreams, nightmares or just vivid imagination. Sometimes I will draw a sketch if the imagery in my mind is unclear. Then I
will find a couple of free references and begin drawing, and proceed to painting the piece.” Culture is deeply rooted in most of what Amira produces. Understanding her unique background is important in order to interpret the lens through which the artist is telling her stories through the art. “I was born and raised in San Antonio. Both of my parents are immigrants—my mother is from Mexico and my father is from Syria. Both of these ethnicities are incredibly rich in culture, and I have been inspired by many Arab and Mexican folk-art designs as well as color schemes that I try to implement in my work. I would love to go to Mexico and explore my roots, I have been to Syria and Lebanon and the learning experience was incredible.” As a product of immigrants myself (first generation American on my father’s side), I can tell you that there is always a part of yourself that feels foreign, even having been born in America. There is something intrinsic in our DNA that acts as a link to the places we come from and a yearning to touch that soil, even if we’ve never set foot yet. In that, I empathize with Amira’s longing. Color plays a huge role in her work and gives it almost nostalgic 60’s and 90’s vibes. Alsareinye explains, “I am definitely a product of my childhood, and I am a 90’s baby. What can I say? I love the vivid colors and motifs of the 90’s. They are so intense and full of life. However, while growing up, I was mostly exposed to music from the 50’s and 60’s, so I have a deep appreciation for nostalgia in general. Recently I have been using more pop-art styles in my work and I feel that the colors and motifs of the 90’s are great 37
methods to explore these styles.” She goes on to explain some of her biggest influences throughout her artistic evolution. “Art has always been my way to explore my imagination. I have such a vivid mind's eye that I can sometimes confuse dreams with memories.” To this, I can certainly relate. “I have definitely always been attracted to surrealist works. Of course, famous surrealists like Frida Kahlo and Salvador Dali are great influences to many who want to explore surrealist principles, including myself. Then there are less well known surrealists like Maria Izquierdo who's work can sometimes be explained as similar to Kahlo, however her works are a bit different.”
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What Amira creates is all the more exceptional because of who she is. The fact that she has interwoven her ethnic identity into her work while simultaneously producing work that pushes past the constrictive barriers of the more traditional elements of her culture(s) is something that is still very new and progressive. Uncommon. In this way, Amira Alsareinye and her art is centered around the feminine, imbibes her Muslim identity combined with symbols of empowerment and autonomy into her pieces just as effectively as mainstream artists. As we navigate through these new thought territories, it becomes clear why such representation matters. There has not been a model, per se, for what artists who identify like Amira looks like— or rather, there have been so few examples until now. She’s empowering the next wave of generations of Muslim artists to come by simply being who she is and bringing that to the table. “I am 35 trillion blood cells rushing. I am 206 bones. I am one heart cut in two or maybe more. I am a single mother of three children. I am a Hijabi, Shia Muslim. I am Arab, I am Mexican, I was born in Texas. I am divorced, I am a brown woman, I am weird, I am different. I am an Artist, I am a writer, I am a talent acquisition specialist. But none of these things define me. I am more than all of the labels that I accept. I am a universe. I am the east and the west yet I am neither from here nor there. I am somewhere in the middle, growing, reaching out to both ends— stretching myself just to touch them. I am Morena, I am Gorda, I am Qaweeya, I am Amira. I am Unapologetic. I'm the kind of artist who's family immigrated and lost contact with their roots. The kind who is only considered half; although which half? Where do we draw the line where the codes defined my eye color, or the curliness of my hair? The kind who's tongue wasn’t blessed to speak with her grandparents. The kind who adores the ornate patterns of folkloric art and dance and longs for the mystery of the secrets that lie within the past. The kind that shares another heritage equally. I am the kind that was born in America with a mother born in Mexico, and a father born in Syria. I am Romeo and Juliet—for the stars were crossed at the birth of my soul. Somedays I feel cursed by these crossed stars, and others I am in awe of their brightness, and the brightness of the sun and the moon eclipsed together. I cannot choose the sun over the moon, nor the moon over the sun. I am two in one. I am my own. I am Amira.” To other artists, Amira would like to impart, “If you feel moved to create, then do it! It's okay to be afraid. Feel your fear and move with it. The more you create, the more you will be inspired to create more. If you are in a block, just make something. You don't have to think it looks ‘good’. Just making it is good.” Words of grace that many of us need to take to heart. For those interested in connecting with Amira online, “Follow my Instagram @with.love.amira or you can view my website at mindpopart.com.” We will definitely continue to follow her journey. 40
Melanie Allison MELANIEALLISONGALLERY.COM
SHAWN KRAFT INVITES US TO
GET BUSY LIVING
San Antonio, Texas journalist K. Day Gomez
photographers John Wagner & Miguel Flores
WHO IS SHAWN KRAFT Shawn is an accomplished model, actor and personal trainer with over 10 years of experience in the fitness industry. His passion to improve the lives and wellbeing of others is evident in his ‘Get Busy Living’ and Body by Kraft philosophies that include nutrition coaching, education, and personal training. His personal training programs include Total Body Functional Training, Rehabilitation and Physical Training, and Corrective Exercise / Injury training. Shawn is extremely passionate about fitness and many of his workouts have been featured on daytime TV. Shawn’s dedication to the fitness industry has led him to create his own line of supplements which began with his Replenish Proteins and All In One Greens and has since grown to become a line of nine different products. Outside of fitness, Shawn is extremely passionate about modeling and building race cars. When he isn’t training clients, he can be found walking the runway and doing modeling work for companies like Men’s Wearhouse or in his garage working on his race cars. In more recent years, he’s lent himself to acting, beginning with music videos. It’s a thing he plans to pursue more over time. worked very hard where I’m from.”
BACK TO THE BEGINNING “I’m from a small town called Lakefield, Minnesota. It’s probably about 2-3,000 people now, but at the time when I was growing up it was a population of maybe 1,500 people. No street lights—it’s like watching Friday Night Lights, but even that town’s a little bigger. A lot of Farmer’s. Everybody knows everybody; very small community. I grew up in a trailer house. Didn’t really have much. It was tough. But my dad was building his racing career, and I remember being around 5 and always wanting to go see him race. As I got a little older, it was always about work—whether going out in the field and picking up rocks or working in the field, bailing hay in the barn… It was something we did after school or football practice. It was just different back then. People 44
Shawn’s story plays out like the Hollywood version of the kid from humble beginnings eventually achieving the elusive ‘American dream’, making it big later down the line. But it’s not a movie—it’s what he authentically went through. “I remember my dad was always traveling because of his racing career, and there were times it was hard on the family. We didn’t have much so he always worked and would pick up spots and sponsors where he could. Like Hardee’s, Taco Bell and later other big sponsors along the way later in his career. That opened my mind to say, “hey, if he can do it and make something of himself from a little town where no one is supposed get out of, I could too. I always had this itch to get out of this town and come to the south, where you always see people doing big things.” Shawn felt himself outgrowing his surroundings pretty early on. “It started for me when I was about ten. But it dawned on me more when I left to go
play ice hockey in Phoenix, Arizona. I was 19. Straight out of high school I tried out for ice and roller hockey. After traveling out to California, I ended up playing for the Peoria Polar Bears WHL Hockey team. I also played for Team Gatorade Roller Hockey. I was probably 22 realizing I hated coming back. I didn’t want to stay in Minnesota after having been on the west coast.” Career-wise, Kraft got his beginnings in the family business, building race cars with his dad, who is now retired and in the Racing Hall of Fame. “He was given the Key to Indianapolis as well. I was a senior in high school when I took over building race cars on my own. I continued all through my 20’s and 30’s. I also worked at a factory with my mom—Kozy Heat Fireplaces, welding fireplaces, big thanks to Dudley Hussong —until shifting to hockey. I came back and was an assistant hockey coach for four years in Windom, Minnesota for a high school girls’ team. I did that on the side between building race cars. When I turned 27, a guy in Woodward, Oklahoma wanted to buy into our race car company so we relocated down there and continued. Two years later I moved to Dallas, Texas for about seven months training, then moved to San Antonio and started professionally training there, while still building race cars. It’s then I ran into Kimberly Crawford with Daytime at 9, for whom I’m forever grateful. She was the one who gave me an opportunity to come on the show twice a month doing regular
health segments.” That was the start of Shawn’s career in television. “Over the next four years, I had spots on all the local news stations here. That really helped me to grow in fitness, brought a lot of opportunities. Around 35 after training through Gold’s Gym all that time, I was able to branch out on my own with Kraft Fitness and Body by Kraft. Eventually I developed my own supplement line. Modeling was something I picked up along the way. Television opened up a lot of doors for that. I did runway for Dillards, Saks Fifth Avenue, Neiman Marcus… I flew out to New Orleans for Dillards—I remember I was the only guy with 30 women. I was a television spokesperson for Manrique Custom Vision after receiving lasik eye surgery. Another spokesperson spot that TV opened up for me was Nautilis/Octane Fitness equipment. You can go to any Lifetime Fitness to the Nautilis equipment, go to ‘warmup’ and you’ll see me on there. I did two years for those guys.”
FAMILY TIES This was not exactly what Shawn’s father had envisioned for his son, by way of a constantly evolving, eclectic career. “I always felt like I let him down. Especially when I was gone a few times, playing ice hockey or doing my own thing. When I wasn’t building the race cars—it got kind of tough. It wasn’t so bad at first being gone a little bit, but business started moving fast. When you’re used to
building 40 race cars a year, and then adding custom mobile homes and race haulers and such…” He reached a point where he became conflicted. “It’s like, you know you want to make your dad proud but you also have to make your own way. So over these last three years or so after he retired, I’ve shifted to getting into other stuff. Like these country videos with the Country Network...”
SHOW BUSINESS Shawn tells us, “I just finished doing three videos for Donice Morace. He’s a rising star in Nashville. He just won Emerging Country Artist of the Year. The first video we did (One Drink In) hit #1 on CMT. That’s the kind of stuff I want to work on more. I’ve also flown out a couple of times for reality shows. That was affected by Covid actually—but that turned into some casting people calling me, and that’s when I got into doing these music videos. I’m telling you, it’s a weird story! It’s fascinating the deeper you dig into it. After getting into TV, around the same time during the pandemic, I wanted to take a break and go out to California where my cousin lived. I was out there training some clients— American Idol’s Michael Simeon who made it to top twelve, was one of them. While out in Laguna, I prayed about it and it just came to me that I should take this opportunity to start my supplements and build a website. I wanted to continue on with the same quality in branding that my Dad had made, but with providing people with a good organic supplement line that met the same level.” It happened as a sort of soul journey, in Shawn’s perspective. He just packed up his car and drove until he was in Cali. The new change of direction or addition to the brand he was already building came as the result of that head-clearing road trip that found him staying on the west coast for a couple of months. Fast forward to now, you can purchase his products at the retail level in Stone Oak at Juice Joint here in SA currently, as well as online. Throughout his journey as a whole, Kraft
has been inspired by a few individuals, naming football player Jerry Rice as one such influence. But it was his dad, then and now, who he leans on when getting back to his focus. “Even in his 50’s and early 60’s, he’s still running at a high level. To be able to do that, you know? I think about me having been in my late 30’s, early 40’s trying to crank at a high level in fitness and keep up there —it’s not easy. I always think of him when I struggle. Like, man, if he can keep pushing forward that late in the game, then what’s my excuse?” A valid point. “My two cousins, Matt and Chad Kraft—they were always an inspiration. My cousin Chad Kraft is a four-time All American Division 1 for the Golden Gophers wrestling team. They both got me into wrestling at a young age. I didn’t follow in their footsteps since I shifted to hockey, but I always looked up to them. They were always winning, all the time.” Technically speaking, the Kraft family is like local royalty in their hometown due to their collective accomplishments. “We were always in the papers and making noise and stuff like that. Ryan Carlson, Tim Jasma, Nate Baker to name a few… just so much talent.” It’s not all a piece of cake, though.
Shawn works hard for what he’s built. “There have been many nights where I don’t go to bed until 3 or 4 in the morning, you know, working a few hours on a race car and then going straight back to training. (As an entrepreneur) you’re always doing that as you’re building. But you gotta start prioritizing, and that’s where I’m at now. I have clients reach out from out of state wanting me to come train, and I honestly want to get back to being able to get away to do that here and there too.” His steadfast pace goes back to his life philosophy, ‘get busy living’. “It comes from Shawshank Redemption, actually. GBL or GBD—“get busy living or get busy dying”. Which one are you going to do? It always stuck with me. I always say to people, “remember : don’t make a change, don’t expect a change”. Whether it’s a relationship, health and fitness, anything… If you don’t like the way things are, do something about it.” It’s not just something he teaches. These mantras were developed over time through cumulative experience and struggle. And through all the success, Shawn remains humble. His upbringing and those harder times growing up stay with him. He never forgets where he came from. 49
He’s the guy who actually looks at people’s name tags and asks how their day is going. “Just that little bit of kindness, you know? That can make somebody’s day. I know because it made my day when I was a kid working for $2.25 an hour…“ He touches on the poverty, saying, “I remember taking a piece of white bread and plain lard butter, folding it together, and that was a meal. If you could get some bologna and some chips, just mustard and mayonnaise—that was an awesome meal if you got that. That’s how I grew up; in a trailer, super poor, not having much. I always let people know that. They always think I’m this certain kind of person because of the truck I drive—and I’ve had my toys, don’t get me wrong. But I have that because my dad always taught me to keep working, to work for everything. And I’ll be honest, I was pissed off at him at the time, but now I appreciate it so much.”
BEING HUMAN There was a moment of lucidity in the interview here where Shawn laughed and said, “I’m telling you, it’s wild. I don’t know how you’re going to put all this together. People are going to read this and be like, “who is this guy? He’s all over the place.” It’s a lot of stuff. My head still spins.” He acknowledged early on that he, like myself, has a brilliant ADHD brain. I think it’s a beautiful thing. Strangely enough, it all just flows like a great conversation. “I trust you,” he told me. “I know we covered a lot of chunks.” At the root of all of those pieces is this incredibly passionate, driven human being who is constantly learning and wanting to help whoever and however he can. He’s volunteered at the SA Food Bank, he’s done some work with lymphoma and leukemia charities…but when it comes to making real change, Shawn says, “when it comes down to it, I’d like to see more people putting their faith in the good Lord. It’s that simple. If more of us worked on being kinder and worked on our faith (whatever your spiritual path), I think you’d see a big difference, even through the struggles. It’s about keeping the faith and being kinder to people in all ways, which I feel like nowadays we’re missing. No matter where you come from, no matter where you are, the idea is just to treat others the way you’d like to be
treated.” His Uncle Ted Kraft was a huge role model when it comes to his faith. His recent passing came as a sudden shock, but has further instilled Shawn’s desire to spread the good word as Ted would have. “Especially coming out of Covid. Like, a lot of people just don’t want to talk to people anymore, or they just want to sit behind a computer. As much as that’s fine, we can still appreciate face to face interaction, shaking a hand. Like, when they told us not to shake hands or give hugs—those things go a long way. Some people have told me, “wow, I haven’t had a hug in a year! That feels nice,” you know? It may seem small but really, I think it’s big.” Shawn himself is here to do just that—lots of seemingly small strides and gestures that build and build into big things. He’s in a better place and he’s making the a better place of the world around him. I’m happy to have followed his journey over the years and excited to see what he does next. You can connect with Shawn Kraft online at kraftfitness.com and on Instagram @kraftfitness and @bodybykraft.
The Game Changer
with CEO & founder Chad Ritterbach Hollywood, California • Austin, Texas journalist K. Day Gomez
Over the course of that lunch, he regaled us with stories of humble transitions, Hollywood scandals and deep connections he’d witnessed and had been a part of throughout his journey in show business. I could have sat and watched the shadows grow long for the rest of the afternoon listening to him share. But Chad, like me, is a busy person, as well he should be. bokcreative inc. is a hot company, constantly working on the next big thing.
bokcreative inc. is a casting, motion picture and film company based out of 1901 Avenue of the Stars in Los Angeles, California. Specializing in commercials, music videos, fashion and ad campaigns, print, new media and film…it’s safe to say bokcreative inc. does it all. PEPPER Magazine CFO and style consultant Joe A. Gomez III happened to be attending photographer Miguel Flores’ new studio opening party in San Antonio a couple months back. While there, he met two of our interview subjects for this very issue for the first time—actor Shawn Kraft and wouldn’t you know, bokcreative inc. CEO & founder, Chad Ritterbach. Charmed by both wonderful humans, Joe made it a point to place both of them on our roster. Later, over lunch at Mon Chou Chou French Brasserie for my first time—it’s amazing, by the way [see our SAVOR section], I would have the pleasure of meeting Chad myself. It was an instant connection. Chad is one of those rare people you feel like you’ve known your whole life. He makes you feel comfortable just being, and is one of the most hilarious and brutally forthcoming people I’ve ever met.
Originally a Texas boy, he told us, “I was in theatre arts in San Antonio, acting myself. Starting as a teenager, I shot a few commercials with a local agency—Condra—then went on to become an entertainer at a theme park. It was Busch Gardens in Tampa, Florida in the late 90’s, when a dancer friend invited me to move to Los Angeles with him. I had never been to Cali before and didn't hesitate AT ALL. I was fortunate to have met the vice president of Elite Models and at 21, became a model agent with the largest agency in the world. I stayed for three years and was given the opportunity to switch gears into casting. This opportunity came from a casting director that I worked with as an agent, and after four years I was able to start my own company. When you come from very little with zero resources, there is no such thing as an obstacle. There is NO backwards really—only forwards.” Chad opened up about his family in conjunction with the whole career shift. He said he had “very VERY strong support, raised by a single father who was always supportive in any endeavors that I wanted to follow. Not a single bit of hesitation. He is the reason I’m back in Texas now, looking after his final years,l. I’m making sure that his send off is one of a kind!” A very poignant and special thing, and the reason bokcreative inc. has now extended to Austin and the state of Texas where he will be for some time. It will be a consistent travel lifestyle since he is still keeping the LA home base as well for bok. “I guided myself really through two different positions in the industry. As an agent first, then into casting as an assistant, then associate. I knew the name of the game and every side of it. It was a full circle moment for me. Also, I was one of the first to see the transition of the business from a 12-14 hour work day to becoming more of a kinder workable and technically advanced business with online capability. Gone were the days that we’d take 200 Polaroid's a day and photocopy three huge binders, as well as recording multiple VHS or 3/4 tapes to send to clients. I knew it would be a smart business move to continue on alone.” 53
I asked about the early years breaking into the industry up to now and if he had some great stories that have stuck with him along the way? (It’s hard to share publicly when most of those stories involve celebrities.) “Do I remember that far back? I do remember working on ‘The Fast and Furious’ and sitting on a couch with a shirtless Paul Walker. What a DREAM that was. There are so many "pinch me" moments. Over ten years ago working with Madonna on ‘Girl Gone Wild’—you kind of puff up your chest— what an ICON! That a little gay boy from a trailer park in San Antonio finally gets the validation and credit… On THAT day, I had done it all! And whatever came after, how would I, how COULD I compare!?” Over the course of beyond a decade, Chad’s life has been touched by so many people it’s enough to make his head spin. “I was pushed into the business casting for every popstar imaginable—Beyonce, Jennifer Lopez, Britney Spears, Madonna, Rihanna, Katy Perry, Taylor Swift, Drake, Sam Smith, Arianna Grande, Missy Elliot, Justin Bieber and Pink to name a few. I also cast a lot for the famed photographers David LaChappele, Ellen Von Unwerth, Mert & Marcus… I have been very fortunate to work and cast for Dior, Estee Lauder, Diesel, YSL, MAC… There is nothing I have NOT done within this field.” Because he’s done a lot of pioneering in the industry sheerly by approaching things a little differently, we asked Ritterbach what kinds of change he is hoping to see in the world around him over time? “I’m pushing to INCLUDE Texas as a great market that hasn’t been tapped into properly, commercially. And with all casting virtually to include talent from here for my bigger, more notable work.”
With well over a decade of experience in casting and entertainment, Chad specializes in working with both seasoned actors and real people to provide creative solutions for his clients. And there is so much more to come. “I want to cast for much more of a global market and audience, and to start dabbling maybe more in film, branching off to more of a creative branch, and producing.” A goal that is not at all out of reach. In the present, “We just cast Miley Cyrus’s latest video , River, which wrapped in March. And we’re prepping to cast another clothing campaign with David Lachapelle.” We asked about the overall message and any
advice for others out there in the business. “bokcreative inc. is a continuous advocate for equality and inclusivity in our industry. We believe every gender, race, ethnicity, size, shape, etc. is beautiful and should be featured and highlighted. With every project we work on, we make it a priority to be as inclusive as possible. Our responsibility is to not only deliver what our clients ask for, but to SHOW them what they didn't even know they wanted. I was one of the pioneers in bringing trans and drag talent to mainstream before Rupaul’s Drag Race was even on the air.” This is incredibly important to understand, especially in the current times when this community is under political attack on a national level. “Such as casting Erica Andrews—a local San Antonio ICON Trans and Drag performer—in both Jennifer Lopez's ‘Do it Well’ and Maroon 5’s ‘Won’t Go Home Without You” in 2007. As well as casting DETOX in Rhianna’s ‘Disturbia’ video in 2008.” It may seem like inclusivity is a priority within the industry by this point, but there is still so much that needs to be done. Representation across disabilities and differently abled bodies, sizes, neurotypes and ages, for example are still only barely emerging. We hope bok and others in casting will be able to change that. Having come to know Chad, I’m confident he will. You can find bokcreative inc. online at bokcreative.com and connect on Instagram @bokcreative . 56
miguelfloresphotography.com @miguelfloresphotography
@staceyraeofficial • cloverbudphotography.com
C O L O U R p h o t o g r a p h e r
D a v i d
R o d r í g u e z
Santa Cruz de la Palma, Spain
W h o
i s
D a v i d ?
My name is David Rodríguez. I am 39 years old and I am from Spain. From an early age, I have always been attracted to the art world, but my love for photography didn´t start until 2013, the year I bought my first reflex camera, and I began to explore my attraction to art. Shortly afterwards, I began to train myself through several courses, and also in a self-taught way. While I was studying, I discovered new photographers. One day, I discovered Guy Bourdin and a photo that fascinated me enormously. In the picture, there was a girl under the water with her eyes and mouth open. I was enthralled with this image instantly, and this is how I came up with the idea for the "Fresh" series. Then, I did the shooting taking advantage of a summer day in which the sun was at its peak.
h a v a n a h HOTEL HAVANAH
photographer Elliot Carlyle at Current•ly Global model Edwin Borquez Pierrot at Marilyn Model Management San Antonio, Texas
bodega BEHAVIOR DESJA CHANNEL photographer Stefani Lackey San Antonio, Texas
DESJA CHANNEL boutique
photographer Stefani Lackey model + mua + hair Annakaren Alderete stylist Desire Torres Jefferson Bodega
glam
7
ON AISLE
CITY
REVIEW
STYLE
1
Job Dacon
Manila, Philippines
photographer Roj Miguel model Karol Ribeiro of Women Mgmt. hmua Lars Cabanacan designer Job Dacon assisted by Teresa Magsalay withe special thanks to Lester Buyao
CITY STYLE
REVIEW
Dragon Girl
2
Berlin, Germany
photographer & film director Marianna Vesku model + actress + recording artist Yan Ge
CITY STYLE
REVIEW
3Karina
London, UK
photographer Metty Unuabona model Karina Starczynska with MS Represents
CITY STYLE
REVIEW
Stephan
4
Los Angeles, California
photographers David Schneider, Gerardo Nevarez & RNCG Media model Stephan Adam
DARK P H O T O G R A P H E R
M I C H A E L
A V I L A
C H R I S T M A N
@DARKHORSEPHOTOGRAPHYSA
The
SUSTAINABLE STYLIST BECKY WITTE-MARSH @beckywittemarsh
marshbecky17@gmail.com
FASHION • HOME • SET
sustainable fashion & decor
Sustainable fashion & lifestyle expert Becky Witte-Marsh
I started thrifting in high school. I lived in a tiny Wisconsin town. The closest Goodwill was 30 miles away, but they certainly had the goods! My first purchase was a genuine racoon floor length coat from the 40’s that was perfect for Wisconsin winters in my VW Bug with no heat! After that, I got hooked on Carmen Miranda clip-on earrings that looked like baskets of fruit. And the rest as they say—is history! Throughout my life, thrifting has been a constant, even when I didn’t have to be thrifty. There are so many great reasons to thrift. 1) Sustainability – Thrifting is better for the planet. Less waste, less pollution and not another garment made by an unethical working conditions manufacturer. 2) Helping others – Many thrift stores are connected to organizations that help people get back on their feet, recover from addiction, find jobs and counseling. Others support international philanthropic endeavors and animal shelters. Chances are, you can find a thrift store that is related to a cause of your choice. 3) Quality – Many of the items you will find in thrift stores have stood the test of time. Vintage items and antiques are commonly found items on any thrifting adventure. 4) Unique – The ability to curate a selection of garments and
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household goods that speak to you personally versus having fashion and home décor trends dictated to you. 5) Cost Savings – Every time I go thrifting, I over hear fellow thrifters lament that thrift prices are going up. I would argue that prices on EVERYTHING are going up! I have found that on average, thrift prices run one tenth to one quarter of the original prices. A savings indeed! 6) Education – Over time you will learn a lot about different brands, product origins, fabrications and what looks good on you. Mixing your finds and styling them up can be an education in itself. 7) And last but not least, The Thrill of the Hunt! Not only will you find joy in acquiring pieces that do all of the aforementioned, you will find delight in finding the pieces that really speak to your heart.
Here we go! So, there is a method—my method—to the thrifting madness that will hopefully take the uncertainty out of the situation and put you in the thrifting cart driving seat! It starts at home. Prepare for your thrifting trip by wearing clothing that is not too bulky or baggy. If its cold, wear a coat you can take off quickly, not a bunch of layers. This will come in handy when you want to try on clothes in the aisles versus having to wait for a fitting room. Shoes you can easily slip on and off are also a good idea. If you carry a purse, try to make it a small one, or at least a cross body bag that will keep your hands free and not keep sliding off your shoulder. Make a mental note of items you need and head out! To get started thrifting, any store will do, but I feel you increase your chances of finding desirable items more easily at the larger thrift stores such as Goodwill and Salvation Army. At these stores, you will find a large selection of men’s, women’s and children’s clothing and accessories, as well as home décor and furnishings. Books, CD’s, vinyl, kitchen items and electronics are all here under one roof.
If possible, try to get to the thrift store when they open. This will ensure the best selection possible. When you arrive at the thrift store, grab a cart or a hand-held basket if they have any available. This will make your shopping experience easier. Next, look for signs that describe any specials that the store is running that day. It could be just a sign that says ‘25% off all glassware’ or a color coded system that might say ‘all green tags are 50% off today’. Some stores also run special discounts on special days of the week. Like ‘all clothing is 50% off on Tuesdays’. Most thrift stores have special days for Military and Senior Citizen discounts as well. Understanding all of these opportunities to save, will get you the best prices on your thrifted treasures. It’s time to start shopping! Start with the area that speaks to the needs and wants list you made while you were at home. If you need kitchen wares, start there. If you need a new couch, start in furniture. If you need new clothes and accessories, it gets a little trickier. Accessories seem to get picked over quickly, so hit the jewelry, bags & shoes
Tags can also tell you the history of a garment and whether it is vintage or not. The more tags you read, the more educated you will become.
first. Coats also seem to be very popular, especially in the winter and fall, so find those racks if you need one. If you just need clothing in general, I recommend that women start with dresses and jackets. There is usually a wide selection of these items and they are great additions to any woman’s wardrobe. I like to take my clients to dresses because it makes getting dressed so easy. Throw on a dress and some accessories and you are ready to go. By adding a topper, such as a jacket, vest or sweater you have a complete look and are out the door in no time.
Something for Everyone For men, I recommend starting in button down shirts. Short or long sleeve, these hard-working pieces can go with any bottom and always look appropriate. Once you have found the area you want to shop, here are some key thrifting insider tidbits that will help you score the best stuff!
Becky’s Hacks 1) Read Labels – Look at fabric content. We are looking for natural fibers, such as cotton, wool, silk, linen and real leather. These fabrics will be more sustainable and last longer than manmade polyester. They will also look and feel better on the body. Also look for the country of origin. Made in U.S.A. is definitely desirable. Made in China could sometimes mean (not always) inferior fabrications and unethical working conditions.
2) Feel the Garment – You will train yourself over time to feel quality and history. Large shoulder pads could mean a vintage 80‘s piece. Natural fibers have their own distinct feel. Look for construction details such as good tailoring. You may also see handmade garments without tags. You can tell from the interior seams. These are one of a kind! How exciting! 3) Inspect the Details – Are all the buttons there? Does the zipper work? Any other closures such as hooks and eyes or snaps – are they there? How’s the condition? Stains? Holes? Pilling? Give the garment “the sniff test.” All of the above definitely apply to all categories of thrift shopping as well. All of these key ingredients will help you make your selections. And of course, you need to like it! Put all of your maybe’s in your basket. We will let the fit be the deciding factor in what’s going home with you and what stays at the store.
Home goods get a try-on too!
Moment of Truth I am a BIG proponent of trying it on! That’s the part of thrifting that can be overwhelming, but it’s the deciding factor for sure. Even if you only pay one dollar, if you get it home and it doesn’t fit, it’s a waste. That’s why I wanted you to wear fitted clothing. It’s easy to throw a garment on in front of a mirror over your fitted look to see what’s working and what’s not. Take a minute to style it a little bit. Tuck in the shirt.
Grab some throw pillows out of the bin and style up that couch! Do you see any artwork that would look good with the couch? There is usually a good selection of throws as well. Do you see one that you like?
Add a belt to a dress. See the possibilities.
Play around! Have a good time! That’s what this is all about. You are starting to get the idea!
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The options are endless!
Wrapping it up…
There you have it! My thrifting tips that will turn you into a pro in no time… Share your thrifting adventures with us here at PEPPER Magazine! We want to see your hauls (*That’s thrift talk for your thrifted goodies)! You can email us at hello.pepper@outlook.com, tag or DM us on Instagram @hello.peppermagazine for a chance to be featured in one of my upcoming sustainable fashion & lifestyle columns. And you can contact me directly if you’re needing style advice, wardrobe consultation, a home or closet makeover, or let us know what other themes you may like to see us cover! Email marshbecky17@gmail.com or DM me on Instagram @beckywittemarsh. Happy thrifting!
Thrifting is a little like a sport— the more you do it, the better you perform. Don’t get overwhelmed or frustrated —this is a learning process that will evolve over time. If at first you don’t succeed—try on and try on again! 119
HIGH LIFE/HIGHLIGHT THE
PEPPER
WITH LIFESTYLE CONTRIBUTOR JOE A. GOMEZ III Everyone has a certain place to go when they need to escape from the real world. Mine is the world of power and wealth of SUCCESSION.
CHANELLING
SUCCESSION
Logan Roy
As we now begin the final season of the multi awardwinning HBO series SUCCESSION, lets discuss the wardrobe of these dynamic characters. The HBO drama follows the dysfunctional Roy family, owners of the billiondollar media conglomerate Waystar RoyCo, led by aging patriarch Logan Roy. A darkly comedic series about the fight for power in a fraught media empire, Succession poignantly portrays the pitfalls of inherited wealth. And although there are many pitfalls of extreme wealth, style is not one for the Roy family. It seems as if HBO does not want you to think the show is about fashion, or at least not bombard you with high end logos. The Roy family does an exquisite job of displaying what we call “quiet luxury”.
THE PATRIARCH • Ralph Lauren Cardigan worn by Logan Roy, played by actor Brian Cox (Season 2) • Persol sunglasses worn by Logan Roy, as seen in the Succession TV series (Season 3) $339 120
THE HEIR
• Tom Ford Light Suede Bomber Jacket worn by Kendall Roy played by actor Jeremy Strong (Season 4) $6,490 • Jacques Marie Mage Sunglasses worn by Kendall Roy (Season 3) $640
Kendall Roy
habitat.
Shiv Roy
THE PRINCESS •Max Mara Riviera Blazer worn by Shiv Roy played by actress Sarah Snook (Season 4) $462 • Monique Lhuillier Blue Dress worn by Shiv Roy (Season 3) $1,650
THE SMART ASS
Roman Roy
Greg Hirsch
THE DUMB ASS •Ray-Ban Round Sunglasses worn by Greg Hirsch, played by actor Nicholas Braun (Season 3) $161 • Green cotton hooded jacket from Ultimate Apparel as worn by Greg (Season 3) $149
•Norwegen Wool— a wool topcoat in gray / black herringbone worn by Roman Roy, played by actor Kieran Culkin $ 1,695.00
”Greg, this is not fucking Charles Dickens World, okay? You don’t go around talking about principles. • Matsuda Version 2.0 Man the side shields sunglasses fuck up!” worn by Roman Roy (Season 3) $1,771
— Tom
THE SOCIAL CLIMBER
• Tom Wambsgans played by actor Matthew Macfadyen in Ralph Lauren PURPLE LABLE, Gregory silk suit $3,690 • Tom Wambsgans wearing a Moncler Puffy Vest $795
Tom Wambsgans
NOVEM BEAN COCOA • SMOKEY • NUTTY • MAPLE
Premium Coffee NOVEMCUISINE.weebly.com @novem.cuisine (512)965•3383
SA
FOOD TOUR 2 0 2 3
SAVOR P a r t
O n e .
The most eclectic assortment of eateries & food vendors in St. Anthony. photojournalist K. Day Gomez
Food is a big deal in San Antonio, Texas. But for those who have passed through as tourists or have never visited, we are home to more than just the best tacos on the planet (you’re welcome). The diversity of this magical city creates a rich and delicious fusion of cultures from all over the world. From elevated French dining to Filipino faire, from true New York pizza to authentic Turkish coffee, from Jewish delis to British pubs—you will find it all in this beautiful city. These are 10 of our own top favorites on account of flavor, atmosphere, authenticity or all around great staff and vibes. No particular first or second place or what-not; every one is worth a visit! Let us show you around town…
HOT JOY
Hot Joy is by far one of the funnest, most visually stimulating places I’ve ever been. It’s an adventurous Asian infusion restaurant and tiki bar with a completely unique approach to traditional and contemporary Asian cuisine. You’ll find Polynesian, Thai,
Chinese, Japanese and Korean blends of drink concoctions and food which makes them a rainbow of flavor diversity, which of course we’re 100% here for.
IDA CLAIRE One of the most unique concepts in SA, Ida Claire is “an intriguing, southern-inspired destination for relaxing suppers, slow weekend brunching, a meeting hub for business lunches and happy hour.” Their super kitsch dining spaces are vibrantly painted and adorned with vintage plates, decorative mirrors, hand painted murals and patterns galore. You can spin records, party in one of their air streams and it’s pet friendly!
THE BOX STREET SOCIAL OCHO
Ever imagined dining in a gorgeous greenhouse? There’s no place like Ocho—the restaurant at the breathtaking ornate Hotel Havana. “Situated in a glass conservatory overlooking the River Walk, Ocho has created a menu rooted in the hotel’s pan-Latin cultural influences from Mexico, Cuba and Texas. The cocktail menu highlights the tequila of the hotel’s San Antonio roots with the rum of its Cuban namesake, with a love for old school recipes and, when the occasion calls, the simple satisfaction of an ice cold Michelada.” Sound idyllic? It is! With an avant garde red bar below and elegant hotel, it’s as beloved a place by locals as it is by our visitors.
Box Street is cool enough in its own right—with its swanky decor and wall to wall pastels that make you feel like you’re on vacation any day of the week, to its contemporary Latin-infused menu, to the ever-evolving house drinks. But having come to know Chef Edward, co-owner Daniel and designer Caroline has made this already hip establishment something even more special for us. It’s a perfect brunch and hang out space to meet up as dressy or casual as you like. They encourage parties and fun and the food is addictive! A must visit, for sure.
SOUTHERLEIGH Southerleigh Fine Food & Brewery is another special place for our family. Located in the center of The Historic Pearl at the ground floor of Hotel Emma, it’s a place we’ve gathered for years to relax, eat hearty food, people watch and delight in conversation. “Helmed by Chef Jeff Balfour, Southerleigh brings a modern take on Texas’ cross-cultural cuisine to the Pearl. Influenced by the coastal classics of Chef Balfour’s upbringing in Galveston married with the comfort of southern cuisine, Southerleigh boasts a curated, seasonally shifting menu that reflects Chef Balfour’s innovative craftsmanship. It houses a custom manufactured brewery designed by Portland Kettle Works and brings brewing back to the Pearl.” Much of what they do is in-house and locally sourced.
PRESS COFFEE CO. Okay, we clearly have a thing for greenhouses here! “The Greenhouse has housed the PRESS identity for over four years now. Before this, it was The Carriage House on San Pedro where our caffeine-filled origin story began, and now we get to turn the page once again as we begin our next chapter adding a second location right in the heart of Castle Hills.” That newer incarnation is at The Enclave. Any way they show up, PRESS is definitely a favorite coffee house and it’s located just down the street from the PEPPER home office!
BIRD BAKERY MON THAI BISTRO & SUSHI From the affordable menu to the delectable flavors, Mon Thai Bistro is our favorite Thai place in town. “Melding impeccable classic Thai with sumptuous sushi for a delightful dining experience created by Chef Amonrat “Mon” Shirley. Mon is as committed to serving the freshest, highest grade sashimi as she is to serving the exotic tastes of her native Thailand.” They’re also located down the street from us!
Another place you can find us frequently is Bird Bakery, and for good reason. “Everything we make is baked on-site, from scratch, each and every day. We use only the finest ingredients—from Plugra butter and Valrhona Cocoa to the highest quality Madagascar Bourbon Vanilla— because we believe that treating yourself also means treating yourself well.” Here’s the best part…“At the end of each day, all remaining cupcakes and treats are given to local non-profits and philanthropies.”
THE GENERAL PUBLIC This is that place for us “where everybody knows your name”—or at least one of them. A classic pub atmosphere where we convene with good friends for the best happy hour in the city, good eats and fun times. “A spirited neighborhood restaurant and bar committed to wholesome food and warm hospitality. Rewriting familiar recipes using only the freshest ingredients from farmers and suppliers we know personally. We are committed to always keeping you in good spirits.”
MON CHOU CHOU Brasserie Mon Chou Chou is THE place for French comfort food, also located in The Historic Pearl. To truly appreciate this unique dining destination that draws foodies, tourists and Instagram mavens alike, you’ve got to learn the story of the 3 Frenchmen. As the story goes, “LAURENT, PHILIPPE ET JÉRÔME— They will eventually meet in San Antonio. That was 2001. They are food lovers. They love talking about it, making it, serving it and sharing it. The brainchild of its three Frenchmen founders, Mon Chou Chou’s menu highlights the cuisine of their homeland, enriched with fond memories of meals
shared with family and friends throughout their lives. Many of the featured dishes are directly influenced by the trio’s respective grandmothers, as well as the many inspiring cities and diverse regions of France. Together they developed an epicurean friendship. Today, the Brasserie brings their dream to life. Mon Chou Chou introduces their passion for French comfort food in the beautiful Historic Pearl and the city they love to call home.” You know we love a good story. Just as much as we love delicious food! You’ll find both at this authentic restaurant. And who knows? If you stop by, you just may see PEPPER staff there, or wandering the grounds of San Antonio’s beautiful Historic Pearl.
BACKSTORY Though I don’t have the time that I once did prior to establishing a monthly publication, I actually love experimenting in the kitchen and making artful culinary creations. To me, cooking is just another art medium—but one I can eat! We would like to invite our global readers to tell us all about your own culinary journey, share your recipes, your favorite restaurants and even your hard-working local markets. Chefs, amateurs and foodies alike—all are welcome! [Email submissions to hello.pepper@outlook.com .]
Arianna actor & comedian Arianna Coromoto Coltellacci Castillo San Antonio, Texas
journalist K. Day Gomez photographer Mandy Kadura
20’s while I was sleeping one morning, I had a vivid dream. Back then I used to write a lot and wanted to publish a book, I remember…but one morning I wake up with this dream—I was producing a movie. I said to my husband, “I am going to acting school.” I used to be a spin class gym teacher full time. So after acting class, I would always go to my spin classes. It was fun; my teacher, Nelson Ortega, who is very well known in Caracas, Venezuela, was very good. He was severe and disciplinary—I like that and I needed that.” This discipline would carry over into her craft. “I enjoyed the classes a lot. I thought it was going to be a hobby, but since I loved writing, I started working in a Publicity Marketing company and as a writer for TV campaigns. That was my first experience on set. They did a cleaning products TV commercial for which I was only an assistant at the time. I was helping on set that day, but one of the actresses didn’t come in and they asked me to stand in. So they threw me into makeup and dressed me—so that was my first unexpected challenge. Even though I was dying to break into acting, I discovered that day how very shy I was!”
Arianna Coromoto Coltellacci Castillo is much more than a beautiful (and talented) Italian actress. She’s a multifaceted creative force who uses the art of performance to express her strengths, embody her femininity and empower.
IMDb “Born in Rome, Italy and raised in Caracas, Venezuela. She was part of the Theatre School Luz Columba in Venezuela. Before that, she was modeling for several years. She started by hosting a TV Show and then moved to the U.S.A in 2001, where she has been working for the Spanish market in different shows.”
Interview Arianna takes us back to her roots. “Since I was a child, I liked to perform at home. Me and my sister at a young age, we both would role play. Though it wasn’t important, during our moments of role play we had so much fun. Later, in my mid 132
This is something that many actors struggle through. Stage fright is very real and some of the best combat it every time they step into their role. “Oh My God—I was so nervous! But I didn’t have an option to say no. I also sweat a lot when I’m nervous, so they had to continually pause and put me in fresh air so I would dry. To this day, I am still shy and I still have issues with the sweating, but I learned to cover it. But that day in particular, I said I love this and that was the beginning. It ended up being a very famous TV commercial, by the way. Everybody would stop me in the street and ask me, “hey, aren’t you the one from that Cleaning TV scene, dancing with the cute outfit while mopping the floor?” It was pretty fun, and since then, here I am!” Sometimes all it takes is one lucky break to launch a performer’s career. In Arianna’s case, even if the other actress had shown up that auspicious day, we’re sure she would have found her legs. She’s good at what she does. We asked what her family made of the whole transition into acting. “My family, yes they did support me on this. They saw I was pretty serious. I can say my sweet mom and my amazing dad have always been proud of me. They have always been an example to me that life is about being passionate about what you do. That is why I chose acting as THE career of my life.”
She has her own favorite A-listers who inspire her for various reasons. “I have a few actors I admire—Johnny Depp, Angelina Jolie, Jennifer Aniston and Sofia Vergara. Also Kevin Hart.” All are masters of their craft with very different approaches. We asked Ary when selecting the acting roles she steps into, what key elements does she look for when choosing? “At this point of my career, being that I belong to SAG AFTRA Union since 2006, I want to chose productions that are SAG approved. Also roles that fit better for me. If it is comedy, it’s a better fit, but I also like crazy roles. I try to avoid the romantic ‘good girl’ lately. I like more elaborate roles—that is what I admire most about Johnny Depp.”
wanted to make fun of myself and leave a message about not taking yourself too seriously. That is comedy. Being able to laugh about yourself and learn from those experiences and share them with everyone. Those experiences are universal, that already every woman (and men) know about. Because we all have crazy funny stories about dating. Also, Sofia Vergara inspires me to do comedy because everyone tells me I sound like her in her famous comedy series on ABC—Modern Family, filmed in Hollywood. So she was also my inspiration in this new comedy genre of my career.” We asked what main themes Arianna currently touches on in her work, overall, and what themes
As she is also a comedian, we asked how she got her start in that genre and what made her want to go into it? “In Venezuela from TV commercials, Soap operas and hosting a Music TV show, I came to the states 22 years ago. At the time, I starred in a very important show—Sabado Gigante—doing comedy on Univision, then later Soap Operas on Telemundo in Miami. But again, the tendency was to be cast as the stereotypical ‘sexy good girl’. Then I got some ‘bad girl’ roles, but I was missing the comedy. Being funny, in part, was my real dream. So I moved to Orlando and went to Standup Comedy school and started there. I decided I wanted to talk to people about funny situations about love and dating because I have so many real stories. So watching Kevin Hart who inspires me, I decided I 134
she hopes to cover as her career progresses? “As artists, we are blessed if we can impact the world with
our performing on any level. We can be a good influence or a bad influence, so we have a big responsibility with what we put out there. That is why I chose comedy. Through comedy, you can literally talk to the audience and make a direct impact, leave a message. I want every theme I lend myself to, to be based around love, being better people, and mostly that is what this world needs right now. For everyone to be a better person, and it starts with myself, yourself… So when I choose a role and let’s say she is a drug addict, but by the end the character has gotten clean of drugs and cultivates a better life—it shows the path of life we choose is very important and will affect all of the world around us. I am very into that. As I progress, I want to be more of a public speaker and take on conferences. I will always be acting, for sure, but conferences about how we can be better, how we can achieve everything we want, how we can help others to became better… I believe I got very deep into my career based on all of these themes. This is why I choose such roles. But I also love action and adventure. Why not? We actors are adventurers. We’re chameleons— we adapt, we transform.” Through all of her incarnations, Arianna brings a fiery passion to the screen. She pulls from the well of her own natural fire. It’s what she will pull from as she approaches topics in her craft that carry a deeper meaning. “I 136
am totally on board to do something to support good causes and address what is happening in the world. I love those kinds of projects.” In relation to the future, Ary says, “I am willing to go back to Los Angeles anytime soon. I am like an Elio Balloon. I am always ready to go. As of right now, my biggest responsibility is to support my family. My parents are my greatest treasure, so I am
job is very rewarding, personally speaking. Regarding acting, I have some big surprises. LA is calling me back , so things are happening again. 2023 is a big year— stay tuned!”
“PEPPER Magazine (and every reader), I love y’all because you are now part of my career. Thanks for being part of my life and dreams! —Ary”
very big on family now—personally and professionally. I am also working with an amazing company— Travel & Leisure—and I have my stage there everyday because I am a Spokesperson (“Product Specialist Podium Presenter”). I always add some comedy to my speeches. I love working there. We truly impact families’ lives in a positive way. My
Arianna also mentions, “My parents are very important for me —my mom, Gladys Coltellacci and my dad, Sergio Coltellacci—they kept impacting my life in a very positive way. So my dad since the pandemic, we published a book titled Positive Mental Attitude = Success. It’s very powerful and is a great book. Publishing it has changed my life; it’s available on Amazon. We’re talking to a publishing company. That is my biggest project because it’s a family project. My Dad is my mentor in life, and that book, each word changed the way I see and live life. It’s why I’m a genuinely happy person. I want to spread the word. Big things are coming, so follow his Instagram @sergioactitudmentalpo sitiva —inbox him!”
Her advice for others is, “believe in yourself. Become rejection bulletproof. Prepare. Follow an actor. Find out what they’re doing, how they grew and developed themselves. Don’t let anyone tell you this is not for you. And be passionate and disciplined.” You can find her on Instagram @ariannacoltellacci, Facebook by her full name and Twitter @arycoltellacci. “My YouTube channel is “Arianna Coltellacci”. I am still learning Tik Tok, but I am easy to find and I always reply to my followers. I love them because they made my career and without them, I wouldn’t be here.” 137
HUMANS OF
CUBA
HAVANAH, OLD & NEW A Unique Visual Essay as told by photographer John Hendrick. 132
Cuba In April 2019, I attended a show at the Leica store in DC, and this was when I met Chaz Niell and Eric Konohia, two photographers who would accept me into their world. This short encounter with these two gentlemen and the purchase of a camera with a red dot would be the reason for my trip to Cuba in the months to come and, undoubtedly, propelled my photographic journey. In November of ‘19, Chaz and Eric posted a story on their Instagram stating they would be planning a trip to Cuba the following year in February 2020. By this time, I was living in San Antonio, TX. I responded to the post saying that this sounded like a fantastic opportunity and that I couldn’t wait to see the images they would make. Little did I know they would be looking for a third person to accompany them on this venture. They called me and asked if I wanted to join and without hesitation, I accepted the invite. Fast forward to February, and we were off to Cuba for a sevenday trip. We got an Airbnb in old Havana in a beautiful 2ndfloor flat with three bedrooms, three bathrooms, a balcony, and more than enough space for all of us. The Airbnb we split three ways—just under $300.00 for all seven days for each of us. I bought $500 US dollars to spend, anticipating that I would
not need to spend more (which I didn’t). Havana, Cuba must be one of the top five places for any photographer. The ability to transition from Central Havana to Old Havana and New Havana is fantastic. Each location has its own characteristics. Old Havana is full of art deco, fantastic architecture, and buildings with great colors. Central Havana is where you can find the university and significant landmarks, and then New Havana makes you feel like you are in Miami, Florida. New Havana is westernized, with 5-star hotels, fine dining and the capital building. Each part is picturesque. You can spend all day in any location. The thing that caught our attention instantly was the people. The people are welcoming and want to tell you all the history of their beautiful country, both the bad times and the good ones. The economy is rough, so offering to buy someone coffee and sitting down to hear their stories is best for all parties. You can find kids playing in the street, hear live music coming from within establishments, or catch people having conversations at their front doors. You can’t walk around without wanting to take a shot of something or someone. Our routine was simple : get up, get breakfast, and head out to take pictures ‘til the end of the day. Run out of card space,
drain batteries, or need to eat; those were the only reason to end the day. We plan to get dinner sometime around 6 or 7 and then sit around our kitchen table and look through pics. We would talk about the day and the images captured. This would go on for the remaining time there. So, for travel tips, let’s start with getting to Cuba; you will need a Visa, which can be purchased at the Miami gate for under $100.00. Upon landing in Cuba, I exchange money at the airport; you will need your passport to access the machine (make sure to grab your passport when you are done). Cuba has two currencies (one for the locals and the other for the tourists), which ends up being about the same. You are expected to use the tourist currency. Daily purchases are cheap; breakfast was about $5.00, which included more than enough food, coffee, and juice—well worth it. During the day, at most, I spent $10.00. You can spend more depending on where you eat. WiFi does not exist. But if you need WiFi, you can purchase a WiFi card at any WiFi park; you will know you are at a WiFi park because they are packed, and everyone is on their phones. Service could be
better. We each bought cards but just checked in with family every other day. Being off the grid is also an experience. One day, we got a private cab to drive us around and it didn’t cost us much; I can’t remember just now how much it was, but it was very affordable. The driver came to the apartment and drove us all over the place. Our driver lucked out—we paid for all his meals and insisted he eat with us and the occasional coffee. I would recommend doing it for at least one day. Cuba is a beautiful country with so much to see and experience. The people are beautiful and the food is pretty good. Please put it on the top of your bucket list. This year, 2023 it is said that Cuba will open for travel. I recommend you get there while you can, load up on film, or clear out some cards and make the trip. Though this story is about Cuba and travel, I would like to leave you with this : be open to new experiences and welcome new encounters because you never know where they may take you. —John 143
Love Sparkles. SINENKOSI MSOMI Mbabane, Mpolonjeni 90
Bright Thoughts. “The brain is housed by a very rich, gold skull with colorful stars, moon and sun. That’s why we always have bright thoughts.” —Njabulo Nkambule
SINENKOSI MSOMI CONCEPTUAL ARTIST & PHOTOGRAPHER
@sinenkosi_msomii • @latitudes.online • @afrikanizm_art
Mbabane, Mpolonjeni
SOMETHING LIKE
H O M E Photographer Aleksandra Marigodova & two fellow Ukrainian friends tell a story of home in their native costume. Washington, DC
FLOWERS THAT GROW WHERE THEY ARE PLANTED. Three Ukrainian women (photographer included) came together to create beautiful portraits in National costumes away from home. This is as a project so deeply personal, and yet we want the share it with the world. The elegant cultural head dresses were created by the photographer, while the authentic Ukrainian attire is hand made and vintage.
Corey Layne Photography Austin, TX coreylaynephotography.com • @coreylaynephoto
PEPPER no. 10 | March 2023
TRAVEL
passport. conceptual artist & photojournalist Seigar
This is a set of street photography taken in La Palma. This Canary island is called La Isla Bonita like Madonna's song. This is also the place I feel I belong to, where I was brought up and I have some of the best memories of my life.
I was brought up in La Palma, in the Canary Islands, and I feel proud of that. I love its unique traditions, culture, and the beauty of its landscapes. We have black sand beaches, green mountains, volcanoes and cute villages. I remember spending my whole summers when I was a teenager on the beach or camping in the National park. Recently, the island has lived through one of its most shocking experiences because of a volcano. It’s been sad, however people in La Palma are doing their best to keep on living their lives. La Palma is a paradise so it is visited by tourists from all around the world, most of them interested in nature, hiking is one of the highlights. In fact, La Palma is like a continent because it offers everything you can look for on a holiday. The photographs show my main visual fetishes: my plastic people, reflections, shadows, details, religious icons, and blue saturated colors. Based in Tenerife, I am lucky to be able to visit the other Canary Islands. It is a nice sensation to find my home there, and to remember the beauty of La Isla Bonita. 131
TRAVEL About that devastating volcanic eruption in 2021, USA Today reported, “After a weeklong buildup of seismic activity, a volcano on Spain’s Atlantic Ocean island of La Palma erupted. Then, thousands of local residents were evacuated as the lava flow and ash continued over night. Authorities warned residents of earthquakes, lava flows, toxic gases, volcanic ash and acid rain. 190 homes were destroyed by the lava flow and over 6,000 people were evacuated.” La Palma has a population of approximately 85,000 people and is one of eight volcanic islands in Spain’s Canary Islands archipelago (just off of Africa’s western coast). The lava flowed and volcanic ash permeated the air for weeks causing permanent damages and changes to the area. Two years later, the rebuilding continues.
SEIGAR is a passionate travel, street, social-documentary, conceptual, and pop visual artist based in Tenerife, Spain. He feels obsessed with the pop culture that he shows in his works. He has explored photography, video art, writing, and collage. He writes for some media. His main inspirations are traveling and people. Seigar’s aim as an artist is to tell tales with his camera, creating a continuous storyline from his trips and encounters. He is
a philologist and works as a secondary school teacher. He is a selftaught visual artist, though he has done a two years course in advanced photography and one in cinema and television. 164
He has participated in several international exhibitions, festivals, and cultural events. His works have been featured in numerous publications worldwide. His latest interests are documenting identity and spreading the message of the Latin phrase: Carpe Diem. Recently, he received the Rafael Ramos García International Photography Award. He shares art and culture in his blog: Pop Sonality. popsonality.blogspot.com
POUT MedSpa PA-C & Certified Injector • Bilingual Clinician “I help enhance your natural beauty.” -Itxia Lee
@pout_itxialee
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Servicing San Antonio, TX
Lucy Byrd Hope Holistic Guide & Author North Carolina journalist K. Day Gomez
Lucy Byrd Hope is an author, holistic guide, spiritualist and entrepreneur who received her BA in Psychology from the University of Texas at Austin. Lucy built onto this foundation by learning cognitive behavioral, somatic and existential psychology as well as alternative medicine. She initially became certified in MindfulnessBased Stress Reduction at Duke Integrative Medicine. To further her education in holistic medicine, Lucy received her Reiki Level I, Level II and Master certifications. She has also received her first and second level Shamanic Mastery certifications and is currently completing her third level Mastery. As an entrepreneur, Lucy has successfully started multiple businesses. Currently, she operates LucYd Lotus which is an energy wellness company, and Wholism, a healthy plant and fruit based beverage company focused on bringing nutritional function and awareness to consumers. On any given day, you can find Lucy connecting with nature, bonding with animals, writing, dreaming up new business ideas, traveling, exploring and adventuring into the unknown.
Her New Book on Daily Alignment Lucy’s new book, “Daily Alignment: Tools to Balance Your Body, Mind, and Spirit,” is now available on Amazon and just hit stores as of March 28. As the press release states, “Move from surviving to thriving with these eightyfive coping skills geared to help you build a foundation of healthy physical, mental, emotional and spiritual habits. From Lucy Byrd Hope—holistic guide, spiritualist, and entrepreneur—comes a compilation of unique strategies to obtaining mind, body and soul balance. Gathered from personal experience in addition to somatic, cognitive behavioral and existential studies, Lucy integrates her learned wisdom into an easily accessible format to help you flourish in life. Filled with deep and insightful tools, Lucy gently and consistently guides you to a comprehensive well-being. Follow her trail of daily alignment breadcrumbs to a happy you!”
Now, before you dismiss it as affirmative “woo woo”, you may want to learn who Lucy is and where her understanding comes from. “At age 30, I reached a point where my life was not the life I wanted for myself. My thoughts were overwhelming, my emotions were tumultuous, and my body was in pain. It was at this time that I heard about a concept called mindfulness—a mental state based upon focusing awareness on the present moment. My sisters knew of my interest and presented me with a Mindfulness Based Stress Reduction course at a local integrative health center for my 30th birthday. That course gave me the foundation of self-awareness from which I have since built my life.”
and family for relief, and I focused on any serene ideas that came my way. However, I found that whenever I was triggered, I forgot all these insights and fell back into a place of inner turmoil. To counteract this, I began jotting down these revelations so that they were available to me at the time I needed them. The notes turned into pages upon pages of concepts, which I self-bound into a book for myself. People around me noticed I was feeling better, and when asked, I explained that my book spawned the change. I received encouragement to publish it, and here we are!” We were curious about what her family thought in regard to her new outlook and pursuit —were they supportive in her curiosity and later her journey into alternative medicine and psychology? “My family has been extremely supportive of me and my holistic journey. I imagine there are times they may not understand it, however they continually meet me with grace and a desire to learn. My family accepts that my curiosity continually brings me to new and unfamiliar territory, both for myself and for them. Their patience with my path has been immense, and their validation of their love for me, regardless of what I do, has been a gift in my life.”
Falling in line with teachings and theories of gurus like Baba Ram Dass via ‘Be Here Now’ and Deepak Chopra, the mindfulness movement as it exists today rationalizes the idea that it’s only when we are fully present in the moment that we can effectively catalyze change within ourselves, our environment and our bodies. What Lucy found is something that has been life changing for millions of people. What makes her book different is that she pulls from her collective grouping of specialties to map out a very specified way to navigate getting back to balance.
Being a Woman in Business
“My book, Daily Alignment, manifested organically throughout my experience. A few years ago, I was at a turning point in my existence and that turning point was filled with pain. I leaned on literature, counselors, friends
About her companies, LucYd Lotus and Wholism, Lucy explains, “Each of my wellness ventures resulted from personal needs that arose from pain. In 2020, a masseuse asked me if I would like Reiki, a Japanese healing art through touch, as
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a part of my massage. I received the Reiki and felt immensely better. I wanted Reiki all day, every day, so I decided to get certified so that I could give it to myself. After receiving my Master Reiki Certification, I founded LucYd Lotus and I began working with clients one-on-one in order to assist them in raising their physical, mental, emotional and spiritual wellbeing.
educate on what is accessible to them. “Wellness is natural and available to everyone. My wellness ventures are designed to support the body in its natural ability to maintain a healthy environment of well-being. You have the power! I am simply a guide.” Like she said—breadcrumbs.
Key Pointers
Also in 2020, I experienced a bacterial imbalance in my intestines, which led me to eliminate many inflammatory foods as I healed. My friend, Ryan Givens, brought me a healthy drink— almond milk, that he had hand-made. I was thrilled to have a new beverage to enjoy that fit my dietary restrictions at the time. I took one sip, tasted how nourishing it was, and told Ryan, “This is your business!” A few months later, he approached me to partner in the business with him. I agreed, and the rest is history.”
Byrd Hope has some important takeaways she wants to impart to those who read her book. “As humans, each of us has a built in fight-or-flight system. This is our body’s evolutionary reaction to a perceived threat, real or not, that allows us to react quickly to danger without thinking things through. Our frontal lobe disables, and we think from our reptilian brain, which is primitive and survival-based. Evolutionarily, this kept us alive as a species.
The main reason Lucy is in the sector she’s in is to make people aware of their choices and
However, combined with technology and society today, these patterns frequently become
overactive and therefore detrimental to our overall life quality. I found that recognizing when my fight-or-flight system has been activated, and then pausing at that moment, as opposed to proceeding with destructive behaviors such as yelling or fighting, to be the key to unlocking a new world within myself. In Daily Alignment, I have compiled a plethora of techniques to navigate this response, which can lead to inner peace, improved relationships and overall life balance.” Moving forward, Lucy tells us, “My goal now is to raise my consciousness and the consciousness of the collective. I am motivated to learn, grow and evolve personally. I hope my evolution combines with the evolution of others in a way that raises awareness, compassion and well-being for all.” Though it may sound like a lofty goal, in the age of information at most everyone’s fingertips, this is something much more achievable than ever before. For others who are interested in pursuing holistic wellness and diving into deeper self care, “I encourage taking small steps as you start your journey, beginning with the basics. • Check in with your physical body and its needs. Where are you in relation to where you want to be as it pertains to your nourishment, nutrients, water intake, movement, and activity levels? • Check in with your mental body and its needs. Where are you in relation to where you want to be as it pertains to your thought patterns, state of mind, and perceptions about life? • Check in with your emotional body and its needs. Where are you in relation to where you want to be as it pertains to your dominant feelings, triggered states, and emotional responses? • Check in with your spiritual body and its needs. Where are you in relation to where you want to be as it pertains to your viewpoint on yourself, others, and the Universe? Intentionally bringing awareness to where you are now, and then envisioning where you want to be, can help the Universe bring into your experience precisely what you need in order to get there. Most of all, know that you can allow self care to 170
be fun and playful! Feel free to explore and adventure in the unknown. Release what doesn’t align with you, and embrace whatever resonates.”
Daily Alignment: Tools to Balance Your Body, Mind, and Spirit With a forward written by breathwork facilitator, healer and author Ali Levine and other celebrity testimonials to back up the value of what Lucy has compiled, it’s definitely worth looking into. I for one am eager to procure a copy and see how her methods work in my own healing journey. Globally, you can order author Lucy Byrd Hope’s book, Daily Alignment on Amazon or from Barnes & Noble. You can also connect with her on Instagram @lucybyrdhope and learn more on her website at lucybyrdhope.com.
Fit to a T. WITH NUTRITIONIST & FITNESS EXPERT TINA SENA
Expert Health Advice Nutrition at any age, the best foods for all bodies.
Lifestyle Tips & Resources Links, great products and places to try.
Fitness Techniques Things you can try at home or at the gym.
Fit to a T.
Trusting the Process
Nutritionist & fitness expert Tina Sena
will happen! Feel free to reach out to me with any questions.
Health and happiness,
As a fitness competitor, you just put your body through some rigorous workouts and meal planning to get to your desired goal on stage!
Tina works hands-on with clients in San Antonio, New Braunfels and surrounding areas.
Tina
It’s really no different for those of you “normal” folks who are NOT competing but just simply trying to get into better shape and have better overall health. No matter which category you fall in, the same rules apply. You must be patient and “trust the process”. What does that mean exactly? Well, it means you didn’t get this way overnight so you can’t magically change anything without time. As I always say to you, “consistency over time equals results”. Your body is a machine and to run like a ‘well-oiled machine’ you must put in all the right nutritious foods while exercising not only your body, but also your brain. I promise that if you stay disciplined, dedicated and diligent in your planning and execution, then results
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Find Tina online at tinasenaofficial.org or Instagram at @tinasenaofficial
Tina Sena
Whole Heart Foods
TM
Have you heard? Nutritionist & Fitness Expert Tina Sena has her own line of health snacks…
e r ’ y e h t d n a ! s u o i c i l e d
tinasena.org
WHO WE SERVE
Jane - /jān/ Jane is any self-identified woman or non-binary person who chooses plant medicine to confront, manage, and heal trauma. There is immense stigma around discussing trauma. We believe cannabis can be both a bridge and a vessel in challenging this silence.
Women and non-binary people (aka Janes) are reported to experience disproportionate rates of all forms of violence, and many develop post-traumatic stress disorder (PTSD) as a response. For more information go to thisisjaneproject.com
HEALING PRACTITIONER
ROMY NAVA
A MODERN MYSTIC
Transformation is a Process
How Spiritual Development & Manifestation Practices Can Transform Your Life Healing Practitioner Romy Nava Have you ever felt like you're not making progress in your spiritual journey or that your manifestation efforts are falling short? It's common to feel frustrated or discouraged when we don't see immediate results, but it's important to remember that spiritual growth and manifestation are both processes that require time, patience and trust. Trust is a fundamental element of both spiritual development and manifestation. It involves letting go of the need for control and surrendering to the flow of life. When we trust the process, we allow ourselves to be guided by a higher power and have faith that everything is unfolding as it should. In spiritual development, trust is essential for surrendering our egos and connecting with our higher selves. This involves cultivating mindfulness and awareness of our thoughts, emotions, and behaviors. Through practices like meditation, prayer and self reflection, we can deepen our understanding of ourselves and our place in the universe. Trusting the process of spiritual development also means being open to new experiences and perspectives. It's important to remember that 176
growth often involves discomfort and challenges, but these experiences can also lead to transformation and healing. Similarly, in manifestation practices, trust is essential for letting go of the outcome and focusing on the present moment. It involves aligning our thoughts, emotions, and actions with our desired outcomes and trusting that the universe will provide what we need. Trusting the process of manifestation also means being open to unexpected opportunities and trusting that the universe has our best interests at heart. It's important to maintain a positive mindset and visualize our desires as already being fulfilled. When we trust the process of spiritual development and manifestation, we tap into the power of the universe and align ourselves with our higher selves. This allows us to experience greater peace, joy, and fulfillment in our lives. Here are some tips for trusting the process : 1. Practice mindfulness and self-reflection : Cultivate awareness of your thoughts, emotions, and behaviors and reflect on how they impact
your spiritual growth and manifestation efforts. 2. Let go of the outcome : Focus on the present moment and trust that the universe will provide what you need, even if it's not what you initially expected. 3. Embrace discomfort : Recognize that growth often involves challenges and discomfort, but these experiences can lead to transformation and healing. 4. Maintain a positive mindset : Visualize your desires as already being fulfilled and maintain a positive mindset, even in the face of challenges.
Remember, trusting the process is an ongoing practice that requires patience, perseverance and faith. By embracing the process of spiritual development and manifestation, we can transform our lives and align ourselves with the power of the universe.
POSITIVELY CRYSTAL
POSITIVELY CRYSTAL
Motivational Mindset Coach Crystal Lopez-Crebs
KNOW YOUR WORTH Do you believe you are worthy of greatness? Are you allowing someone else to define your worth? Are there moments when you feel worthless? Are you valuing your own self-worth? It’s a constant part of life to grow and build your self-love and self-worth. We are all here for a divine purpose. No matter what negative words come toward you. There will always be situations that will try to bring you down. You have the choice on how to deal with those situations. Are you going to choose to have others give you the label of how they see your worth or will you own your own worth and create the life you deserve? When you value yourself at the highest level, you are unstoppable. There is nothing that presents itself that can shake the confidence you have within you. Unfortunately, there are many outside factors that we allow ourselves to be phased by. Sometimes it’s the relationships we are in. Other ways that tear away at our self-worth might be toxic friends, unsupportive family or the unconscious negative programming that our foundation of life was built on. Although, the biggest influence on us these days that creates comparison is social media. Before social media these outside factors may not have been as prevalent since we were only influenced by those immediately around us. “Keeping Up with the Jones’s” was just that—the neighbors down the street. Now, on a daily basis we are bombarded with content from every platform. As we go into the scroll holes of the day, we see the illusion of the Jones’s in every person we see. Yes, some people are truly having amazing success, and there are many who are holding up the façade. This can affect how we feel consciously and unconsciously. And, with our attention spans getting shorter and shorter, the value we have as individuals fades and is justified over and over again with envy being solidified. Ultimately it is your choice to allow social media to use. However, you can choose to use it to enjoy, participate, and capitalize in technology as the everevolving world continues to connect us. If you are not 100% confident in owning your self worth,
realize it will take strong intention and discipline until you fully and truly believe in yourself. And when this happens, the shift you have will be forever solidified. When we are on social media, view those successful happy people that are making things happen with love and gratitude. They are giving you a blueprint and showing you that it is possible. Send them positive and happy energy, comment loving words, give them your genuine likes and loves. You’d be surprised by the way that makes you feel. Choose to be inspired by them instead of envious. Remember the more love you give, the more love you will get tenfold in return, and it may show up in ways beyond your expectations. Rediscover who you are. Begin to feed yourself good food for your soul. Meditating is a fantastic way to dive introspectively and see who you are at the core. Praying is a beautiful way to ask questions and ask for support. Those questions being answered in your meditations might surprise you. Read empowering books, subjects that are inspiring and help reprogram your mind to be a better human being. Remember we are all the same and our differences are purposeful. Surround yourself with uplifting people who also want to seed and encourage your mind with love, the ones who want to support you, those who see you for all of your greatness. Your self-worth begins with your self love. It’s ok to change the environment that you are in and start to deal with the traumas and inner demons that linger. Those traumas, no matter how catastrophic they are, can be released and let go so you can begin to heal and build your self worth back. Imagine living into a life of creation and self-love and worth. When your cup is full, you can pour from it. Know that you are a magnificent being worthy of all the love and abundance life has for you.
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HELP A YOUNG NEURODIVERGENT ARTIST LINK : peppermagazine.myshopify.com/collections/art-prints
• ART FOR ENGINEERING •
Autistic child artist Aiden Gamez is raising money for STEM learning toys, equipment, art supplies and other tools he needs as he pursues engineering sciences and art.
Please consider supporting his endeavor by purchasing his original artwork, signed prints or postcards.
MARCH 2023
prodigy.
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A N A I S
T R U L Y
LIMITLESS G I N Z B U R G - M A L Y
age that I actually really like and we have them framed at home. I always used really bright colours and very bold brush strokes. Most recently I’ve been very inspired by Gustav Klimt. I saw some of his paintings on a recent trip to Vienna, and they are so full of beautiful patterns and colours. If I had a magic power to be able to enter and spend some time inside a painting, I would choose one of Klimt’s landscapes. They are less famous than his portraits but they are magical. My most recent collage was inspired by Klimt’s Embrace. His paintings are like collages, aren’t they? In the past, I’ve also found Kandinsky very inspiring, with his theory on colour and emotions. I tried to paint imagining every shape and colour on my page as an emotion and a feeling, and it was a lot of fun.”
Anais Ginzburg-Maly is not like most ten year olds. Not only on account of her multitude of talents, but in respect to her refined interests.
DEFINING
She can be found playing instruments, visiting museums, making any manner of art you can imagine and reading—constantly feeding her curiosity for life and the world around her. Mum and dad have gone to great lengths to cultivate creative learning and culturally immersive experiences for Anais and her two siblings since they were babies. Anais being the eldest of the three has had the unique opportunity to also observe and help her brother and sister cultivate their creativity as well.
Because Anais is a multidisciplinary mixed media artist, she has a working understanding of various mediums—so we knew pinning down a favorite would be tough.
We asked how old she was when she first felt drawn to art and if she has any favorite famous art inspirations? “I’ve been drawing and painting since I was 18 months old. There are some paintings that I’ve created at that
‘ART’
“My favourite thing right now is to sketch and illustrate using just a plain pencil. I always bring a sketchbook and a pencil with me wherever I go, and I almost always end up sketching or doodling something. I love to create illustrations using my Posca markers, and I make all my friends and family handmade illustrated cards. It’s one of my favorite 183
pink… I just love that combination of colours. The village streets and houses on the hills, just like Durrell described them in The Corfu Trilolgy, “piled haphazardly”… I want to go back to Greece again and again! This year I look forward to our trip to Mexico City. I can’t wait to visit Frida Kahlo’s blue house. Her story and her art are so tragic but also inspiring.
things to do. I like all mediums really—collage, watercolor… I love making art out of flower petals in the garden, pebbles and seaglass at the beach… During the lockdown, I collected pencil shavings for a year. Did you notice that they often curl into a shape of a flower when you sharpen your pencil? I filled a whole page with those flowers.”
The Ginzburg-Maly family travels many times a year to different countries near and far, specifically seeking out art landmarks, galleries and living contemporary artists to learn from and soak up the cultural experiences while there. We asked Anais, of all the places they’ve traveled, which has been her favorite so far? “Greece! I feel the most inspired there. It’s the colours, the hot pink of the flowers, what are they called? Yes, Bougainvillea! And the white and blues of the houses, sometimes pale yellow and 184
I love my hometown, London. I’d love to travel all over the world, but I always want to come home in the end.”
Always one of our favorite parts of our interviews, we asked Anais if she has any good advice for other children and young adults about pursuing their art? Any words of wisdom or encouragement? Her answer is perfect. “Keep drawing—don’t give up if someone thinks your artwork is not good. Not everyone will always like your art. My parents always talk to me about it and tell me to never let someone’s opinion discourage me. At school, we have a Christmas card competition every year and my design has never been chosen, but I still keep trying. It’s just one person’s opinion, like my mum says, and there are as many opinions as there are people. Try different things. Art doesn’t have to be created only with paints and pencils these days. You can use whatever you want! We are lucky to be living NOW—there are no limits!” 186
Such an important point, and one the Ginzburg-Maly children are well acquainted with. Their mum regularly challenges them to use uncommon materials to reconfigure into new imagined structures or to make unique markings or colors. It’s a sustainable learning technique she’s employed since they were toddlers. This environmentally conscious practice gets the children thinking outside the box, stimulates both sides of the brain as there is a degree of problemsolving that must be employed when using recycled or found materials. And it has cultivated their ability to think on their feet—that’s ingenuity at its finest. “Also, as you grow older, go and look at a lot of different art! Some art is really beautiful, some can be uncomfortable to look at, some art can even make you angry, but all art is there to make us feel something.” We’re happy to share Anais’s limitless outlook on creativity and hope her story inspires you as much as she has inspired us. We’ll definitely be following her journey.
You can find Anais and her siblings’ work online, and connect with her mum, Galina, who runs their creative account on Instagram @gm.lucas.gm .
L I N K T R . E E / D A B L U E K I D D I E
@literallyrobertdean
EIGHTEEN FOUR FLASH FICTION AUTHOR JONATHAN DARREN GARCIA SAN ANTONIO, TEXAS X ILLUSTRATION BY ARTIST S-MRRY
It was the day after the new moon. I noticed Lucas was absent from school. We always met early by the great oak tree to see the last of the sunrise. The orange light would cascade slowly through the leaves and branches. We would pretend that we were running from the beams of light and had to walk under the parts of the tree or hide in the dirt that remained carefully hidden in the dark. We’d look at the light as if it was daring us to come closer. A fellow classmate told me Lucas forgot to turn in his journal for the week and came back to school late before the new moon hour. I never understood why, but we were always told to stay inside. Stay in the light. Stay in your homes. No children should be out at sunset on
the day of a new moon. “Nothing you need to worry about right now—one day soon.” My father always told me when I asked him why we were not permitted outside. Always with a smile but I always sensed his teeth full of secrets. The journal was left open to his last entry. My classmates passed by his desk one by one. All they could see was his illegible chicken scratch and all I could see was Lucas jumping into the lights from a branch last minute before they reached the end. His eyes closed and arms open as if he was catching rain saying, “See Jonas, we are the light!”
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THE STRETCHING
POET LAUREATE ANDREA ’VOCAB' SANDERSON / SAN ANTONIO, TX PHOTOGRAPHER KIANA BOSMAN & ARCHIVAL HISTORICAL IMAGES
The women sewed whispers Weaved them into threads of hair and textiles. Stretching wefts and patterns like latch hook keepsakes, the tapestries of a journey that cannot be forgotten. Chronicles in braided follicles and the turning of glossy yarn through looms. Spooling wisdom from wombs and passing it along like Rose Van Thyn. Binding our details into the fabric Our greatest surviving mechanism rests in the flaxen fibers of the mind and moves throughout the lips. It pulls on our fingertips pleading for a rescuing adaptation. The women howled, wildfire dancing in their glinting irises. Spreading pyres of amber and indigoes. The parables surrounded their toes, heating their feet like a cauldron.
And the flickering warmth grew until all they knew was engulfed and raging. The vivid images were singed into their psyche. Coughing out smoke they spoke tales that struck against flint, igniting their daughters, descendants that bartered the flame of lineage for passage into new worlds. This feminine diaspora swept across every continent reclaiming in its path. The women chanted truths. Rallied on asphalt spanning city blocks as they breached barricades. They poked holes in the system with petitions and never piped down in the face of threats. The women travailed in the courts, in halls, institutions and called for justice on the scales. A weighted balance on each side to prevail when intolerant suits and robes tried to strobe light their eyes blind. The women aligned outside of the margins and advocated their way into the delegations,
committees, and congregations. Never hushing for male colleagues or husbands and if they sat silent, they were bidding time for the opportune moment. Inclined on the precipice of seats. Fishing the sequence of events from their bosoms. They hoisted up their cleavage with the particulars and nursing their babies with the knowledge. The women confided in each other, motherhood to sisterhood a cape brimming with elasticity drawn over shoulders and draping to the ground. The women extended the words one to another in anecdotes, fables, legends, and eye witness accounts. Their candor was pearlescent and paramount. They recounted memories in brevity or elaborately as needed. They heeded the discernment of spirit, raking over portions of emotion and insight as an offering, a blood soaked sacrifice, a generous alm. Every story is a prying of a manuscript ripped by their delicate strength, a virtue tugged from their garment hem. A palm clinched stretching and bending that never, ever needs amending. For the stories aren't broken, they are holy wholly from the hemorrhaging heart
DON’T QUIT
lit.
AUTHOR NJABULO NKAMBULE / SWAZILAND, SOUTH AFRICA Don't allow yourself to quit, Align your mind positively and recommit. Brainstorm all your ideas and then resubmit. Sometimes it is good to see your wrongs and then admit, Than letting your mind go in circles and then split. Better tried chances than those missed. You exist for a reason. The inner conflicts are there for a reason. Seasons like that are experienced in life; It is just a matter of rebuilding yourself. Winners don't quit, Only those who tell themselves that they are losers quit, Winners are the self-driven dreamers With an achievable goal on their heads and they never quit. Imagine wearing a dapper suit While you are on the low; No one will see that you are struggling.
Sometimes it is good to know when to quit, Rather than lying to yourself that you will eventually win. Sometimes it is best to know when to stop Than being in a marathon that got no finishing line. That will ease you from hurting people That you care about the most. That will avoid you from causing pain to your loved ones. Winners don't quit And quitting doesn't mean you are a loser. Failing to achieve your goals doesn't mean you are a loser. You fall and you rise up again. Life will throw hard jabs at you— It is all about you throwing a hot blow back. Tough moments don't last. Only persistent, focused, passionate, goal-driven people do last. If the going gets tough, Don't lose faith and hope. Keep going no matter the situation. Never give up on yourself. Never give up on your fruitful dreams. Stay positive and be you always. Don't mind the society; People have jealousy and envy. Go in your own pace Using your own lane, But never give up. Just know when to stop Than being your own poison And killing yourself slowly.
i am ANDhappy
poet Sefra Schwab San Antonio, Texas
i am happy.
i get to love him for at least one more day.
it feels so good to say that as there's an unsuspecting power behind the word "happy". sometimes i think we use the word too freely, other times we don't use it enough.
i am not finding happiness in every moment, but i still find happiness in some moments, and marking those is how i carry them in my heart until the next one. that, i believe, is the beautiful curse of this "life, liberty, and the pursuit of happiness" gig. happiness is fleeting, and so we are ever in pursuit of it yet never really catching it.
i feel the same way about "and", it exists so casually, and so simply. those three letters together sit in such power! i am happy AND i am struggling. i am happy AND i am facing pieces of life that are entirely beyond my control every time i turn around. i am happy AND my soul is tired. i can't see my way past the next 5 minutes to make a plan for dinner tonight. forget a 1-year plan or a 5-year plan. but i can make plans for my daughter to meet and play with friends. i can make plans for a game night next weekend, and i can plan a 2-day long series of events just for the joy of celebrating the fact that my husband has been on this floating rock for one more year, AND i rejoice that
you don't have to listen to me, but if you choose to, i want you to remember to take notice of the moments when you can say "i am happy", AND say to yourself—or out loud to someone close to you if you can—that you are so. carry each piece, each shred of happiness like a dandelion puff, releasing your last exasperated sigh to break it apart on the wind of the world and remember your most recent happiness as you watch the seeds float away, sowing more puffs of happy for you to find, near AND far. Happiness needn't be grand; it need only be real and present.
C H A N G E LOOKS GOOD ON YOU Kindness is the Breath of Life
FASHION FOR LIFE One family’s vision to aid those affected by domestic abuse & empower men to change their story. photojournalist K. Day Gomez
“OUR MISSION: TO USE FASHION TO LEAD A MOVEMENT THAT PROTECTS, VALUES & CELEBRATES LIFE; TO MAKE A SIGNIFICANT SOCIAL IMPACT IN THE LIVES OF OUR COMMUNITY.” — FOUNDER MATTHEW SMITH III Fashion For Life is not only an organization that helps its community in a number of ways; it’s an entire movement. Empowering men with moral fortitude and creating awareness for domestic abuse survivors is the underlying foundation upon which everything else they do is built. Founder, public speaker and designer Matthew Smith III [also of Rock Paper Denim] sat down with us to bring their mission to the world. “The inspiration behind Fashion For life was a beautiful woman named Camilla Connor, my mother. This 78 year old woman is a survivor of domestic violence. My
brother, my sister and I had a front row seat as we helplessly watched our mother being abused by our father for many years. While the scars of watching this abuse have healed, the fight for emotional wholeness still exists. My mother’s strength, courage and perseverance through those difficult times have inspired me to establish this all-male fashion show to demonstrate that we as men “Stand with our women and children, and we stand against domestic violence”.” This entire platform is a whole family affair. “I am forever grateful to have my wife, Rachelle, my two daughters, Brittany and Brianna, and our son El by my side in all of my desires to advance humanity. They are extremely supportive of my goals and wild ideas. Whenever I have felt discouraged, they have been a source of my strength. They have shown me love, respect and admiration throughout this endeavor.” Each of them play a role in moving the project forward. PERRER MAGAZINE
Matthew shares some important conscientious facts about domestic abuse that we hope will help our readers understand the importance of what FFL is doing. “Nearly 1 in 3 high school girls reported in 2021 that they seriously considered suicide —up nearly 60 percent from a decade ago—according to new findings from the Centers for Disease Control and Prevention. Almost 15 percent of teen girls said they were forced to have sex, an increase of 27 percent over two years and the first increase since the CDC began tracking it. The isolation and stress of pandemic lockdowns were followed by a rise in domestic violence—and may have also driven an increase in the sexual assault of teen girls (said Heather Hlavka, an associate professor of criminology and law studies at Marquette University with expertise in sexual violence). CDC data does not suggest where the assaults happened or who perpetrators are, but Hlavka said it could be a combination of peer violence, dating violence and violence in the home, and should be a target for more research. “It’s really important to disentangle the relationships between the perpetrators and the victim-survivors to better understand the reasons why,” she said. CDC researchers have kept an eye on data about forced sex for a long time. Now, “we see this increase from 11 percent to 14 percent of teenage girls saying that they’d been raped just between 2019 and 2021—and that’s extremely concerning,” she said.” Because we are inclusive and humanitarian based, we would like to emphasize that domestic abuse does not happen in a vacuum. It’s not isolated to only female victims. Men, elderly, disabled and child victims are also affected by domestic and sexual abuse within the home. This is a demographic that is notoriously left out of media, which is incredibly alarming. Because, as we all know, the majority is not more important than the whole. And in most cases, there are still no proper supports
in place for these marginalized demographics. Likewise, domestic abuse is also about the abusers. There is a public desire and outcry for the perpetrators of such violence to seek help and rehabilitation. Yet, once they have undergone these measures, most of the guilty parties remain socially unwelcome—marked for life, so to speak. This stigmatization only acts to compound the problem and in many cases leads to self-soothing substance abuse, homelessness and suicide. There has got to be an out, an actual road to true redemption.
"NO MATTER HOW FAR WRONG YOU'VE GONE, YOU CAN ALWAYS TURN AROUND." —ANONYMOUS
“One of the biggest things that I would like the community to know about Fashion For Life is that we are a 501C3 nonprofit organization that accepts general donations and philanthropic partnership / sponsorship,” Matthew explains. “While ticket sales are great to have through our sold-out events, it is greatly important that we also develop partnerships throughout the community to push momentum. The greater the exposure, the greater the awareness. The greater the awareness, the greater the impact that we can have on our communities. At the core of our fundraising efforts is a belief that we as an organization are designed to not just bring awareness to this malady of domestic abuse, but to become a ‘reservoir’ of resources and support for victims and their families. We raise money to give money; we raise awareness to bring 202
change. This is our way of standing with organizations like the PEACE Initiative, founded by Patricia Castillo.” When talking quantifiable goals, Matthew tells us, “Like the PEACE Initiative, our ultimate goal is to prevent domestic abuse. This is the ultimate objective for our organization. Our current method of accomplishing this goal is through our fashion shows. However, as an organization, we would like to see a greater emphasis placed on this subject by government officials. We would like to see more legislation and discussion on the subject. Domestic abuse does not discriminate. It is prevalent in the lives of the wealthy as well as in the homes of the poor. However, a lot can be said about how a person’s environment, education and economic status can have profound effects on how
domestic violence cases are handled in our justice system. As the founder of Fashion For Life, I currently participate in zoom calls and symposiums where much discussion and focus is given to domestic abuse and the changes that need to take place within our city, state and country.” On that note, to others who are interested in pursuing social philanthropy or activism, Matthew imparts, “The advice that I would give is simple : put your gifts to great use through Fashion For Life, an organization committed to effecting life change in the lives of victims and their families. I would also add that giving alone is not enough. Being actively engaged is demonstrated by getting involved in the legislative processes. A person could actually get involved by volunteering at some of our events. People can connect with us online. I can personally be reached through email at matthew.smith@FFLSA.com. Our organization’s website is fashionforlifesa.com, we’re on Facebook at Fashion For Life and Instagram @fashionforlifesa.”
disquiet.
CANDY FACTORY
DALLAS, TEXAS
ARTIST COLLABORATION BETWEEN THE LATE GENESIS P-ORRIDGE AND ERIC HEIST journalist K. Day Gomez
In a gallery press statement, “Keijsers Koning is pleased to present “Candy Factory” an exhibition based on the collaboration between the late Genesis P-Orridge and Eric Heist. On view will be sugar-coated silkscreen paintings. The abstract composition is based on parts of the human figure without distinct identity or gender identification, yet the imagery is recognizable and desirable.” According to gallerist Bart Keijsers Koning, this two-artist collaboration began in 2000 with a presentation at Team, “a renowned and provocative New York gallery that closed its doors in 2020. Genesis P-Orridge was generally known as a maverick within experimental music industry and searcher for a new cultural zeitgeist. This exhibition was one of the first entrances to the art world. Until then, most encounters with the art world had been of a performative nature rather than plastic, with showings through art troupe COUM Transmissions and their retrospective at the ICA (London) as far back as 1976.” Clearly ahead of their time, this was an era of experimentation and exploration of what art perceivably is versus what art could be. “Around 2000, Heist was creating sugar-coated silkscreen paintings of body-related imagery. POrridge was making photographic images of non-gender-specific bodies. Both Heist and POrridge were looking at fringes of culture and had a shared interest of context through images that transcended class and moved the narrative past distinctions of identity and its relation to gender.” It’s a topic very commonplace in our time now, that would have been seen as taboo, even threatening or offensive by the mainstream in the ‘70’s when their art journey began. “The result is Candy Factory : pop-infused images and bodies without sex, age, class or race—a symbol for the one as well as the multiple. The name for the project combines Candy Darling and Factory Records, an overlap between art and music.” Here’s where we get into the technical process. “The duo revisited their collaboration in 2018 and created a set of thirty 22-inch square silkscreen on canvas panels. The imagery was derived from a Polaroid image of non-distinct nudity. A base color, which was one of the six primary and secondary colors (red, violet, blue, green, yellow, orange) was overlaid with the image using the five remaining colors in
sequence of the color wheel. The process became a performative ritual in which other sets of sequential color and rotation of imagery suggests cyclical movement and continuity within the attraction of bodies to one another. The images and works in this installation all simultaneously exist independently and collectively.” As contemporary art goes, the work is playful but carries an important cultural point. “In the final exchange of text messages between Genesis and Heist, s/he texted in her unique manner : “Spending 5 Daze in the Horse Pistol – Butter Coum to the Nest” (spending five days in the hospital but come to my apartment afterwards). The continuity of Candy Factory—rotating, changing, moving from red to yellow to blue and back again—follows the continuity of existence itself, reassuring that death is not an end.” During this particular Dallas, Texas exhibition, Keijsers Koning tells us, “Alongside the Candy Factory works, the viewer can see P-Orridge’s video Pandrogeny Manifesto, 2006. The work suggests that while some feel trapped in the “wrong” body, there are others, namely Breyer P-Orridge, who just feel trapped in a body.” As Genesis told to Them in a 2019 interview: “We thought : well, what happens if we cut ourselves up and become one? Can we become a third being? And that’s the pandrogyne. It began as an expression of unlimited love, but then became research into why we feel this way, and what it implies about our position in society.” Obviously, this inclusive forward-thinking exhibit falls directly under the PEPPER umbrella of topics which are meant to spark conversation and foster understanding. The deep red south, however, seems to be stuck in its traditional fear of all things new or outside of cookie-cutter culture. In so many ways, marginalized communities are still not welcome or 205
understood here. When first we spoke, Keijsers Koning told us, “You may find it funny that [a local] Dallas news outlet was set to write about it, with writer prepped and everything on track— only to be pulled by the main editor who stated it “didn’t possess the family values they want”.” One can assume they don’t even realize how offensive that statement is—after all, the ‘American family’ on whole is not what it used to be and generally (thanks to the age of information) folks are a lot more progressive than the media gives them credit for. “It’s not just about me,” Keijsers Koning continued, “but rather a trend. I notice that a lot of people are too scared or complacent to stand up and adjust the rudder. Why would we let ourselves be lead by buffoons when by and large we can find common ground? My reaction is also fueled by a recent visit I had with university students and hearing the rocks they had to crawl out from under. My conversations just lead their brains to an area they have never seen or been to. Just free to think and motivate; it wasn’t ignorance but sheer repression. I’ve not seen anything like it.” It’s important that we hold these conversations if we intend to evolve along with the rest of the outside world. About this exhibition, “The work is a collaboration between Genesis and Eric as they did find themselves on a similar platform in 2000. They both questioned the limits of body, attraction and assumption. This exhibition is their last project together as Genesis passed in 2020.” We’re hoping to showcase many more intersectional features from the art world that promote these kinds of conversations and encourage our readers to learn more about the great wide beautiful spectrum of gender identity and orientation. And to the southern media outlets still afraid to share the stories of the human beings who exist in their orbit, there is hope for you yet. We’re happy to lead by example. This is how you uplift your community.
artist bios Eric Heist (b. 1962) is an artist who works in multiple media imaging the complexities of power, time and socio-political contradictions. Recent solo or two-person exhibitions include Kanal-Centre Pompidou (Brussels); Field Projects (New York); Galveston Artist Residency (Galveston, TX); Foundations, Schroeder Romero/Shredder (New York). His work has been included in exhibitions at Participant, Inc., Max Protetch, Ronald Feldman Fine Arts, White Columns, Roebling Hall, NY, Elizabeth Vallaix Gallery, Paris, and the Brooklyn Museum of Art, amongst others. He is a founder and director of Momenta Art since 1986, a not-for-profit exhibition organization. His work has been reviewed by Holland Cotter and Roberta Smith of the New York Times, William Powhida in The Brooklyn Rail, and Christian Viveros-Fauné in Art in America, among others. He received a Pollock Krasner Award in 2020. Genesis BREYER P-ORRIDGE (Manchester, England, 1950—2020) was a legendary singersongwriter, musician, writer, occultist, cultural engineer, and visual artist. P-Orridge rose to notoriety as the founder of the COUM Transmissions art collective, which operated in Britain from 1969 to 1976. P-Orridge co-founded and fronted the pioneering industrial band Throbbing Gristle and the experimental multi-media outfit Psychic TV, paralleled by P-Orridge’s co-founding of the communal network Temple ov Psychick Youth. In 1993, P-Orridge and partner Lady Jaye embarked on the Pandrogeny Project, a living art concept that blended physical and psychological mediums testing gender constructs and creating the unified BREYER P-ORRIDGE. The archives of Genesis POrridge were acquired for the permanent collection of London’s Tate Britain in 2010. Institutional solo exhibitions include ICA, London; The Warhol Museum, Pittsburgh; Summerhall, Edinburgh; The Rubin Museum, New York; KANAL-Centre Pompidou, Brussels. For additional information or images please contact the gallery at info@keijserskoning.com or 469.961.5391 207
U N I O N
O F
T H E
IMPOSSIBLE
Headphone
They can somehow be painted with mother-of-pearl, covered with rhinestones, and even better—with gold! Why is this not decoration?
2021, Oil on canvas 50 cm x 40 cm
This is what A Girl with a Pearl Earring by Johannes Vermeer might look like today. We do not see the face of the woman depicted in the picture. She is mysterious. Who is she? Where is she from? Where is she going? Is she talking loudly all over the street with someone through her headphones so that the pigeons scatter to the sides, or vice versa – is she barely audible? Or maybe she doesn’t say anything at all, but just listens to music, smoothly moving through the crowd. But still, something is not right here. Let’s look at photographs of African tribes. Oh, they also have pierced ears and some kind of sticks sticking out of there. Oh yes, all new is well overlooked old. What do we see? We see return to the roots in the digital age.
How often do we see such a scene : a man walks down the street and talks to himself...But no, not to himself! He has wireless headphones in his ears. It is just that you can’t immediately see it under hair or a hat hides the headphones. Thereby, it is sometimes difficult to distinguish a madman muttering something under his breath from a normal person solving questions. Does it annoy you or are you used to it? These headphones seem to have grown into the ears for a long time, but there is a problem. They are very easy to lose, and a solution has been proposed here. Very comfortably. Now they will be held in a special hole in the ear, once intended for earrings. It is also beautiful.
In the works of the artist association Union of the Impossible, ironically noting the metamorphoses and paradoxes of our time, it is interesting that sometimes it is difficult to understand whether this is reality or the flight of the authors’ fantasy. The longer you look at this picture, the more intensely you think : have they already come up with this? What if this is a sketch of some kind of advertising campaign?
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About
Union of the Impossible The group of anonymous artists self-titled Union of the Impossible was established in 2020, amidst the raging pandemic and socio-political unrest. Its members are not fixed and their number keeps expanding. The artists’ staple is the traditional medium of painting on canvas. They poke fun at everyday life that has undergone a drastic change toward the bizarre. They come up with new means of protection, creating ‘visual shields’ against blandness, boredom, indifference, logic, and consistency.
resemble Polaroid shots. This is both a hint at exclusivity because Polaroids are one-of-a-kind and an act of opposition to the replicated Internet memes.
Not in our wildest dreams could we imagine that we would get to face a time of ‘great trials and tribulations’. The new normal (and, possibly, the irrevocable) has changed our lives, and we are slowly starting to grow used to it. Irony is an indispensable aid in situations such as this. This is how the Dada farce took root, first causing the viewer to go numb and begging the questions, ’What is this, exactly?’ and ‘Why this, precisely?’ and ‘What on earth?’ The outcome is the new generation of memes, occasionally dark and often straight to the point. Memes have been dubbed ‘the virus of the mind’. When all is said and done, only something apt and incisive will not fail to grab one’s attention in the influx of information that is today’s life. In troubled times, people use different avenues to protect their sanity, with artists, predictably, resorting to art. Union of the Impossible was formed during the lockdown with the mission to create works that were uncharacteristic of each individual member, and the ‘new memes’ swiftly became one of their directions. At one point over a century ago, Dada sprang up as a response to WWI with its unjustified cruelties. In 2020, artists are bringing the Dada principles back to life, repurposing them for the new circumstances: the pandemic that has the entire world under siege. Whilst Dadaists propelled anti-aesthetics, Union of the Impossible provokes and baffles the audience with its memes. Most of these ‘new memes’ are presented in white frames that are part of each picture and 210
“The Union of the Impossible is an artistic association that arose in 2020 in the era of pandemic and sociopolitical shocks.” @union_of_impossible
ICON
S H I A
L A B E O U F
Shia LaBeouf may have seemed like an odd choice to a lot of people, or at least those aware of the controversy he underwent some years back. However, it’s that very controversy that is rooted in our choosing him to represent our soft theme, ‘trust the process’.
“After his parents divorced, LeBeouf later ended up accompanying his dad to AA meetings, while trying to make it as a child actor, performing stand-up at local comedy clubs from the age of 10,” The Telegraph reported. All of this early disruption would become the existential sludge LaBeouf internalized and attempted to keep at bay—until he couldn’t.
The actor grew up in a poverty-stricken environment where he and his family traveled and sold hot dogs to make ends meet.
The incident which occurred just after Valentine’s Day in 2019 that caused the public outrage, surfaced as a lawsuit and was reported by many news outlets, including The New York Times. The details are searchable, but it’s not our intent to create a finger-pointing match. This article is about accountability, redemption and what that actually looks like. Shia did make an immediate official statement to The Times that took the public by
“Adversity has a way of introducing a man to himself.” —LaBeouf 212
journalist & illustrator K. Day Gomez
surprise. “I’m not in any position to tell anyone how my behavior made them feel,” he said in an email “I have no excuses for my alcoholism or aggression; only rationalizations. I have been abusive to myself and everyone around me for years. I have a history of hurting the people closest to me. I’m ashamed of that history and am sorry to those I hurt. There is nothing else I can really say.” Most of the time when things like this occur, those accused of wrongdoing typically deny or further verbally attack those who come forward. By taking ownership of his actions, LaBeouf flipped the script. At the time, The NY Times said, “he added that he was “a sober member of a 12-step program” and in therapy. “I am not cured of my PTSD and alcoholism," he wrote, “but I am committed to doing what I need to do to recover, and I will forever be sorry to the people that I may have harmed along the way”.” That was all around 2020. Three years later (just a couple of months ago), Shia came forward about these last few years spent in recovery and on an existential journey to find his way back to his humanity and redirect his life to be of service to others who, like himself, have caused harm to those around them. And he did it with the help of longtime friend and fellow actor, Jon Bernthal. “It was the worst idea in the world,” Marvel Star, Bernthal was told when he went against his team to have Shia as a guest
on his video podcast ‘Real Ones’ after the abuse allegations, risking social cancelation to do so. [Yet another reason cancel culture and general unforgiveness is toxic and disallows human fallibility, but we’ll save that for another issue.] In an interview with Joe Rogan, Bernthal explained why he took the risk of addressing the situation :
“Being a friend is not about turning your back on somebody when they do something that you find fucking deplorable or you find disgusting. Your job as a friend is to make sure they don’t do it again. And my job now as this guy’s being a father, is to step in there and say ‘hey man, where are you at? Like, what are you doing? What kind of work are you doing? Where are you?’ Like, that’s what being a friend is.”
During that episode, Shia was incredibly vulnerable and forthcoming—it’s something you have to see and truly listen all the way through to fully get. [See our back directory for the episode link.] “I fucked up. I hurt that woman,” LaBeouf said. “And in the process of doing that, I hurt many other
people, and many other people before that woman. I was a pleasure-seeking, selfish, self-centered, dishonest, inconsiderate, fearful human being.” This is not just coming from a place of confession with the intention of garnering public sympathy. LaBeouf is actually resigned fully to accepting responsibility as well as actively working toward becoming an agent for change, every day. Not only for himself, but for others in a similar position.
“When I think about what my life has become, and what it is now, like what my purpose is now —I need to be useful. And when I look at this #MeToo environment, there’s not a whole lot of dudes that are taking accountability.” Shia went on to say, “I fucked up bad. Like crash and burn type shit. [I] hurt a lot of people, and I’m fully aware of that. And I’m going to owe for the rest of my life.” He said he has a “long list of people that I need to make amends to.” He is well aware that this kind of change doesn’t happen
“You can't buy back your respect; you can't buy back your career. You only get one, so I don't want to mess that up.” —LaBeouf
A N
A G E N T
overnight—in a personal or community sense. But it CAN happen when we choose to step up, vocalize and mobilize. He draws a comparison from his initial knee-jerk reaction to the “aha” moment of understanding the brevity of the whole
F O R
C H A N G E
Bernthal brought up how Hollywood has alienated him, like many other celebrities who’ve committed public offenses in the past. To this, LaBeouf said, “I’m in the tribe of the fuck-ups. I’m a very public sinner, a very fallible person in the public sphere.” He then shifted to his change in direction. “What I think now my purpose is, is to not do…the other examples that we’ve had of how to navigate something like this—which is to go after the woman, or try to win a court case, or get back into a fucking movie or like get back on at all.” Truth.
“My purpose, and I mean this with every fiber of my being, is to be instructive with my life, so that I can be an advertisement, like a billboard, for a principled way of living.” —LaBeouf
thing. When the allegations first went public, he said he “wanted to hit Twitter and be like, ‘Look, I got receipts.'” But then later had a total realignment of perception, saying his accuser is a “saint” and “saved my life.” During the interview, he stated, “Had she not intervened in my life and not created the avenue for me to experience ego death, I’d either have a really mediocre existence or I’d be dead in full.” He was entirely forthcoming about his suicidal moments during the “early days” after the accusations went public. “I went and loaded up a gun and sat on my table,” he said. “I was gonna kill myself.” 216
When you look at everything he’s subsequently implemented for himself— be it a prolonged monastery stay to regular meetings for substance abuse to joining a community brotherhood for men-only which acts as an accountability and outreach program—these are all part of the process on his road to not only redemption, but creating real and lasting change within himself and the world around him. And Shia has made clear he’s trusting that process.
PEPPER Magazine
03
Ai
cover artist.
K. DAY GOMEZ
'23
takeaway is. Like any particular medium in art, I firmly believe it’s how we utilize Ai as a tool to assist (rather than to rely upon it entirely and accept its initial
p. 217
has gained a bad wrap, fairly quickly. Of all art mediums, it’s one of the most controversial. I’m not attempting to begin an ethics debate in this article. But as I’ve often found, the reader will decide what their
March 2023
What came out of experimenting this way took on a more abstract tone with hints of Dadaism. I didn’t hate it, but I realized in the process that I enjoy being a fine mixed media artist much more.
result, that qualifies it being our own art. I’m an artist and portrait artist. I can paint to the same capacity as the Ai art. However, I’m in a constant deadline-bind running a magazine full time. Enter Ai : it cuts down the amount of time it takes me to create an artful mock-up of an interview subject or celebrity. And the majority of the time I go back into various illustration and photoshop programs to alter, tweak and add to what I’ve created. In this process, the result is a true collaboration, rather than something simply generated by technology. The whole process is no so different from analog collage art by way of manipulating pre-existing visuals (I.e. licensed photographs or pre-existing artwork you did not yourself make) by way of cutting, pasting and even adding paint or textiles or ink or other media to the work. Inevitably, what is created is something that, until you touched it, did not exist. This is art. My own journey into contemporary art tech mediums has been a slow process and I’m not ashamed to admit I’m still finding my legs. I would create crude illustrations, experimenting with various lines and tools on my phone or tablet to feel out what I liked and didn’t care for. 218
Being an illustrator, I took a stab at character drawing, developing figures from my own imagination in the hopes that any number of them would really ‘stick’ for me. I realized I never really enjoyed digitally illustrating with color. Colors in this medium have seemed too cartoon-like to me. The smoothness upsets my eyes. It’s a personal preference I developed.
The one that did finally stick was a disgruntled abstract thick stick person named Jeffry (he / they). So much so that Sefra Schwab hand embroidered him onto a tee for me, spawning a whole spin-off of a brand project—we’ll save that story for another time. Ultimately, I went back to my first love when it came to utilizing technology; collage. Photography, to me, has always served as a starting
point. Even as a kid I would color black and white photos with markers or paint. I’d cut and paste subjects into different scenes creating surreal environments. With technology, I began altering patterns, duplicating layers, altering and rearranging and even illustrating until the end result was something of a complete thought. I’ve always used myself as a subject—not out of vanity, but rather because I knew I could experiment with whatever sort of results I could conjur without offending anyone. These early self portrait trials would serve to make me more comfortable taking it to new levels. By 2021 I began delving into new applications and combining them with older ones I was more versed in. That’s when my digital portraiture reached new levels, while maintaining the same Dada-esque overtones.
*Take for instance this piece I did of Elliot Carlyle [above]. Or the strong black and red portrait of model Curtis ChiTown Lewis [previous page]. Or the darkly satirical portraits I made from the photos I took of contemporary artist George Horner during his interview with us for the SAMOMA documentary we were filming at the time, accompanied by actual quotes from his interview [right side of this page]. 220
It wasn’t until the middle of 2022 that I even attempted incorporating true Ai into my artistic process. Not for philosophical reasons, but rather because I still feel like such a novice when it comes to making art on tech devices. And true to form, I began with myself as the subject. The difference in using the assistance of Ai was vast. The immediate results produced are typically
so refined that it’s all too tempting to leave the rendering as is. Using my own face, however made it easier to recognize where it slimmed me too much here, or augmented my eyes there… going back over the piece in photoshop to reshape my face and features more true to life, and then illustrating a few fine details in addition would make my end results something more finished, more true and slightly less controversial [see the works on this page]. I took to this process much faster than
digital illustration, and even digital collage. I attribute this to having been pretty well versed as a photographer and having to know my way around Adobe photoshop and later, Lightroom over the years. Essentially, rendering an Ai image was sort of like starting from a photographic base for me. I took to it right away. This month’s issue of PEPPER (Vol. 1, no. 10) marks the first issue where we have featured an Ai and digitally designed-only artwork on our cover [in this case, my Ai artwork of actor and health guru Shawn Kraft]. Shawn was in part responsible for my decision to lean heavily on Ai with this one, as he too found himself swept up in the profile-experimenting trend that exploded early this year. “These things are really cool and not that you have to use any, but I wanted to share the ones I made,” he told me as he emailed
me his creations. The back cover is actually one of Shawn’s own renderings. During this process, I came to realize that the Ai has given typically noncreative individuals training wheels, so to speak, to experiment in ways they never would have imagined prior to this technology. It’s ok artists—I can feel your eye rolls and I’m sure up ‘til now you think I’m missing the point. It’s not lost on me that the most controversial issue has been the fact that much of the Ai artwork templates available are based off of real fine artwork that has
been mined from the internet without the knowledge of the original artists. Here’s where it gets un-tricky real quick, at least for me. It still falls under the same idea as collage art, which is recognized as a valid artform. Collage artists do not typically ask permission or approach every single originating company or entity responsible for the creation of the magazine ads, photographs, artwork, etc. that they cut and paste into completely new creations. With Ai art, the facial features are entirely rearranged in order to emulate the new subject. Even without any additional alterations, this is a new work to the same capacity as a collage work. Regardless of where we stand in the debate, one thing is certain—Ai is very much a part of our reality and it’s not going anywhere. So buckle up, get active learning, or watch from the sidelines. [More of my Ai assisted illustrations / next page.] 221
directory.
directory. Instagram @with.love.amira / linktr.ee/Artist.amiraa / journalist K. Day Gomez
Credits, Locations & Contact 6
Introduction by editor in
chief K. Day Gomez / San Antonio, Texas / Instagram @creative.consultant.kday / email hello.pepper@outlook.com / web directory
9
msha.ke/kathleendaygomez /
43 Shawn Kraft / San Antonio , Texas / Instagram @kraftfitness & @bodybykraft / kraftfitness.com / photographers John Wagner & Miguel Flores / journalist K. Day Gomez
photographer Joe A. Gomez III 2023
52 Chad Ritterbach of bokcreative inc. / Los
9
Angeles, California • Austin, Texas / Instagram @bokcreative / bokcreative.com / journalist
The Wild Rumpus of (artist)
Basqo Bim / New Orleans , Louisiana / Instagram @basqo_ / photographers Justine Woods •
K. Day Gomez / all images are from the bokcreative inc. portfolio
@churchbitch, Mila Nijinsky & Hannah Richter / journalist K. Day Gomez 19
59 Colour / photographer David Rodriguez / Santa Cruz de la Palma, Spain /
The Never Ending Friend :
Lulu Bella Art / artist Julia McClurg / New York • Costa Rica •
Colorado / Instagram
@davidofficialclub / vogue.com/photovogue/ph otographers/173856
@lulu_bella_art & @juliamcclurgart / juliamcclurgart.com / journalist
69
K. Day Gomez 27
Words & Pictures with
(artist) George Horner / Brooklyn, New York / Instagram @georgehorner / georgehorner.com / journalist K. Day Gomez 36
The Innovator / Artist Amira
Alsareinye / San Antonio, Texas /
ON THE COVER Actor Shawn Kraft by artist K. Day Gomez / San Antonio, Texas / Instagram @artist.kday / msha.ke/kdaygomez
27
Havanah /
photographer Elliot Carlyle at Current•ly Global / Instagram @elliotcarlyle & @currentlyglobal / linktr.ee/elliotcarlyle / model Edwin Borquez Pierrot at Marilyn Model Management / Instagram @edwinevangelistaofficial & @marilynagencyny / edwinpierrot.com & curldaddy.com / Location : Hotel Havana, San Antonio, Texas 77 Bodega Behavior / photographer Stefani Lackey / San Antonio, Texas
directory. @beckywittemarsh / photographer K. Day Gomez / Location : Salvation Army
Instagram @stefani_elle & @sa.creatives / Featuring Desja Chanel Boutique & stylist Des Torres / Instagram @desjachanel,
120 The High Life / Highlight with Joe A. Gomez III / San Antonio, Texas / Instagram @jag.enterprises / Reference images sourced from Google
@i_amdes_torres & @styledxdes / desjachanel.com / model & hmua Annakaren Alderete / Instagram @beautyblogbyak / voila.love/beautyblogbyak / Location : Jefferson Bodega 90
City Style Review
No. 1 : Job Davon / Manila, Philippines / photographer Roj Miguel / model Karol Ribeiro of Women Mgmt. / hmua Lars Cabanacan / designer Job Dacon / assisted by Teresa Magsalay with special thanks to Lester Buyao No. 2 : Dragon Girl / Berlin, Germany/ photographer & film director Marianna Vesku / model + actress + recording artist Yan Ge No. 3 : Karina / London, UK / photographer Metty Unuabona / model Karina Starczynska with MS Represents No. 4 : Stephan / Los Angeles, California / photographers David Schneider, Gerardo Nevarez & RNCG Media model Stephan Adam 113
Becky’s Guide : How To
Thrift Like a Pro / Sustainable fashion & lifestyle expert Becky Witte-Marsh / San Antonio , Texas / Instagram
59
123 SAVOR part 1 / San Antonio, Texas / as told by photojournalist K. Day Gomez / Instagram @creative.consultant.kday / msha.ke/kdaygomez / Culinary Brands mentioned : Bird Bakery, Press Coffee, Hot Joy, Ida Claire, Mon Chou Chou, Mon Thai Bistro & Sushi, Ocho, Southerleigh, The Box Street Social, The General Public, The Hayden / with supplemental photography by @viva.sanantonio, @rj_mcguire, @thebobabee, @jackieleeyoung, @kristynafrompraguephot ography & @saenzfiction77 131 Arianna / actress & comedian Arianna Coromoto Coltellacci Castillo / San Antonio, Texas / Instagram @ariannacoltellacci / imdb.com/name/nm138450 4 / journalist K. Day Gomez / photographer Mandy Kadura of Infinite Photography / Instagram @infinitephotographysa / poplme.co/hash/yYbHj2v0/1 /share
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directory. 138
175 A Modern Mystic : Healing Practitioner Romy Nava / San Antonio, Texas / Instagram @romynava247 / website romynava.com / photographers Abdullah Ali • @adbullahx, Ashes Sitoula & Ashkan Forouzani • Iran
Humans of Cuba /
photographer John Hendrick / Havanah, Cuba / Instagram @johnhendrick_photo / directory linktr.ee/johnhendrick_photo 146
Love Sparkles + Bright
178 Positively Crystal : Motivational mindset coach Crystal Lopez-Crebs / San Antonio, Texas / Instagram @crystalmagic777 / linktr.ee/crystalmagic777
Thoughts : Sinenkosi Msomi / Mbabane, Mpolonjeni Swaziland, Africa / Instagram @sinenkosi_msomii / web portfolio latitudes.online/artists/sinenk osi_msomi 149
181 To Be Truly Limitless / Artist Anais Ginsburg-Maly / London, UK / Instagram @gm.lucas.gm
Something Like Home
: Ukraine / Aleksandra Marigodova / Washington, DC / Instagram
90
@aleksmarigoldphoto / Models Julia Cherniak & Iryna Zakcharchenko 158
PASSPORT : Tales of La
Isla Bonita by Seigar / The Canary Islands / Instagram @jseigar / seigar.wordpress.com 166
Her Story / Holistic
Guide & Author Lucy Byrd Hope / North Carolina / Instagram @lucybyrdhope / book amazon.com/dp/1637586590 / journalist K. Day Gomez 171
Fit to a T. : Nutritionist
& fitness expert Tina Sena / New Braunfels, Texas / tinasena.org / Instagram @tinasenaofficial
120
191 Eighteen Four / Flash fiction author Jonathan Darren Garcia / San Antonio, Texas / Instagram @jupiterjazz27 / artist SMrry • @bloodexer 192 The Stretching / poet laureate Andrea Vocab Sanderson / San Antonio, Texas / Instagram @vocabulous / directory linktr.ee/vocabulous / photographer Kiana Bosman • @kiana.bosman • Washington / with historical photos referenced from public domain 194 Never Give Up, Don’t Quit / author Njabulo Nkambule / Swaziland, South Africa /
directory. @union_of_impossible
Instagram @dablue_kiddie / linktr.ee/dabluekiddie 196
211 ICON : Shia LaBeouf / journalist & illustrator K. Day Gomez / San Antonio, Texas / direct quotes from actors Shia LaBeouf & Jon Bernthal / with additional reference images sourced from public domain via Google.
AND i am happy / poet
& photographer Sefra Schwab / San Antonio, Texas / Instagram @sefravofthecherrytree & @simply.sefra.photography 198
Change Looks Good on
You : Fashion For Life / founder Matthew Smith III / San Antonio, Texas / Instagram @fashionforlifesa / fashionforlifesa.org / Donate : paypal.com/donate/? hosted_button_id=FNAUSV4 QS7SEW / Fashion For Life Team: Matthew Smith -
138
CEO/Founder, Brianna Smith - President, Rachelle Smith CFO, Portia Matthews Director of Operations & Logistics, Kim Miller Perry Director of Talent Acquisition & Brittany Smith - M.C. 204
Candy Factory / Artist
collaboration between the late Genesis P-Orridge & Eric
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217 Cover Artist K. Day Gomez : on the Legitimacy of Ai / San Antonio, Texas / Instagram @artist.kday / msha.ke/kdaygomez / with digital illustrations & Aiassisted digital illustrations of actors Shawn Kraft & Angelina Jolie, models Kurtis Chitown Lewis & Elliot Carlyle, artists George Horner & K. Day (self portraits), pop recording artists David Bowie & Basilio Romo, & designer Iris Apfel / *All are original artworks by artist K. Day Gomez, including Ai pieces, which were also illustrated by artist K. Day Gomez before rendering a final finished piece.
Heist / London, UK • New
ADVERTISERS —
York, New York • Dallas, Texas / presented by curator &
5 Desja Chanel Boutique / San Antonio, Texas / stylist Des Torres / Instagram @desjachanel, @i_amdes_torres & @styledxdes / desjachanel.com
gallerist Bart Keijsers Koning / Instagram @keijserskoning / keijserskoning.com / Location : Keijsers Koning Gallery at 150 Manufacturing St., Suite 201 in Dallas, Texas 209
Union of the
Impossible : Good News / Instagram
149
7 Seigar / Spain / Instagram @jseigar /
123
directory. seigar.wordpress.com
Instagram @novem.cuisine
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130 MOVIE : Brother’s Keeper / Hartfield Consulting LLC / Broadcasting & Media Company— San Antonio, Texas / Instagram @hcpostproduction
bokcreative inc. /
Los Angeles, California • Austin, Texas / Instagram @bokcreative / bokcreative.com 42
Melanie Allison Art Gallery
/ artist Melanie Allison / Austin, Texas / Instagram
158
@melanieallisongallery / web
148 Sinenkosi Msomi / Mbabane, Mpolonjeni Swaziland, Africa / Instagram @sinenkosi_msomii / web portfolio latitudes.online/artists/sine nkosi_msomi
directory msha.ke/melanieallisongallery 57
Miguel Flores
Photography / San Antonio, Texas / Instagram @miguelfloresphotography 58
Stacey Rae Olivares-Garcia
/ San Antonio, Texas / Instagram @staceyraeofficial /
166
cloverbudphotography.com 110
DX2 Models / Austin,
157 Corey Layne Photography / Austin, Texas / Instagram @coreylaynephoto / web directory linktr.ee/Coreylaynephoto
Texas / Instagram @dx2model / dx2modelmanagemen.com 111
Darkhorse Photography /
Michael Avila Christman / Instagram @darkhorsephotographysa & @heliosmediatx / media portfolio vimeo.com/heliosmediatx 112
Style Consultant Becky
Witte-Marsh / San Antonio , Texas / Instagram @beckywittemarsh 122
NOVEM Bean by NOVEM
Cuisine / chef Joe A. Gomez III / serving South Texas [available for national & international travel] / website novemcuisine.weebly.com /
175
165 Clinician Itxia Lee Acevedo of POUT MedSpa /San Antonio, Texas / poutmedspa.com / / Instagram @pout_itxialee / ad created by K. Day Gomez 173 Whole Heart Foods by Tina Sena / Tina Sena Fitness / New Braunfels, Texas / Instagram @tinasenaofficial / tinasena.org 174 This Is Jane Project / Colorado • California / Instagram @thisisjaneproject / linktr.ee/thisisjaneproject_
directory. 180
NONPROFITS —
Neurodivergent Child
Artist Aiden Gamez / San
PEPPER Magazine proudly
Antonio, Texas / Instagram
supports the following
@i.am.aide.g /
nonprofit organizations &
msha.ke/artistaideng 189
community efforts, and we strongly encourage our
Author Njabulo
Nkambule / Swaziland, South Africa / Instagram
readers to do the same.
181
Please take a moment to
@dablue_kiddie /
look them up, follow, learn,
linktr.ee/dabluekiddie
volunteer or donate.
190
• Srow Zar Children
Author Robert Dean /
organization, Afghanistan
Austin, Texas / Instagram
@literallyrobertdean / book :
@srowzarchildren
barnesandnoble.com/w/exist ential-thirst-trap-robert-
• Kearing Foundation for
dean/1142963685
Orphans living with HIV,
191
Uganda @kearing_foundation_ug • Bamunanika Children’s Home, Uganda Instagram @bamunanika_charity_fou ndation • We Care Wildlife Sanctuar, Lakehills, Texas Instagram @wecarewildlifesanctuary
192
• Alora Farm nonprofit for Neurodivergent teens & adults on the Autism spectrum, Lakehills, Texas Instagram @alora_farm • Geofrey Foundation for Kids nonprofit organization, Uganda instagram @hope_up_for_kids
198
204 Since our public launch in May of 2022, we’ve also proudly supported through GoFundMe (and other means): The MAC • Literacy • Ukrainian San Antonio • Autism Advocacy • Uvalde Families post tragedy… And more; and this is only the beginning.
OUR MISSION
196
SUPPORT THE ARTS • FAIR WAGES FOR CREATIVES • SHOP SMALL BUSINESS • CURATE SUSTAINABLE ETHICALLY SOURCED FASHION • RECYCLE • BE KIND • REPEAT
directory.
PEPPER STAFF K. DAY GOMEZ CEO & EDITOR IN CHIEF Hello, my name is Kathleen. I am a neurodivegent mother, wife and wearer of many hats. I’m an internationally published artist, author, creative consultant and intuitive life coach. I also sit on the Advisory Board of the Alora Farm nonprofit for adult autists. I’ve been a photojournalist, art illustrator and content writer for various publications and blogs for over two decades. I formerly held a modeling career for over 17 years that led to acting and directing, which I still may pursue in the future. I always seek to be of the most help to our community and global humanitarian issues any way I can. It was with this intention that I founded PEPPER Magazine. As a creative, and member of the LGBTQ community, it is also my intent that the publication be inclusive, diverse and support marginalized communities and those with varied abilities / disabilities by creating a safe space for all to be heard. Thank you for taking the time to learn about our mission. I anticipate great things for the future.
JOE A. GOMEZ III CFO & MARKETING DIRECTOR An all-American Texas boy born and raised in
San Antonio, Joe A. Gomez III has been a strong community leader, a humanitarian and a true lover of life. A former city councilman having served on the board of the San Marcos Chamber of Commerce for several years, he's also the founder of JAG Enterprises with over 23 years of management experience. He is now PEPPER Magazine's CFO & Key Lifestyle Contributor. A chef to rival most, despite not having been classically trained, Joe's culinary expertise is impeccable. Enough so that over time he began to develop the ground work for what is now called NOVEM Cuisine. Since the founding of NOVEM, chef Joe's recipes have become more diverse and in turn, the public attention has grown. This has led to multiple international publications, to include London and Manchester, UK. And if you have the luck of tasting his food you'll understand why. There is no detail that escapes him, and the care he puts into the preparation and plating of every meal is nothing shy of five-star dining. The pièce de résistance is having him prepare it right from the comfort of the best restaurant in town; your own home.
BECKY WITTEMARSH SUSTAINABLE FASHION & LIFESTYLE EXPERT Becky found her passion for sustainable fashion and home furnishings at an early age when being sustainable was a necessity.
staff. A lifetime of creating her own personal style through sustainable sources, got the attention of those around her. Today, her innovative creations using vintage, thrift and self-made items will inspire a new way to look at dressing and styling your home. Becky will help you turn style sustainability from an inconvenience into an ADVENTURE!
ANDREA ‘ VOCAB’ SANDERSON POET LAUREATE Poet Laureate 20202023, performs as “Vocab” in her hometown of San Antonio, Texas. ”Watching her perform, the word “hero” comes to mind. And not “hero” for the sake of just skill, but for her work in her community: Sanderson teaches poetry workshops, mentors, builds up and encourages artists to pursue their art, and gives them platforms to showcase their talent. Sanderson’s interest in other people’s art and artistic development became a passion of hers, and she started curating her own shows and creating platforms for other artists to hone their craft by hosting open mics.” -The San Antonio Current, Jan. 16, 2018 She received awards, Performer of the Year, Influencer of the Year, from Project Forward, and Dream Voice, from the Dream Week Commission. Sanderson is the winner of the 2019 People’s Choice Award, awarded by Luminaria Artist Foundation (formerly
known as: Artist Foundation of San Antonio). In May of 2020 she was awarded Best Live Entertainment/Band Musician of the Year by the SEA Awards.
TINA SENA NUTRITIONIST & FITNESS EXPERT Hi, my name is Tina Sena and it has been my passion to motivate, inspire and encourage others to achieve health and wellness physically, mentally, emotionally and spiritually. For 24 years now I have been doing personal training, nutrition consulting, kids programs, developing a protein line of sweet treats and running my own businesses. I am a spouse and also a real estate business partner with my husband Michael, and we have a beautiful 13 year old daughter named Mia. It is my desire to build a community where we can share with others all the knowledge we have accumulated over the years to help create total health and wellness in their lives. I was an only child who grew up in a home with a mentally ill father and a mother who, although very strong, was also riddled with fear and anxiety while working all the time to provide for our family. We had very little so I was terribly ridiculed in school. I saw my first therapist at the age of 10. My father passed away at 44 and as a very independent 20 year old I was on a mission to help others to not suffer in all the ways myself and my family did physically, mentally and emotionally.
staff. Ibecame a personal trainer about 24 years ago while I was working as a model and living a completely unhealthy lifestyle. I wanted so much to have lean, sexy muscles which was a no no back then in that world. So I hired my first personal trainer who taught me how to lift weights and eat properly. I never felt better! My body, mind and health completely changed and off I went. I began training for triathlons and fitness competitions with some of the best trainers and decided that was it - I wanted to do for others what they had all done for me. So off to work I went. I am now an upscale fitness facility owner, protein treats line developer and I organize a nonprofit program changing the course for kids! I believe that we all have the power within us to get past the pain we endure in life. We just need the proper guidance and resources to get us there! It means everything to me to help my community to be encouraged and feel love and support through what might be their most challenging journey.....working on ourselves!!!”
ROBERT DEAN JOURNALIST & AUTHOR [In his own words...] Robert Dean is a journalist, raconteur, and ‘enlightened dumbass’. His work has been featured in places like MIC, Eater, Fatherly, Yahoo, Austin AmericanStatesman, Consequence of Sound, Ozy, USA Today, to name a few. He’s appeared on CNN and NPR. He also serves as features writer for Hussy Magazine and is editor in chief for Big Laugh Comedy, Texas’ biggest comedy production company. He lives in Austin and loves ice cream and koalas.
CRYSTAL LOPEZ-CREBS MOTIVATIONAL MINDSET COACH Crystal Lopez-Crebs received her degree in Fashion Design & Marketing from The International Academy of Design & Technology in Tampa, FL. She also interned with designer Tracy Reese in New York learning the ropes of New York Fashion Week (NYFW).
She owned an entertainment company in Tampa where she created costumes, did makeup, and stylized looks for her team. After moving to Texas, she mastered her crafts in the makeup industry working for MAC Cosmetics. She has also done makeup for LA & San Antonio Fashion Week, worked on film sets as both talent and wardrobe & production design, and developed her fashion production skills at Neiman Marcus. Crystal is now the talent coordinator for X Level Inc, a creative agency in San Antonio, TX, where she helps scout and develop talent. She is also the founder of the nonprofit, Fashionable Adoptions, that promotes animal adoption through fun fashion events, most notably her fashion shows that showcase adoptable animals walking the runway. She’s helped many people (and animals) improve their lives with her health & wellness business alongside her husband, especially through her story overcoming a health challenge. She loves to talk about vision and mindset to her audience to empower them to live a bigger life. Her unique style and excitement for living a healthy life can be felt as she shares her passions on social media
staff. and in person. Crystal brings her bright light & energy to inspire everyone to live an abundantly beautiful & healthy life from the inside out.
CHAZ NIELL PHOTOJOURNALIST Based in Washington DC, Chaz is an award-winning photographer with over 15 years of experience telling stories through his art to capture the emotion of every subject whether in sports, fashion, entertainment or social consciousness. He has long been a fan of the visual arts and his passion led him to attend the Art Institute of Pittsburgh where he was able to explore all facets of the industry and discover his deep passion for photography. Chaz Niell shares the philosophy of the great Nina Simone “as an artist it’s his duty to reflect the times in which he finds himself.” “How can I be an artist and not reflect the times”? His work has been featured in highly acclaimed periodicals and publications, such as Sports Illustrated, Rolling Stones, The Wall Street Journal, Vanity Fair, The New Yorker, Forbes, and Paris Match just to name a few. In addition, footwear manufacturer Nike in 2019 displayed his awe-inspiring photo of tennis champion Rafael Nadal on their New York City digital broad at 34th & 7th Ave. one block from Madison Square Garden. Chaz has also been commissioned to shoot the David Ortiz Celebrity Golf Classic, Hampton International Film Festival, New Balance, Art and Commerce, and British fashion retailer, AllSaints. His photographs
also appear in Leica Fotografie International (LFI) galleries. He is an official Getty Images contributor. His love for fashion and the creative philosophy “Dress every day like you’re going to Jimi Hendrix’s funeral” gives him the freedom to express the many sides of the Gemini that resides in him. We are honored to have him as a contributing member of the PEPPER Magazine team.
NJABULO NKAMBULE AUTHOR & POET Njabulo Nkambule also known as Njabulo N. is a writer, a poet hailing from the Kingdom Swaziland. “I'm also an author of the soon to be published anthology, DEEP-ROOTEDWORDS which will include mainly my written poems. I’m a devoted,multipassionate, hardworking poet with a keen eye for detail and an insatiable interest in the use of the written word. I'm one person who is so passionate about poetry having so many written poems under my name (not yet published). My writings (poems) include quite a number of poetic forms including rhymed poetry, narrative poetry, pastoral poetry, elegies poetry, limerick poetry, lyric and soliloquy poetry.” PEPPER is enriched by the presence and liter contributions of this gifted writer and we are excited to see how he helps to shape the overall landscape of our publication over time.
staff. scene from the late 1960’s forward. Over time, we will be sharing these archives which range from obscure to iconic. We are grateful to have Norman as part of our team. Currently, he is engaged in the development process as a key interview subject for our first documentary about the history of SAMOMA. In conjunction with our cinematographer Michael Avila Christman and editor in chief who is key interviewer for the independent filming project, Norman is providing priceless facts and contacts for the film’s creation.
MICHAEL AVILA CHRISTMAN DIRECTOR & CINEMATOGRAPHER Founder of Darkhorse Photography, as well as his media company Helios, San Antonio native creative professional Michael
Avila Christman is a fixture here. His projects range from short film to documentary to commercials to editorial fashion photography. He’s worked with well known models, designers, makeup artists, musicians, local celebrities and other professionals throughout his expansive career. Now, Michael is taking his passion for journalism and theatrical storytelling to new heights by collaborating with PEPPER Magazine and taking on a staff contributor role. He will be responsible for the majority of commercial video content for the
publication through his tenure to come.
STACEY RAE OLIVARESGARCIA PHOTOJOURNALIST Stacey is a San Antonio native, growing up down
the road from Karam's Mexican Restaurant and The Malt House. While residing in Austin, Stacey began to grow her passion for photojournalism by capturing the heart of the person behind the lens. She wanted to bring this fresh outlook with her to San Antonio. Returning to her hometown allowed her to focus on the art in a person's story. Stacey's work has been featured in several magazines such as; Entertainment Tonight Online, Voyage Houston, and S.A. Scene Magazine. She has captured photos for multiple businesses across various industries including Luzianne Tea and August Ink. er creative eye and ability to capture her H subjects’ stories with grace and dignity makes Olivares-Garcia the perfect addition to the PEPPER team.
MELANIE ALLISON NETWORKING LIAISON One day, I decided to take life by the (long)horns and got back to my roots by modeling
staff. and painting again. I wanted to break the fashion industry standards and stigmas by creating a need for a petite and classic model. I started working with local photographers in the Austin area, building a new portfolio. Soon I discovered independent magazines and learned how to submit my work. I was finally published and on the cover of a magazine for the first time in October 2016. Soon after that, I was signed with TL Modeling Agency in Houston, Texas. But things don’t always go as planned. After enduring occasional rejection from magazine editors, I founded my own art & fashion magazine called Bevie in November 2016. My mission with Bevie was to showcase emerging, local and international talent such as artists, models, photographers, designers, and other creatives. By making a sophisticated publication more approachable, I was able to help my fellow colleagues get established or further along in their career. After two years of publishing my bimonthly mag, I decided to go back to work full-time and the last issue was released in December 2018. Bevie still has quite the following today! Today, I am now focused on creating mixed media art, establishing my networking event, turned group called Girl Flock Party, and becoming a part of the local artist community. It has been an amazing journey and I am grateful for every experience along the way!” Melanie is a great asset to the PEPPER team and provides valuable guidance, lead finding and creative / marketing advice from her home base in the Georgetown / Austin area.
ROMY NAVA HEALING PRACTITIONER Romy Nava has been actively developing his gift as a healer since the beginning of 2013. As a Sound Healing and Reiki practitioner, he has formulated a signature holistic protocol.
His clients are comforted and claim to experience a relaxed calming sensation for days following each session he provides. Also a media tech and podcast host, Romy aims to educate and hold space for enlightened thought by way of his platform. He establishes a dialogue that is relatable with the intention of getting to the core of the human psyche, spirit and mind-body connection. He examines the choices we make vs. practical and functional resolution. All of this expertise and experience makes him an incredible asset to PEPPER Magazine. Say hello to Romy and open yourself up to learning something new… maybe even about yourself.
ANDREW BARRAZA MEN’S GROOMING STYLE CONSULTANT Andrew is a graphic novel artist & comic book enthusiast who also happens to be a mustache connoisseur. “Men are always just kinda left out when it comes to
staff. grooming topics. I had to learn all my tricks on the street. I’m and ambassador for a couple of stache grooming brands. It’s been a blast growing it, helping others with tips and making new friends. I still draw when I have the chance. Love comics and art.” He is here to lend PEPPER Magazine his expertise in mens grooming, the subcultural aspect that goes along with this niche and other great products, tips and resources for men. “It’s really funny, without knowing when I got into it, there’s a giant mustache community out there of dudes that are happy to encourage, give tips, even help out with charities and events. One of the companies that I ambassador for donates part of every sale to first responders. Turns out there’s a lot of firemen that make and sell mustache wax also. And seeing people randomly, I ALWAYS get compliments from people. And I’m happy they think it’s cool and get a kick outta it. Even gotten some free beers in the bars. That’s worth it right there alone.”
SINENKOSI MSOMI PHOTOJOURNALIST & CONCEPTUAL ARTIST Sinenkosi Msomi is an exceptional photographer born in Eswatini and currently residing in Mbabane, Mpolonjeni. His work consists of staged and conceptual photography. The themes contained in his
work include addressing mental health issues, the importance of self-expressions and exploring the significance of one's childhood memories. His upbringing plays a major role in how his work eventually plays out. He recollects the different sides of growing up in an African extended family and how that helped shape him. His pictures help him talk about things that he sometimes finds no words to fully express. Msomi is an incredible asset to PEPPER Magazine and will continue to work remotely, bringing impactful documentary through the personal and unique storytelling of his imagery.
ALYSE DEANDA NETWORKING LIAISON & SPECIALIST Alyse Deanda is the Founder and Chief Executive Officer of The Blooming Social, a social media marketing and management agency. She assists small businesses as they navigate the complex world of Digital Marketing for the first time. She has also assisted multi-billion dollar businesses in accomplishing their marketing goals. In 2022, she founded Wild Bloom Vintage, a women’s fashion e-boutique that is focused on sourcing sustainable women’s fashion and nicknacks. Born and raised in the Rio Grande Valley, Alyse now resides in San Antonio, Texas. She is a proud alumna of St. Mary's University where she earned a Bachelor of Arts in Speech Communications. She is a model and
staff. actress with representation in San Antonio, TX, Shreveport, LA and NYC, NY. Alyse has worked in the fashion industry both behind the scenes as well as in the spotlight for almost a decade. In addition, she is proud to serve on the Board of Directors of FerrariKid, a nonprofit organization that is focused on bringing joy to children battling cancer and chronic illness. As a networking liaison for PEPPER Magazine, Alyse will be pulling from her wealth of experience and knowledge to guide networking, gather leads and connect nonprofits and businesses with our publishing firm.
COREY DAVENPORT
into something that I have excitedly worked on for the last 13+ years. Whether it be going to local venues, traveling for festivals, or touring with bands on and off over the years. My opportunity to capture the raw emotion of the artists is an experience that will never cease to fill me with joy. With more doors opening, I plan to continue learning about, and expanding my craft, while striving for more new experiences throughout my ever growing life as a photographer.” Corey will be covering various leads and events for PEPPER in Austin and surrounding areas. He’s also working on showcasing some intense and striking documentary imagery from his archives over time.
CHARITY STEWART
PHOTOJOURNALIST A Texas native, with a curiosity of the human experience. “Having always been fascinated by the psychology / sociology of people, while also lacking the ability to focus my interests, and thoughts into words, I knew at a young age that photography was my outlet to show the world what I see. With inspiration from some of the classic greats like Elliot Erwitt, Gary Winogrand, Henri Cartier-Bresson, and Weegee, my passion for street photography/photojournalism will continue to be the driving force behind what I do with a camera. Living in Austin, TX for the majority of my life, has also given me the best environment to mix my love of music, and photography
STYLE CONSULTANT “My name is Charity Stewart. I was born and raised in Houston, Texas. I am a very family oriented person I grew up with two sisters and a brother. In high school is where I met my now husband, we have been together since 2015 and have been married since 2021. I went to Sam Houston State University to run track and I majored in business. I moved to San Antonio in 2021. I am a licensed disability job coach. One of my passions is helping people and being certified allowed me the opportunity to help people with disabilities from the ages of 17-23 find a job and be equipped for the workforce. Currently I work as a barista at Press Coffee
staff. and also at Mint Vintage. My husband and I are in the process of launching our brand called Team Faithful. We started this because we want to encourage young couples to stay committed and honor each other despite what the culture is saying today. We believe that life is about community and helping others which makes me so happy to be a part of PEPPER Magazine where helping people is in our DNA. Growing up, I have always had a passion for fashion. I remember getting up on Saturdays to put outfits together and giving my family a fashion show in the living room. Now as an adult I am able to make a fashion show for myself every day and also for PEPPER Magazine.” Charity will be sharing her favorite fashion and beauty tips, hacks and trends (old and new) as well as the brands and entrepreneurs she recommends in her own column.
old (when I was published in an international magazine) and picked up photography over a decade ago, always pushing myself and my equipment as far as I could, developing my style to show people how vibrant, beautiful, and varied the world is. I have sold prints of my photography, as well as being published in periodicals. Pepper will be the first publication where I will be contributing regularly as I've spent several years focusing on horse training and more recently, being a single mom to a very bright and busy toddler. I am so excited to be part of Pepper, and I hope we'll be seeing each other for a long time to come!"
JONATHAN DARREN GARCIA FLASH FICTION WRITER
SEFRA SCHWAB PHOTOJOURNALIST “I'm Sefra, and while I have a lot of interests that I feel deeply about, the most important things to me are my faith, my daughter, and my deep-seated love for animals and the people who love them (especially horses). As a recently diagnosed autistic following several years of misdiagnoses, I have an intense interest in philosophy and all the different ways that humans are. I have been writing - mostly poetry, and short stories - since I was about 10 years
Jonathan Darren Garcia is a San Antonio based writer. He was a featured poet in That Gray Zine: San Antonio's Collective Carefest. He has been published in multiple literary magazines including Crepe & Penn (Now known as C&P Quarterly), Scum Gentry Alternative Arts, Beyond The Veil, From Whisper To Roars, Royal Rose, etc. Notable works include "You Both Need To Leave Right now!", "The Energy Of A Stone" and "Samson". He dreams of a story worth telling. On his off time he enjoys a good cup of coffee from one of the many local spots in San Antonio. With his compelling handle on the flash fiction genre, Jonathan will maintain a gripping monthly column in PEPPER Magazine.
staff. SEIGAR
MANDY KADURA
PHOTOJOURNALIST & CONCEPTUAL ARTIST
PHOTOGRAPHER
Seigar is a passionate travel, street, socialdocumentary, conceptual, and pop visual artist based in Tenerife, Spain. He feels obsessed with the pop culture that he shows in his works. He has explored photography, video art, writing, and collage. He writes for some media. His main inspirations are traveling and people. Seigar’s aim as an artist is to tell tales with his camera, creating a continuous storyline from his trips and encounters. He is a philologist and works as a secondary school teacher. He is a self-taught visual artist, though he has done a two years course in advanced photography and one in cinema and television. He has participated in several international exhibitions, festivals, and cultural events. His works have been featured in numerous publications worldwide. His latest interests are documenting identity and spreading the message of the Latin phrase: Carpe Diem. Recently, he received the Rafael Ramos García International Photography Award. He shares art and culture in his blog: Pop Sonality. Currently, Seigar is our travel columnist, heading out the section with his “Tales of” series. We look forward to learning about the world around us through his skillful and artful lens.
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Hi, my name is Mandy Rose. Im a wife, mother, and entrepreneur—I own Infinite Photography SA. I believe in the power of art and media. “Art is chaos taking shape” —Pablo Picasso My photography is an expression of who I am and what I stand for : love, life, and creativity. I’ve been a photographer for 10 years. Five years into the art, I created my business Infinite photography SA. After that, I never stopped my momentum. I now own 2 businesses and have become the entrepreneur I always wanted to be [with Dropyourlashes being my second business]. I have worked with many families along my career and recently broke my way into the fashion industry. It’s exciting to have an outlet to create more art. To me, being able to be a part of Pepper Magazine—a world wide publication—is an honor and I am so excited to provide quality images for a magazine that I myself have supported and continue to read and follow.
WINNER MAGAZINE OF THE YEAR
staff. JOHN HENDRICK PHOTOJOURNALIST & CONCEPTUAL ARTIST Born in the Bronx, New York, and raised in Queens. John’s artistic upbringing and his path to photography began shortly after his parent's separation when he was seven years old. He initially lived with his father, who would provide the foundation for his artistic eye, having John learn to play the piano, draw, and paint to stay off the streets.
vision, feeding off of the Bauhaus movement working in color and abstract compositions, making his name as one of the up-andcoming street photographers working in color; if you look hard enough, you can find hints of being raised by a single mom, his independence, and gestures of kindness.
He would then go on to live with his mother, where he would spend much of his youth raised by his mother, a single mom of two. His mother worked nights, and his brother, who was four years older, was never home, leading John to become accustomed to independence. John grew up skateboarding in the mid-’80s and into the late ’90s when NYC was the melting pot of pop culture. Without knowing it, this would start his photographic journey, always carrying a camera and taking pictures of his friends. He worked as a messenger, becoming familiar with every inch of the city. Soon after, he would work at the Metropolitan Museum of Art, expanding his artistic vocabulary surrounded by the works of all the greats. For the past 23 years, John has traveled worldwide and lived abroad in countries such as Italy, Spain, and Japan; each location is inspiring and influences his point of view. Currently, he lives in San Antonio, where he teaches photography at the Southwest School of Art. After all these years of traveling and photographing the world, he has found his artistic voice and this creative
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