PEPPER VOL. 2 / NO. 2
SA / TX / US
courage amidst adversity.
PEPPER 6 Editor’s Note : COURAGE AMIDST ADVERSITY
arts.
9 The Sum of Her Parts : Aleksandra Stone
17 It’s All Fun + Games : Connor Gottfried 25 Seeker in the Void : Carmen Rosa
business.
37 The Ultimate Wedding Experience
fashion.
46 Barbie : Life in Plastic [USA] & Let’s Go Party! [UK] 59 Jungle Man : Natalia Sokolovska 64 Rise of the Goddess : “Empress” Eliza May, “Fiery Majesty” Qwinne Mabel, “Pure Gold” Anissa & “Immersed in My River” Christian Powell
habitat.
85 Chinoiserie • with Becky Witte-Marsh 94 Period Modern
savor.
104 Palmer’s
culture.
121 Kennith Craig Worldwide : KC Williams Jr. 128 A Message from Mars : Mars Kidd 136 According to Demi Dee 141 Summer Rains : Sinenkosi Msomi 143 Humans of Kathmandu : Corey Davenport 153 Voguing in Tenerife by Seigar
passport.
163 Tales of Bulgaria by Seigar 169 Summer in Bloom : the Flora of Irkutsk by Tatyana Boeva
Rx. 174 Talking With the Forest 178 Fit to a T.
psych.
183 Positively Crystal 186 The Journey Back Home to ‘Self’ : CB Martinez
no.02 I S S U E
VOL.
2
prodigy. 195 The Best Things Are Imaginary 203 Coming of Age : Sasha 210 The Tauntingly Tantalizing Tales of Tennyson Corley
lit.
211 Where He Waits 212 As the Sweat Evaporates 213 Elevated Melanin 216 I Will Rise
217 Failure is Temporary 218 The Trouble with Fairytales
get involved. 222 Mutesa Foundation
disquiet. 228 Aurore
233 Mondli The Artivist Kunene
directory.
240 ICON : Johnny Cash 246 Cover Artist : Ramona Nordal Acknowledgments Staff Bios
PEPPER Magazine Est. 2022 SA / TX / US arts • culture • business web directory msha.ke/peppermagazine website hellopepper.weebly.com email hello.pepper@outlook.com available on MagCloud Issuu copyright K. Day Gomez San Antonio, Texas 78209 PEPPER Magazine
PEPPER Magazine
EDITOR’S NOTE
COURAGE AMIDST ADVERSITY.
Editor in Chief K. Day Gomez San Antonio, Texas
“But my darling, you being different…was your strength all along.” - N.R. Hart The Oxford Language Dictionary defines courage as “the ability to do something that frightens one; strength in the face of pain or grief.” And adversity, as “difficulties; misfortune.” For this month’s soft theme, I had to confront myself about the adversity I’ve faced in my own life and moments I had to muster courage, even when the outcomes were unfavorable. Standing up for myself or what’s right, even when it meant being the only one standing. That’s a pretty blanketed concept for me. Hell, just surviving growing up in the 90’s as an openly queer undiagnosed autistic teen in a time when the southern states weren’t in the least bit welcoming of individuals who were notably ’different’ was hard enough. Sure, in so many ways they still aren’t. However, pre-PC culture, we were fair game and unprotected. But I’ve told that story. I lived authentically and openly, dressing the way I wanted, creating the art I wanted, and loving who I loved. Did it afford me bullying and even physical assault? Of course. Would I do it all again the same way? You better believe it. See, the thing they don’t often touch on when you read motivational quotes about having courage is that 9 times out of 10, you stand a real chance of falling flat on your face, your efforts missing the mark or being outright ignored. Winning or overcoming or coming out a hero isn’t the point when we pull ourselves up by our bootstraps to meet adversity head on. Most people who find their courage come to it from a place of survival and necessity. Not because we like a fight—but because we must. 6
I’ve alternatively taken into consideration that the same can apply when it comes to standing up for ideas or for others. The difference here, I have found, is the level of tenacity with which we muster the strength to get back up, again and again. There is no determination like fighting to protect your values, your loved ones, and communities and other beings you authentically care about. Different kind of adrenaline, different kind of purpose. For me, it’s been philanthropy—animals and homeless and marginalized communities. I realized upon reflection that I’ve striven to protect innocence through my work, to engender kindness and preserve the generosity of the human spirit. I’ve met more resistance than can be here listed along the way. And I’m certain I’ll face even more challenges as I progress. It’s not easy carrying these banners— they become heavy and can drag the ground. It’s courage and the grace of will and self belief that allows me to push forward despite it. And here’s the most important gem : I keep going knowing full well that I’ll fall more than I’ll advance. But forward motion will happen, and it’s made all the more meaningful because of what it takes to get there. Courage amidst adversity takes, at times, a certain degree of madness. That’s the takeaway. That’s the Easter egg.
"You're only given a little spark of madness. You mustn't lose it." - Robin Williams
Who is Seigar? Find him on IG: @jseigar
Meet the pop and conceptual artist behind My Plastic People.
Healing starts now.
For more information go to thisisjaneproject.com
T H E
S U M
O F
H E R
PA RTS
ALEKSANDRA STONE Dallas, Texas journalist K. Day Gomez
the arts. PORTRAIT OF A WOMAN Aleksandra Stone, born in Zenica, Yugoslavia, is a multimedia artist creating work related to memory, time and ancestry. Stone’s work has been exhibited at galleries, institutions and nonprofit spaces within the United States and internationally including Flowers Gallery in London; the Bouzianis Museum in Athens, Greece; Pen & Brush in NYC; and most recently her debut solo show at Monica King Contemporary in New York, NY. Stone has been an Artist-In-Residence on Governors Island, NY, and has artworks in the permanent collection of 21c Museum Hotels, as well as other international private and institutional collections. Her work has been featured in Artnet News, Refinery29, Women’s Health, Huffington Post, among others. The 33 year old Yugoslavian-born American photographer, painter, and multimedia artist lives and works in Dallas, Texas. Stone's art practice investigates the influence of time on the construction of narrative identity. Specifically, how the passage of time shapes the perception of lived experiences, diminishing, or reinforcing plot points that become the framework for the story we tell of ourselves. Stone's work additionally examines identity through the lens of ancestry, immigration, trauma, and humor as understood historically, in the present, and moving forward. Using her own body as a subject and element of her photographs and paintings, Stone documents how the body copes, heals and holds experience through life's transformations. We sat down with the artist to explore her beautiful and vulnerable expression of femininity.
INTERVIEW Aleksandra came upon art naturally, from the very beginning. “The magnetic pull of art took hold of me when I was around 5 or 6 years old. It really began with the exploration of a collection of encyclopedias in my family's living room. I can still recall their grandeur, adorned with leather bindings and stamped gold letters on their spines. Armed with coloring pencils, I embarked on a daily quest to recreate the illustrations nestled within those pages, intuitively understanding the significance of infusing my own distinctiveness into these renditions. Today, my artistic pleasure finds its greatest expression in the form of painting, where I can bring together visual images and intersperse fragments of information. Much like the encyclopedia, my art reflects a fascination with the interconnectedness of information and visual imagery.” This love of art was nourished by her family. “My family has been a source of support throughout my artistic journey. Within the realm of my artistic expression, I sometimes delve deep into the intricate dynamics of family life, capturing the complexities that shape our shared experiences. I am fortunate to have an environment that fosters open dialogue, allowing us to authentically explore sensitive subjects with empathy and tact.” Stone’s art is real, relatable and full of color while touching on some real sociological / psychological issues. There is an important underlying message in everything she creates. “In my art practice, I embark on an exploration of how time molds the construction of narrative identity. I delve into the intricate interplay between the passage of time and the perception of lived experiences, examining how certain plot points are either reinforced or diminished, ultimately becoming the framework for the stories we craft about ourselves. Within this context, I strive to comprehend why we depict ourselves in certain ways, peering into the motivations and mechanisms behind the narratives we choose to reinforce. Whether we paint ourselves as victims, underdogs, or bootstrappers, I seek to unravel the complexities behind our tapestries of self-portrayal and
11
question their underlying purpose. Moreover, my artistic inquiry delves into dissecting my own narrative identity through the lens of ancestry. I recognize that the stories we tell ourselves about who we are often extend beyond our own individual lifetimes. They are intricately woven with threads from previous generations, influencing and shaping our perceptions of self. These ancestral influences shape and mold our perceptions of self, offering profound insights into the intricate nature of identity construction. As I look ahead, I find myself still deeply immersed in the exploration of narrative identity. While I haven't yet charted a definitive course for future themes, I am intrigued by the exploration of collective memory and its interplay with personal and societal narratives.” Next, we approach her typical creative process. “I have historically prioritized seeing a project through from its inception to its completion before embarking on another. For painting and photography projects, this often entails sketching almost every piece in a series before12
hand and then proceeding to paint or photograph them in the order that conveys the greatest sense of urgency in the moment. However, in recent years, there has been a significant shift in my approach. I have been engrossed in an extraordinary undertaking—a massive series comprising over twenty paintings, many of them measuring 6 to 8 feet in size. This series holds a profound significance for me, evoking a pressing and urgent call while demanding an immense amount of care and respect. To accommodate this monumental work, I have had to adapt my process. Nowadays, my creative process has evolved to incorporate working on multiple series concurrently, rather than focusing solely on one project at a time. This adjustment has become the new norm for me, as I navigate the demands and scope of this remarkable series. By embracing this approach, I am able to fully immerse myself in the creative journey, dedicating the necessary time, energy, and attention to each distinct body of work.” We asked about her mentors and sources of inspiration. “During my time as an art professional,
one person who has made an indelible mark on me is my gallerist, Angie Reed Garner. Angie Reed took a bold leap of faith by embracing my work during a pivotal moment in my artistic career. Her belief in my work has played a pivotal role in shaping not only the artist I have become, but also the path of my creative journey as a whole. I am deeply grateful for the remarkable vote of confidence and steadfast support I received from the very beginning.” As for what she envisions for her future , Stone tells us, “A decade ago, I embarked on a transformative trip to Iceland, where I fell deeply in love with its captivating landscape. Since then, I have revisited Iceland multiple times to work on my photography project, "Veiled Landscapes," a labor of love spanning several years. [We will be showcasing this very series in an upcoming issue of PEPPER.] Although the project is now complete, my connection to Iceland remains profound, and I feel that my time there is not yet over. In my professional aspirations, I envision showcasing my completed photography project, 14
which encompasses images captured across the American Southwest and Iceland. My dream is to present this body of work in a dual exhibition, collaborating with an Icelandic gallery and a Texas gallery. It's an ambitious goal, but as with all dreams, there is sometimes a possibility.” For artists who create with a deeper purpose, the desire to see and facilitate for real change is part of the desired goal. “I aspire to witness a society that embraces inclusivity, celebrates diversity, and ensures representation for marginalized communities. I long for a future where voices that have been historically silenced are heard and amplified, fostering a sense of belonging and equality. Additionally, I yearn for increased empathy and understanding among individuals from different backgrounds and perspectives. Art holds the power to bridge divides, facilitate dialogue, and promote mutual respect. Through art, we can sow the seeds of meaningful change, challenge preconceptions, and inspire fresh perspectives that lead to a more compassionate world, in time.” Absolutely in line with everything we represent.
LOOKING FORWARD As for words of wisdom for others in regard to pursuing a career in the arts, Aleksandra suggests, “Carving out time within your art practice to engage with people is a valuable pursuit. Whether it means connecting with fellow artists, or stepping into an art gallery and striking up conversations with whoever is around, these interactions can have a profound impact on your well-being and artistic journey. Sometimes, we get so absorbed in our creative bubbles that we forget the importance of human connection. By venturing beyond our own artistic realms, we open ourselves up to fresh perspectives, insights, and inspiration that can breathe new life into our work. So, make it a point to embrace the power of conversation and seek meaningful interactions—for it is through these exchanges that we expand our creative horizons and nurture our artistic growth.” Our readers can connect with multidisciplinary artist Aleksandra Stone online to become patrons and access her art. “The best place to see my work regularly is on my Instagram @stone_aleksandra or my website www.aleksandrastone.com. And coming up next, she shares, “I am excited to share that I am currently participating in a group exhibition titled "Bodies, bodies, bodies: Raffish Vulnerability and Profane Ambivalence" at Pen + Brush Gallery in New York City. The exhibition offers a captivating exploration of human form and vulnerability. I invite readers who are in New York City this summer to visit the exhibition, which runs until August 26th, 2023.” You can also catch more of her work and even an upcoming cover in upcoming issues of PEPPER—stay tuned! 15
It’s
All
FUN+GAMES
THE ART OF
CONNOR GOTTFRIED Calgary, Canada
*with final note by journalist K. Day Gomez
My name is Connor Gottfried and I'm a multidisciplinary artist, musician, and technologist living and working in Calgary, Canada. My journey with gaming and technology started in 1982 (when I was 5) when my dad brought home an Apple lI computer. He somehow convinced the store owner to let him copy every diskette if he bought the computer, so he came home one day with the computer and probably 300 games. After we'd figured out all the games, my brothers and I were always trying figure out where the hidden rooms were or where the game would glitch out. :) I started getting into programming shortly after when we got some simple books on BASIC. I was always fascinated by how code could become an interactive experience on screen. In the mid to late 80’s, the family got a Sega Master System and we started playing games like Alex Kid in Miracle World. Our cousins had the NES with SMB, Mario 2 and Mario 3. I can remember going 18
into an extended trance playing Tetris at their house. In 1996, I was lucky to get a job with a government program that was bringing the internet to small towns in Canada. At the time I was studying Mechanical Engineering in Calgary and coming home for the summer. Once I saw the Internet and how a single person could develop and distribute a product I never looked back. To be able to use code to produce experiences that could be viewed anywhere / anytime was intoxicating. I ended up getting into the field of eLearning in 1999 and have been there since (founding a company called Leara in 2012). As far as my artistic journey is concerned, when I was young (around 12) I started building miniature snowboards with paper bindings (which set the stage for the work that I'm doing now). In the 90’s, I played in a punk band and then in the late 90’s and 2000’s (until today) I've
played in an improv electronic band (TETRIX). During this time, I was doing a lot of packaging design for the project and was exploring the use of various materials (felt for example) to produce hand-made CD covers. In 2016, I decided to start making large format artwork and over the next few years I brought together some of these techniques (in a long and convoluted series of experiments and breakthroughs). In 2019, I put my first screen into a work of art (a small 7" LCD). In 2021, I used my first large screen to produce a Zelda Game and Watch replica and this got picked up by Nerdist and Boing Boing. This was when I realized that the idea was lighting people up. I started experimenting with deconstructing and enlarging other gaming consoles (Game Boys, Game Gears, Neo Geo, etc.) along with doing exposed circuits on cartridges. The series really started to pick up followers on Instagram and I started selling the works. In September of 2022, I decided to explore deconstructing the Game Boy in more extreme ways by mashing up the materials used to create it. For example, by replacing the smooth plastic with organic shapes, changing the shape of the device to be asymmetrical or mashing the device with other devices like the Virtual Boy or Atari. My newer pieces each explore specific themes (complexity, maps, failure, etc.). The pieces are produced using an innovative hybrid approach. The designs are produced on the computer initially and then each layer is printed using a method I call "sheet mapping". This breaks the image up into individual tiles, which allows me to print an arbitrarily large image on a standard laser printer. The tiles are then trimmed and glued using clear acrylic to either wood (for the backing) or corrugated plastic (for the front layers). Once this dries, the layers are cut out either with a saw or a box cutter and the electronics are attached. The layers are then stacked using small squares of corrugated plastic as spacers and specialty high-strength hot glue to hold everything together. Since the designs are done on a computer first, the alignments for the screen and layers are all perfect when printed, but the hand cut and hand glued graphics show imperfections that I feel add to the work. The pieces have gained a lot of traction over the last 12 months (17,000 new followers on Instagram). I've been selling them from my website at connorg.ca and recently had a show at the Rochester Museum of Fine Art.
ARTIST STATEMENT My work explores themes of time, technology, obsolesce / death, rediscovery / rebirth, memory and nostalgia. Sometimes what we've discarded on our race forward is beautiful and fascinating to revisit. I use dimension / scale / deconstruction to draw attention to the work of the industrial designers / engineers / illustrators of the past whose creations aren't usually elevated to the realm of fine art. For me, these cultural artifacts represent their actual lives lived and I see in their circuits and code the human innovation and passion that brought joy to millions. I include embedded interactive games in the works to connect with the audience viscerally through multiple senses and neural
pathways. My work also features a vital element of chance and emergence through scraped paint, improvised layering, etc. I believe the errors that we make along the way become the background for our future and provide the context for our successes.
HILARIOUS CHAT GPT ARTIST STATEMENT In a realm where technological marvels succumb to the relentless march of time, I find solace in the inverse of obsolescence. Through my art, I embark on a journey that defies the conventional narrative of progress, embracing the elegance and profound significance hidden within the remnants of a bygone era. Welcome to the realm of my retro Gameboy technology art, where death and rebirth intertwine with pixelated precision. With nimble fingers caressing the worn buttons of vintage consoles, I unlock a world where nostalgia meets innovation, where the flickering monochromatic screen becomes a gateway to both forgotten memories and boundless creativity. Each artifact I encounter bears witness to a once-vibrant digital ecosystem, now tinged with the patina of obsolescence. Yet, it is precisely within these faded lines and archaic circuits that I discover the seeds of rebirth. In a society consumed by the allure of the new, I challenge the notion that progress must always eclipse its predecessors. Instead, I breathe new life into antiquated technology, unveiling the timeless essence it holds. Like a phoenix emerging from the ashes, these seemingly outdated relics become vessels of resurrection, embodying the profound cycle of life and death. My art becomes a conduit for contemplation, inviting viewers to reflect upon the transient nature of existence itself. As the pixels dance across the screen, the ghosts of forgotten games whisper tales of forgotten worlds. Within this symphony of digital afterlife, I explore themes of mortality, transformation, and the inherent beauty found in cycles. By reclaiming the past, I offer an alternative perspective on the present and future. In a world of fleeting trends and transient obsessions, my art stands as a testament to the enduring power of creativity and the timeless allure of human connection. Just as each pixel forms an integral part of a larger composition, we too are interconnected, intertwined in the grand tapestry of existence. So step into this realm of resurrected wonder, where Gameboy buttons become the conduit for introspection and nostalgia transforms into a catalyst for rebirth. Together, let us embrace the reverse of obsolescence and celebrate the exquisite interplay of death and rebirth within the ever-evolving landscape of art.
ALL JOKING ASIDE…
Connor Gottfried is one of those creative engineering geniuses who is and has been ahead of his time, in every sense. Early on, he found his passion and leaned into it full throttle. He pulled from technologies and coding that existed and dared to ask, “so, what else can we do?” He was able to look over the landscape of the vast applications of the internet and gaming to see potential worlds of access and invention, and then as a visionary, had the innovation to create and build what he envisioned. He turned the etherscape into his own playground and founded an entire company as a result. THAT is the very heart of the great entrepreneurial dream.
WHERE DOES THAT LEAVE US? In a way, he’s walked us backward and then forward to the edge of the precipice. He’s shown us the root beginnings of man’s love affair with tech, from a point in time when we dared to take the concept of television and moving picture stories a step further and engineered ways to insert ourselves into these imaginary worlds, thereby inviting technology to interact with our own.
earliest stages, pre-Ai. The world we now occupy is shared with Ai, in which case we aren’t merely playing games anymore…we are co-creating. The love affair has become a marriage and only time will tell what we have shackled ourselves to.
Our artificial progeny is as capable of wonderful and terrible things as their maker—a perfect mirror. What comes next for our world This is an homage to human gaming creation at its will be influenced by our co-authors, and what is certain is there is no going back— no sealing Pandora’s box. And it is with that understanding that Gottfried’s art series presents a much more complex message than what may first strike the viewer at face value. These bygone gaming systems and storylines and characters are not dissimilar from puppy love doodles over and over in a composition notebook of your crush’s name in grade school. The most innocent beginnings of our flirtation with technology. What strange and omnipresent dreamscapes come next —that’s the burning question. Connect with artist Connor Gottfried on Instagram @connor.gottfried or via his website at connorg.ca.
C AR M EN R O SA AR T Tampa Bay, Florida journalist K. Day Gomez
hello, pepper…
“My name is Carmen Rosa. I’m 46 years old and based in the Tampa Florida area. I work full time night shift as a Respiratory Therapist and work as an Artist on my days off. I am Puerto Rican. As an artist by day and Respiratory Therapist at night, I use my art as an outlet for all the stressful, traumatic and depressive experiences I’ve been through in my life. Mix that with a love for sci-fi and fantasy and here I am. I use oil paints and Austrian crystals on canvas to express the floodgate of ideas, emotions, colors mixed with fantasies and daydreams that become my work. As a nightshift Respiratory Therapist I have worked around the dead and dying for many years. I’ve worked in all levels of hospital care from neonatal intensive care, emergency room, trauma rooms, ICU and most recently as a frontline worker during the covid pandemic. You can usually find me during downtime with my headphones on and sketchbook in hand. Listening to music and drawing became a way of de-stressing between the episodes of chaos I sometimes face in my line of work. These collections of sketches were what started me on my path as an artist. Between working nights and raising three children, I also struggle with an autoimmune disorder—Lupus, or Systemic Lupus Erythematosus. These all make creating a painting extra challenging for me.” Yet, create she does. And oh what glorious worlds she unveils for us all in doing so!
hello,from the other side…
Even sight unseen, Carmen’s story alone is rich with depth and shows her fortitude in her desire to create beauty from darkness, despite the very real and exhaustive challenges she faces in her daily life. Add to that the exquisite work of her hands and intricate detail in her artistry— needless to say, it was a no-brainer that she is an artist above and beyond worthy of highlighting.
this is her story. 26
“I’ve felt drawn to art since I was in elementary school. I loved flipping through comic books and trading cards just for the art and would practice drawing the ones I liked best. I would always spend time drawing when I was supposed to be paying attention. I was shy as a kid and would use my drawing as a way to break the ice and get to know new people and make friends. I started off using just pencil and paper. All of my early sketches were black and grey work. I felt intimidated when I tried to add any color and didn’t think I had the skill for it. As an adult, I began experimenting with inks and watercolor. It was definitely a challenge in the beginning but it opened an entire new realm of possibilities for me. I eventually went out and got a small canvas and some acrylic paints and brushes. I was completely lost and those first attempts were awful…but I felt something click in my head. I was determined and so I started watching painting videos on YouTube, I ordered books on painting and set about to learn as much as I could. My paintings were gradually getting better and I eventually moved on to oil painting. I’ve always loved to watch cartoons and read fantasy books. I loved drawing unicorns and dragons. Anime cartoons were an especially big influence on me. Then, I gave it all up—I went to college, studying to be a Respiratory Therapist. I graduated with a bachelors in Science and Respiratory from “La Universidad Metropolitana” in Puerto Rico. I stopped drawing to focus on my healthcare career. It wasn’t until years later while working night shift and feeling burnt out from working in such a fast paced, stressful and sometimes toxic environment that I started drawing again, just to see if I still could. I put my headphones on and started listening to music…the music for me would bring a wave of feelings and images. It had
a calming effect on me. It had been so long since I tried drawing, but once I started again I couldn’t stop. I kept trying to challenge myself more and more. My art style comes from my love of anime, cartoons, fantasy and tattoo art with a touch of horror. That style started coming across in my sketches and I would doodle little sugar skulls and grim reapers. I grew up with a very strict and sometimes verbally abusive father. My mother suffered from severe depression and would sometimes attempt to harm herself. I was very depressed from when I was in elementary school to high school and struggled with feelings of worthlessness. It was something I had to deal with on my own. Mental health was not a topic ever really discussed in my childhood. My parents eventually split and I ended up in Puerto Rico for my senior year in an all Spanish school. I lived in Puerto Rico for seven years and I reflect on them as some of the worst years of my life. My mom’s mental health became very unstable and I had to hide knives and medicines from her. I would have bouts of anxiety on my drive home from college because I never knew what mental state I would find my mom in. I found myself in an unstable and abusive relationship. I saw the effects of drug abuse and crime and the toll it took on my community and family. Our first home in PR we saw our first driveby shooting. Another day, one of our neighbors was robbed at gunpoint and shot in the back in front of our home. I’ll never forget the image of watching my mom hose the blood off of our driveway. It’s all a bit deeper than what I am comfortable saying. There are many details I’ve had to omit simply because I am not yet ready to discuss them further.
But there were also positives that came from living on the island. I met my husband who has been my rock throughout all these years. I also found a love and appreciation for my island and its history. At work as a Respiratory Therapist, I’ve had to respond to all manner of emergencies in the hospital setting. I’ve worked in the neonatal icu, pediatrics, emergency and trauma rooms and adult icu. Most recently, I was a frontline healthcare worker during the covid pandemic, which I say by far was one of the most challenging and tragic experiences I’ve gone through in my healthcare career. I struggle sometimes with flashbacks of some of the more tragic events I’ve witnessed over the years, not just from work but from my personal life as well. When I listen to music and sketch and draw, I channel all those feelings and memories into my work. Oils have been by far my favorite medium to use. I love how vibrant the colors are and how smoothly they blend. I’m still learning as I go and I feel that with each painting I learn something new.” Understanding the hardships she faced growing up, we approached the next part with sensitivity, in regard to what kind of support she’s received from her family involving her artwork. Carmen explained, “My mom is very supportive of my work. My father, however finds my work unsettling. He once commented that my characters look like tortured souls and he would like to see me paint something more traditional. My art career initially began as a hobby that sort of took off for me. I was seeing the type of reactions I was getting from people who would see my work and it inspired me to begin submitting to art shows. I began showing at breweries and have been able to show at a few galleries and have even begun selling my art. My goal is to one day transition into being a full time artist. My family is very proud of my work and how far I’ve been able to go.”
into the void…
Carmen’s art art is touched by the things she has not only experienced in her own life, but by the challenges of working with the ill and dying. There are important underlying messages and as such, she walks us through some of those themes. “Despair, sadness, death and rebirth are my themes. I see these themes played out at work every day and have lived these themes as a child. In the future, I would like to explore other emotions
29
and subject matter.” Getting more technical, Rosa breaks down her typical creative process for us. “Working night shift gives my creative process an extra set of challenges. I work three 12-hour shifts a week and it’s usually rotating weekdays and every other weekend. On my days off, I’ll try to get up a little early and have my coffee. Sometimes I’m so excited to get to my painting I don’t even wait. I’ll start painting right away and have my coffee somewhere close by. I try to paint for about 3 hours in the morning and another 2-3 hours in the evening if I have the energy. In the middle of that, I’m taking care of the kids, cooking dinner, catching up on my favorite shows and playing with my dog.” Making time for balance is difficult, but it can be done. And it’s essential for any artist’s wellbeing to make time for our responsibilities and to enjoy our loved ones and ‘the little things’. One thing for certain is that people really do appreciate Carmen’s body of work, making her labor of love absolutely worth it. “What always stands out to me the most has been the overall positive feedback I’ve received from showing my art. I’ve always had issues with low self esteem and its kind of spilled over into my art. So I struggle with thinking my art is never good enough. When I look at my pieces all I see are
mistakes. In the beginning it was hard for me to show my work because of that. But when I go to art shows and I see how peoples’ faces light up, how they are awed and inspired and how they literally catch their breath when they look at one of my pieces, its a very surreal experience for me. It has in turn inspired me to to learn more about my craft and to continue to submit and show my art.”
a tale of things to come…
“I’m currently based in Florida but would love to eventually grow and expand my art career into other states and possibly overseas.” There is a love for all things darkly romantic in many parts of Europe, to be sure. We can also imagine Rosa’s work being appreciated in more exotic countries as well… As for words of wisdom and encouragement to other creatives brave enough to embark on their own career in art, Carmen says, “Practice, practice practice…That’s one of the most important things. It takes a lot of time and dedication, practice and discipline. You are not going to start off at the top of your game. You have to get your hands dirty, screw up, try again, experiment. That’s how you begin to see what works and what doesn’t.
Don’t compare yourself to other artists. I know sometimes that’s easier said than done. But know you are on your own journey. Your journey might not be the same as the other artist. At the same time, don’t be afraid to ask for help and advice from other artists as well. We are all struggling out there to be heard and seen. And finally, don’t be afraid to put your work out there. I say this as someone with no art training, who for years only knew medical shit. I started on my own, and was isolated from the art community. Its been a long journey for me and I know I’m still in the beginning stages of my career.” So, taking a long hard look in the mirror, going in with eyes wide open, embracing your flaws and leaning into the peculiarities that make you different—for better or for worse. Approaching your practice from a place of honesty, self awareness and authenticity, there’s no way you can go wrong.
reach out and touch the flame.
Now that you’ve come to know fine artist Carmen Rosa, don’t be a stranger. Our readers can connect with Carmen online to
inquire about her art, become patrons and follow her journey via Instagram @carmenrosaart, on Facebook at Carmen Rosa Art, on TikTok @carmenrosaart2 and her website, carmenrosaart.com. This has been a dark and beautiful bizarre experience delving into the brilliant mind of this talented artist. We wait with eager anticipation to see what apparitions, saints and horrors she brings forth from the void in the future.
Melanie Allison MELANIEALLISONGALLERY.COM
infinitephotographyofficial.com @infinitephotographysa
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Game changer Larissa Leath & the Rise of the Alternative Wedding Circuit photojournalist K. Day Gomez
business.
THE QUEEN IS IN. Last year, we introduced triple threat and business maven Larissa Leath in lieu of her company The Floral Standard and Rose Refreshments. “I have always been drawn to flowers and nature. Every chance I get, I joke with my husband about being the "supreme gardener" of the household. To be attracted to flowers is to be one with the environment. I think it speaks to an individuals' soul and their deepest character when one can find beauty in the creations around us. Instead of being consumed by the man-made trends and superficial materials pushed by society.” As if running these phenomenal businesses while working as a respiratory therapist wasn’t enough to keep her on her toes, this busy queen bee just launched the ace up her sleeve in the fall of 2022. “The Ultimate Wedding Experience is a multifaceted brand whose goal is to encourage creativity that transcends beyond convention. We are a platform designed for vendors and artists to showcase their craft through styled shoots, bridal events, and fashion shows while providing a guide for clients to plan their wedding or special event. We excel in styling and design to produce an unmatched aesthetic worthy of ovation.”—And that’s not even the half of it! Her family has watched her grow and excel over time, rooting for her along the way. For them, her path has naturally just made sense. “I come from a multicultural family, so representation matters. I mean, even if I didn't come from a multicultural family, representation still matters. I am blessed with a supportive family that pushes me to take risks, and this new brand is risky. San Antonio is a diverse city. Unfortunately, that doesn't translate in the wedding community. If you look at certain wedding "platforms" they aren't an accurate portrayal of our population.” A population easily as eclectic as New York, at this point. Being a military city also contributes to bringing new cultures from all walks of life to create this rich melting pot of diversity. What Larissa is building in The Ultimate Wedding Experience is only one tier of an entire blanket of interwoven offerings, experiences, platforms and media outlets all centered around concept weddings and bridal / groom resources. All of which are culminating into one big exciting thing about to launch in the fall of 2023.
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DAWN OF A NEW ERA Enter “the new age of weddings”, as Leath has coined the phrase. Gone are the days of white-washed commercial wedding propaganda and religious bigotry. Sure, it’s still there, it’s just losing relevance at this point and the general populace is just as over it as vendors are of catering to it. Enter The Ultimate Wedding Experience, an elegant and sophisticated solution to the old paradigm. Diving deep, we sat with Larissa for an exploratory interview : When did you first establish the Ultimate Wedding Experience and what was your thought process—your why? What do you feel makes your company and platform so different? “I feel as if this brand is evolving so quickly, it hasn't even been 1 year. The official launch was September 2022. At the time, my only thought was to create a unique wedding show that set us apart from the "traditional" vendor booth convention center shows. Now, we have a blog, podcast, styled photoshoots and events. The growth is amazing! There is no comparison—we are completely different from the current structure. First and foremost, we create our own content. We do not take content from other vendors and use it for our branding. We support our vendors in numerous ways and we create content that elevates everyone involved.” This content creation can also be seen on the websites and pages of the vendors who work with UWE. Meaningful gorgeous brand photography and even storytelling that represents everyone well. Larissa’s thought process is that when the individuals you work with look good, we all look good. Getting to the big reveal…To further the alternative wedding option / agenda, you’ve created the groundwork for Bridal Eclectic Magazine—can you share your vision for that and what readers can expect to see and learn? When is the official launch predicted for? “This is VERY exciting! Everything curated for the brand is intentional and it builds upon itself. A lot of time and resources go into everything the team creates. Yes, we have been published on high-end wedding platforms and yes, we have received recognition for our work, but it is time for me to take control of that narrative as well. I am sure this is no surprise to anyone who really knows me. Having my own magazine just makes sense. Readers can expect to see incredible art, bridal mixed with high fashion, no country or rustic motifs. AND DIVERSITY! No boring article about wedding timelines and when to book your venue or photographer—you can google that. We will provide deep and meaningful conversations.” Look, I’m already married, but on principal alone, considering how groundbreaking the project is, I will be a diehard subscriber to BE. I’ve come to trust that the quality of work Larissa puts out is solid gold, not to mention the superior artistry she employs. My coffee table and bookshelves will be enriched by her unique guided touch. Now we get to the meat of it. What are your favorite things about this industry? What things would you like to see change in the local wedding business scene—and globally on a philosophical level? “Weddings = love and I love, love. I would like to see more inclusivity, and diversity, period. Some vendors and venues are stuck in old mindsets that should no longer be welcome in 2023.” No offense, but much of what is still out there is not
so different from the one weird prejudice uncle at the dinner table during family gatherings. The time of the one-size / one-race / onereligion fits-all cookie cutter wedding aesthetic is obsolete. This is a brave new world and Larissa Leath is a pioneer leading the way for the next generation in her field. Aside from being a creative, a business woman and a visionary, Leath is also an avid philanthropist. Humanitarianism is an undercurrent that also powers The Ultimate Wedding Experience. “As a person, I'm pretty straightforward, introverted and enjoy a simple boring life. What you see is what you get. As a creative, I'm over the top and like to be in control. As a business woman, I am honest, fair and here to support other women as much as I possibly can.” And as for her main goal moving forward—“I will have a wedding empire!” On the subject of that aforementioned philanthropy, UWE is big on giving back. What are some of the giveaways you gifted during the first event? What are you imagining giving in the future? “We gifted a local San Antonio couple a free micro wedding with all the bells and whistles from paying for their invitations, dress alterations, HMUA, hotel, you name it! We also were able to gift a local San Antonio couple a vow renewal for their 31st wedding anniversary. Also, when time permits we offer free headshots and product shots for vendors associated with the brand.” I had the privilege of sitting with the recipients of said vow renewal, Nevetta and Darrell King, during Larissa’s consultation ahead of the event. The beautiful couple, [first three photos to the left] originally from Florida, were gracious and full of gratitude and joy over the whole thing. Nevetta explained, “the founder of Angie’s Angels and I met during my breast cancer journey. I’d just finished chemo and she put on a fundraiser called ‘Models of Courage’ for cancer survivors and those going through treatment. I met with Miss Angie that way. And then in December of ‘22, I posted about our 31st wedding anniversary— she commented saying, “I have an exciting opportunity for you. Call me.” So I called her and she told me about Miss Larissa…” Once the two were introduced and Larissa explained the UWE, Nevetta was blown away. “She gave me the full vision of The Ultimate Wedding Experience and I was totally excited! It was something we wanted to do in 2021 and didn’t get the chance to do because of the radiation and treatments.” This was meaningful to Navetta and Darrell, not only because they were finally able to have their celebration, but on a much grander scale than they could have possibly imagined. And it gets better… “I didn’t believe it,” Darrell told me. “I was thinking it was going to be us and just a whole bunch of people [they didn’t recognize] and a big mess. But I figured, alright, we can go do the ceremony. I didn’t get excited at all.” His knee-jerk reaction is totally logical. After all, who just up and gifts a complete stranger with a wedding catered to them?— The short answer is Larissa Leath does, of course! Once he realized this was the real deal, he completely changed his tune. “I called my best friend and told him ‘you better come down! You don’t want to miss this.’” This was important because Darrell felt the loss of not being able to have the ceremony when they had originally planned. “I was heart41
broken. I knew how bad she wanted to renew our vows, and just the way everything panned out, I mean…I had a really hard time.” In a very real way, Larissa came in like the Fairy Godmother, and the UWE became their magical carriage to what would be one of the most memorable events of their life. Nevetta shared that the family was over the moon for them. “It’s been a lot of celebrating. Our kids are excited, and of course there’s been a lot of support.” Especially considering that their original wedding was, as Darrell put it, “a hundred dollar wedding. Literally.” Navetta commented that it was beautiful and memorable, but rushed. Which is what made the Ultimate Wedding [renewal] opportunity all the more amazing. Low and behold, the day came in March and I got the opportunity to watch the happy couple’s dream come true—followed by dancing and celebration in an all-out reception. And that’s what the UWE does. They’re in the business of making dreams come true.
All of the things Larissa and her team are implementing are groundbreaking and out of this world. They are set apart, as Larissa said, there is currently nothing else like the UWE. And though what she’s doing to change the wedding industry here is revolutionary, it’s what she’s doing for people that stands tantamount to all else. Beneath the glitz and glamour is pure heart and soul, which is exhibited in everything she makes and curates. You can inquire about The Ultimate Wedding Experience online via Instagram @ultimateweddingexperience and the website at theultimateweddingexperience.com. You can find Bridal Eclectic Magazine updates on the UWE website as well, and follow on Instagram @bridaleclecticmagazine. You’re definitely going to want to keep up with the latest offerings to come. Namely, their maiden event, RÊVER EN COUTURE—a floral fashion show at Rosenberg Skyroom in SA in September. [The next two pages are just a teaser of what’s to come!]
Life in Plastic
HALO H
AIR
by
TERRY
tribute am pay & her te ic ost icon to the m . y r isto toy in h San Antonio
, Texas
Halo Hair by Terry model Sofia Gallegos makeup Crystel Cortez photographer K. Day Gomez SoBlow Dry Bar
Halo Hair by Terry model Addison makeup Letty Barolia photographer K. Day Gomez Pink Cappuccino
Dress Up Time
LET’S
GO
PARTY ! Barbie & Ken are a BIG DE AL, all o ver the wor ld. Exeter, Uni
ted Kingdom
photographer Jason Reading models Ed Akay & Helen Akay
PHOTOGRAPHER NATALIA SOKOLOVSKA Poltava, Ukraine
IT’S GETTING HOT OUT THERE. No matter what your outlook on climate change, the shift is real and it’s here. During the hottest summer in recorded modern history, fashion is adjusting to accommodate the rising temperatures the world over. And with it, people are choosing utilitarian garments and accessories over fashion for fashion’s sake. Whether luxury slow fashion or reworked DIY vintage and sustainable options, function reigns supreme in 2023.
RISE OF THE
GODDESS
STYLE REVIEW
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Empress
Red Dessert, Dubai
photographer Anastasia Protas model & recording artist Eliza May
This set was captured for the cover of Eliza May's new track "Empress" which released in February 2023. The song is a powerful and uplifting anthem that speaks to the struggles of self-doubt and self-criticism. Eliza expresses a feeling that she's not good enough to make it on her own and can't have it all. However, she decided to take control of her life and become her own "rock". Eliza finds an Empress in herself (which is actually her main personality card). This song is about self-empowerment and self-love, encouraging the listener to believe in themselves and their own worth, despite the obstacles and doubts they may face. The lyrics, the beat and Eliza's voice create an atmosphere that makes the listener feel motivated and inspired to take control of their own life and live it as an Empress would.
RISE OF THE GODDESS S T Y L E
R E V I E W
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Fiery Majesty Lagos, Nigeria
A formation of geese majestically swept over my office as they flew out to feed in the local fields. And as they coursed their way into the promise of morning's horizon, I was immediately reminded of how many things vie for my attention and consume my time that possess nothing of majesty and have no ability to fly. I chose to fly, I chose to be happy. You create your own decoration. You choose your color, you choose your mood. If you are depressed, you put some bright yellow on and suddenly you are happy. It's magic, it's art and it's inarguably Majestic. "Fiery Majesty" is a creative showcase of my modeling prowess, igniting the pages of this beautiful magazine with an undeniable allure and captivating presence. Allow yourself to be mesmerized by this extraordinary display of beauty and power.
photographer Egbo dumebi Michael creative director Onwuka Emmanuel Mayor model Qwinne Mabel
RISE OF THE GODDESS S T Y L E
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R E V I E W
Pure Gold
San Antonio, Texas
photographer Eric Schneeman model Anissa Corralez mua Krystalina Barcezen
RISE OF THE GODDESS S T Y L E
Atlanta, Georgia
R E V I E W
4
Immersed in my River
photographer Christian Powell model Keke Mcneill
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The
SUSTAINABLE STYLIST BECKY WITTE-MARSH @beckywittemarsh
marshbecky17@gmail.com
FASHION • HOME • SET
sustainable fashion & decor
Sustainable fashion & lifestyle expert Becky Witte-Marsh
Being a sustainable stylist requires a variety of skill sets. One of which is recognizing trends, not only in current fashion and design marketplaces, but also in the emergence of pre-loved items from sustainable sources. This year, I am seeing Asian and Asian-inspired items popping out at me from the racks at my local thrift stores, antique malls and estate sales. Their beauty, detailing and chameleon-like abilities to mix with other styles, led me to start my own collection. Many of the items I have collected include Chinoiserie motifs and patterns that date back thousands of years in Asian culture, but came into the spotlight during the 17th and 18th centuries. Chinoiserie, derived from the French word “Chinois,” means after the Chinese taste. Today it has become more of a catch all phrase for all things Asian. Chinoiserie began with tea drinking. Wealthy Europeans loved serving tea in beautifully decorated tea services and tea caddies that were adorned with Asian art. From that, a love affair began. Home décor such as folding screens, wallpaper, urns, ginger jars and lanterns adorned homes across Europe. The ornate sensibility of these items lent itself well to the Victorian “more is more” aesthetic. Wildlife motifs such as cranes, peacocks, dragons, lions and foo dogs were also popular. Nothing will add a collected-overtime, layered look to your home faster than by adding some artful Asian antiques and accessories. Rugs lay a great foundation and add color and opulence. Blue and white porcelain plays well in most décor schemes. If you are looking for a pop, these
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Let’s Talk Décor
chartreuse Foo dog lamps we found at Antiques at Broadway in San Antonio, Texas will fit the bill. Gorgeous screens are instantly moveable art that can be used in so many ways. Layer them behind a bed as a head board. Run them behind the back of your sofa in place of wall art or wallpaper. They are great room dividers, obviously, that can help you create cozy spaces and private moments, such as in a bathroom or a dressing area. Smaller porcelain bowls can hold loose change and keys by the front door. Tableware and serving pieces can be mixed with more contemporary pieces to create a visual and literal feast. Kimonos can become art when hung on a rod on the wall or used to create pillows and table coverings. Everything does NOT have to be Asian. Mixing and matching this look, I believe, is the key to its' success! That not only applies to home décor, but to fashion as well.
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Let’s Talk Fashion Chinoiserie inspired fashion has definitely stood the test of time. It made a huge comeback in the 1930's and has resurfaced repeatedly in the last century: Tom Ford 2004 collection, Roberto Cavalli 2005, Ralph Lauren 2011, Louboutin 2014, Gucci 2017 and Spring 2023 just to name a few. [Referenced from VOGUE] And GUCCI 2015, the Metropolitan Museum of Art Costume Institute's Gala was named ‘China : Through the Looking Glass’.
Elements of Chinoiserie Style include : Decadent embroidery, colorful florals, mandarin collars, feathers, contrasting binding, silk fringe, kimonos and robes and pajama-esque dressing. You can take the look more literally with a great satin embroidered mandarin collared dress such as Szu Moy and I are wearing here…
Pair the dress with cigarette pants and Prada heels…or highlight the beautiful red soles of the Louboutins with a wavy closured stunner! These looks have sex appeal without being overtly so.
I also love this vintage fulllength floral dress layered under a vintage reversible kimono, belted up with a thick knotted leather belt and square toe vintage boots from the '70's. My favorite looks pair vintage pieces with contemporary counterpoints. For example, the chinoiserie pant with a modern leopard print shirt worn backwards and accented with a lion necklace. Modern slides keep the cool factor. Check out the FAB statement green earrings from Antiques at Broadway. The leopard print vintage jacket works well with cheetah pants and a pale pink cropped bustier. Animal prints and prints inspired by nature work well with Asian-inspired pieces. The black and gold collared drop necklace from my personal collection creates a focal point for the ensemble.
This red satin asymmetrical embroidered jacket is elegant with a unique scooped hemline. Tailored black pants with sequin trim are easy but not boring.
Kimonos Kimonos and robes are iconic classics that work well for women and men. They can be as dressy or as slouchy as you want them to be. This full length showstopper works equally well on a man or a woman. I've styled up a pajamainspired cocktail look featuring feathers at the wrists and ankles popping out of the robe to highlight movement and that nature-inspired feeling. The incredible light blue stone necklace— also from the shop—pulls the blue out of the kimono and pops against Szu's warm skin tone.
& More Kimonos! Our final looks for this editorial were inspired by two extremely old kimonos that I've had for a long time. When we were shooting at Antiques at Broadway, The Funky Relic boutique near the front windows featured a midcentury modern dining table and chairs. It seemed the perfect spot to shoot our Bohemian Rock Princess looks. Mixing Asian floral separates with animal prints, metallics and bold colorful patchwork kimonos, these two characters stepped into a 60's rock and roll state of style.
Joy Luck Life Start with one piece that speaks to you—a tray for your coffee table or a kimono from a vintage store— and then just let the rest evolve. It will. Trust me!
THE STORY
Beaumont Mood and Isaac Maxwell lighting, Harding Black pottery and more.
Opened on 11-11-11, Period Modern in its first iteration operated for 3 years in a space several doors down from their current space, where Alexander Marchant is currently located. Their current location has been their home since 2014.
If you’re a weekly visitor to Period Modern, you already know there’s always a wide selection of new inventory every time you come in. We‘re rooted in modernism but have become much more eclectic in our offerings through the years. We place a major emphasis on art acquisition, and it tends to run the gamut, from early Texas landscape paintings to works from some of our favorite current local artists. We’ve enjoyed our working relationships with San Antonio talent, and have been involved in the hosting of numerous music and art events both instore and offsite. The Lonesome Lounge Sessions, a collaborative music series at the Lonesome Rose, sponsored by Texas Public Radio, grew out of early events hosted at Period Modern.
“Our aim from the beginning was to deliberately avoid being salespersons by offering a well-curated collection of quality mid century design and art that we hoped would “sell itself” on its own merits. Our aim is to maintain an inventory that is dynamic and ever-evolving, with occasional surprises. We have broadened our sourcing reach to include importing directly from Europe on a regular basis. We’ve also sourced in Mexico and of course, we love sourcing local treasures such as faux bois concrete,
THE CURATOR Ted Allen began his career in the antiques business 95
habitat. at the age of 23, following a two year stint doing social work. After graduating from Trinity University with a degree in sociology, his plan was a return to school for an advanced degree in his field. In the interim, he took a job refinishing furniture at an antiques store on Hildebrand. One thing led to another and did not lead to a return to school. It did open the doors to the buying and selling of antiques and an unexpected career. He’s had numerous business ventures and several partnerships, including locations on Hildebrand Ave and McCullough Ave, as well as antique mall spaces in and around San Antonio and New Braunfels. In the early 2000’s, he began to develop an appreciation for mid century design and made a hard shift from selling traditional antiques to mid century design. Several iterations of a mid century store came and went before the opening of Period Modern in 2011.
THE INTERVIEW Period Modern is one of my personal favorites by way of antique shops in the Olmos Park area, and beyond, really. It was a special treat to sit with owner Ted Allen and talk all things mid century eclectic. First, I asked about his background when it comes to being in the home goods retail industry, when he became interested in vintage décor and functional art. “I entered the industry somewhat accidentally. I’d taken a job doing social work just out of college. It quickly became apparent to me that to 96
climb the ladder in that field, I’d need more schooling. After several years working in the field, I decided I’d pursue an advanced degree. I had about 6 months to kill before starting back to school and took a job as a refinisher at a local antiques business. As the school year approached, I was having too much fun doing restoration work and decided to push the schooling back and carry on for a bit. The shop owner I worked for allowed me the opportunity to sell a few things here and there so I began looking for items I could restore and then resell. About a year in, he closed up shop and moved away. At around this time, an opportunity came up to share a space and partner up with another dealer. So with minimal experience and knowledge I jumped straight in. The learning curve for me was long and arduous. It took me quite a few years of guessing and mimicking what I saw other dealers doing before it ever occurred to me to try and develop my own aesthetic. In 2003, I sold off my antiques inventory and opened a vintage shop with a new-tome emphasis on mid century modern design. The timing was disastrous, the audience too small and I closed the shop after a 2 year struggle to make it profitable. The ultimate failure of this venture sent me into the real world workforce for several years, searching for a career utilizing my formal education. —Not for me. I decided to make another go of doing what makes me happy. I studied design and tried to become as knowledgeable as I could about what I was selling, sold at the flea market, and
developed a network of dealers to do wholesale business with. The goal was to open a retail business again, which happened in 2011 with the opening of Period Modern with a partner. Better prepared and with an art-focused partner I could learn from, we had pretty immediate success. He retired in 2019 and I took on full ownership at that time.” Looking around at such an amazing accumulation of out of this world objects, decor, artifacts and furniture, it’s hard to imagine Ted ever not getting it right. That is, the infusion of his own unique style perspective is so appealing that it’s difficult to picture anything else. We got onto the topic of family; what did they make of all of this? And speaking of family, his son plays a role in the business as well. “I think early on there were some valid concerns from my family about me choosing a career that did not utilize my education, at least not in a traditional way. There were concerns about me choosing a difficult path. In truth, they have always been believers in the idea that you spend a third of your life working and that if possible, it should be something that makes you happy, challenges you, is fulfilling— but, maybe most importantly provides a living. So if there was a hesitation it was that last part. They rightfully just didn’t want to see me struggle. But I’ve always felt I’ve had the love and support of my family. My son, Russell, came on board several years ago at a similar age as I was when I started. He’s always had an interest in art and began developing his own aesthetic at a younger age than I did. He kind of does it all at the shop; from restoration and repair to staging, sales, and deliveries. He’s a big part of our team and I can honestly say that our entire team as a group and individually are vital contributors to the success of our business.” A big part of what makes the shop different is that they curate from a lot of artisans (both local and famous)—and yet, something Ted said to me stood out. He mentioned that “the artists help Period Modern just as much.” I asked him to illuminate this symbiotic relationship for our readers and tell us what excites him most about building these relationships. “We’ve had the very good fortune of working with some great local 98
talent. It’s been a bit of an evolution as we rarely featured living artists’ work when we started but have come to appreciate how well these contemporary works fit with our increasingly eclectic inventory. And the ability for us to have access to a steady flow of new work keeps our customers interested. We have new local works brought in regularly, almost daily, so there will always be something new to see. We have a deep admiration and respect for these folks and feel honored to have the privilege of promoting and selling their works. The “candy store” feeling people describe when talking about our business is largely owed to the fact there isn’t a bare wall in sight, thanks to the contributions of local artists. Also…they’re good people and I think there is a mutual appreciation that exists between us all.” By giving these artisans and makers a platform and space to sell their works, he’s helping the community and infusing the local economy. It’s a strategy that benefits everyone. Locals love it and folks who pass through while visiting have the opportunity to snag some genuinely unique items that represent San Antonio. I can imagine all the years spent working within this sector and learning as he went, that Ted must have some great stories that came out of the experience. “Definitely lots of comedy along the way and a comedy of errors as we learned on the fly. There have been loads of funny interactions with some real characters. Also lots of good guys in this business who’ve shared their wisdom and experience freely. Too many to mention here. Every day is an adventure as we never really know who we may meet or where any day might take us. Oh—and Round Top antiques show shenanigans are something we always look forward to.” Gotta love our neighbors out in Round Top, Texas. Their antiques shows are some of the biggest in the country, by the way. Switching gears, sustainability is increasingly more important, now more than ever, which is part of the reason so many folks [myself and my household included] are choosing vintage, second hand and artisan-made in their home and lifestyle goods. I was curious about what kinds of change Ted is hoping to see in the world and if he plans to do anything 99
creatively with Period Modern in order to help ignite that change? “I think the days of ignoring the reality of climate change are behind us. Is it even a debate anymore? Probably not if you’ve spent a summer in San Antonio in recent years. That and recent supply chain issues have definitely driven interest in our industry. I feel fortunate to have landed in a business that promotes re-use, repurposing and sustainability at a time that it’s more important to most people than ever before.” Not to mention the fact that Ted and his crew still refurbish, repair and occasionally rework many of their finds. In a very hands-on way they are helping the environment. It may be a little cheesy to ask at this juncture, considering how long he’s been in the industry…but nonetheless, where do you hope your career will take you in the future? “Well, I certainly hope it takes us around the world in search of merchandise. We’ve definitely enjoy the travel aspect and the opportunity to explore new places. I honestly can’t imagine doing anything other than what I do now. Even a vacation wouldn’t be complete without some shopping. I hope to do what I do for as long as I can physically do it.” That’s when you know someone truly has a passion for their career! For anyone imagining a career in the antiques, art and home goods industry, Ted imparts,
“Understand that it’s a lifestyle, not a 9-5. Be a good student and know your product to the best of your ability. Never stop trying to learn—don’t ever get complacent. Take some chances. Most importantly, trust your eye.” Coming up next, he tells us, “We will be prepping for the fall Round Top [antiques] show in October. We’ll be there for 3 weeks selling (and yes, buying) and then home briefly before heading to Europe to reload. We’ve also got a number of collaborative projects events on the calendar. Mainly music events where Period Modern provides the seating. We love the people we’ve met and experiences we’ve enjoyed through these collaborations.” Our local community and any of our global readers who plan a trip through San Antonio should definitely consider visiting Period Modern while here —you can literally spend hours in here and still not see everything! “Our storefront is an 8,000 square foot brick and mortar located in Olmos Park (San Antonio, Texas) at 4347 McCullough Ave. 78212. In Round Top, we’re in the Excess 2 venue from early October through the end of the month. Online, at Periodmodern.com and Instagram @PeriodModern. We can also be found on 1stdibs. Or we’re always happy to receive a good old fashioned phone call at 210-902-1217.” So far, I’ve collected two treasures from PM and I’m fairly confident I’ll be bringing a lot more of their offerings home over time. I’m excited for the hunt!
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with Chef & Owner Monte Sheffield San Marcos, Texas photojournalist K. Day Gomez
savor. also advocates the use of Wild American Shrimp. He has been named Best of Hays County in both 2019 and 2020 and was the runner-up Wild American Shrimp Chef of the Year in 2019. Some of Chef Monte’s most popular shrimp dishes are parmesan-crusted snapper with lemon cream shrimp, and Louisiana barbecue shrimp.
About Palmer’s Located just south of Texas State University in San Marcos, Palmer’s Restaurant Bar & Courtyard “has a Texas-sized portion of pleasure waiting for you.” Situated at the “gateway to the Hill Country” since 1978, the restaurant has featured signature margaritas, “Mexican martinis” and classic cocktails with regional fusion cuisine from New Mexico to New Orleans. Palmer’s has several fireplaces and courtyard views. Featuring the only courtyard in Hays County, the restaurant has several private rooms. “Our concept at Palmer’s is based on foods that come from the Texas Hill Country, along with regional offerings from New Mexico, Mexico, the Gulf Coast and New Orleans,” Monte explains.
Meet the Chef Award-winning chef Monte Sheffield is a born and raised Texan whose passion for cooking and serving others dates back to his early childhood years when he would help his parents in the kitchen, prepping for their large dinner parties. Despite owning and operating Palmer’s Restaurant Bar & Courtyard—one of the best dining locations in San Marcos, Texas—Sheffield did not originally anticipate working in the restaurant business. Rather, it was through a love of the hospitality industry that he would eventually become the first in his family to work in a restaurant. Dubbed the ASPA Chef of the Year in 2020, Monte and his wife, Kristin, have owned the iconic restaurant for the past 13 years (acquired in 2010). This avid hunter, outdoorsman, and father of three is a board member of the Texas Department of Agriculture, Texas Shrimp Association, and President of Truly Local SMTX—a movement involving businesses that started in San Marcos. According to his Chef Advocate highlight, Sheffield 106
Guests have been quoted as saying, "there are many places to eat in San Marcos, but Palmer’s is the only place to dine.” And the chef himself says, “We are proud to be the crown jewel of San Marcos. We strive to offer the best in Texas Country dining with thoughtful menu curations and excellent service.” Having experienced both food and service myself on more than one occasion, I can vouch for the validity of these statements first hand. In fact, Palmer’s was the very first restaurant my husband—PEPPER‘s own Joe A. Gomez III—took me to back when we were barely beginning dating! In fact, Monte has been a good friend of Joe’s for many years, back to his days of serving on the board of the San Marcos Chamber of Commerce, and before.
The Interview We took a wonderful day trip this summer to meet with chef Monte and get the full story. He took us back to the very beginning… ”My parents were the ones that had the house parties for the neighborhood—My mom was in the
kitchen while my dad manned the grill or fryer. I was usually the last to join the kids while I would hang in the kitchen with mom and dad getting everything ready for the evening. I always enjoyed the variety of options.” These early experiences would become the inspiration for his long-term affinity for hospitality and the joy of food, the way it brings people together. With his parents and family being such a big influence on his passion for the culinary industry, I was curious to know what they thought about Monte pursuing it as a career. “I started out bouncing and bartending at high volume spots in Austin and loved it. At first, my parents were not a fan as I was the first in our family to venture into this business. Meeting new friends and family stopping by was always great.” Eventually, they would come to appreciate the great things he was building. And speaking of family, his wife, Kristin plays an invaluable role in the business as well. “Kristin’s role is huge, as she handles all the books. She also throws in her solid two bits on food and drink ideas.” Side note here—one of the most ingenious ideas she had was the sourcing of Lick’s ‘Honest Ice Cream’ in Dark Chocolate, Olive Oil & Sea Salt. It’s a must-have when visiting Palmer’s. Even our picky-eater autistic
son savored every bite! Not to mention, it’s served with their from-scratch whipped cream. The signature flavors in chef Monte’s offerings are intrinsically woven into his cultural heritage. I asked about some of the regional and sentimental aspects of these spices, ingredients and traditional + modern fusion cooking style, and what it means to share that part of himself and his history? “I’m a proud 4th generation Texan and support first what is local. We also want to be somewhat familiar, yet just edgy enough to intrigue guests without scaring them away. We take in our Hill Country, roped in with New Mexico, Mexico, Gulf Coast and Louisiana flavors.” I can imagine he has some great stories from his journey, as a whole. “My first real go at this business was on the fabled 6th street in ATX. What an experience that was with it being THE entertainment street for locals and travelers. One of the best memories (besides meeting my wife in this business) was having [blues legend] Stevie Ray Vaughn sit in for a few songs before he recorded ‘Live at Steamboat’.” Holy WOW! What an experience that must have been… Sustainability and innovative food industry
practices are increasingly more important, now more than ever, as well as regional heritage preservation. After learning that Sheffield is on the board of the Texas Department of Agriculture, Texas Shrimp Association, and President of Truly Local SMTX, we wanted to know what kinds of change he’s hoping to see and engender in the world around him. And if he’s planning to do anything creatively with Palmer’s in order to help ignite that change? “Knowing where your food comes from! Todays labeling is very misleading. Buying local and taking care of the families that are in your area drives it home,” he says. “I’ll talk to anyone about why buying local domestic shrimp, beef and produce is far more important than saving a buck or two.” His concern is for not only the environment and local economy, but also for the farmers and ranchers who work very hard to stay afloat in lieu of big business and more industrialized farming that usually engage in less humane and environmentally harmful practices. As for the future, chef tells us, “we are very happy with a one-unit place so we can focus on our current guests.” To those seeking a career in the culinary industry, he suggests, “keep an open mind but appreciate who you are working for until you can do bigger things. There is so much to pick (and toss out) with businesses already up and running.” Palmer’s just celebrated their 45th year in business (total) this summer. They offer a regular calendar of events, with a few exciting things coming up. “We continue to focus on our monthly 1st Tuesday Wine Dinners, graduations are 3 times per year with new menus for each, and there’s our private dining with several spaces—so it keeps us on our toes.” You can find Palmer’s online to inquire at palmerstexas.com, on Facebook at facebook.com/palmerstexas and on Instagram @palmers.smtx. San Marcos is a beautiful water town known for its river and historic town square with great local commerce. If you make the trip, stop in at Palmer’s! You’ll be so glad you did. 110
218 Moore Street SM/TX 78666 palmerstexas.com Instagram @palmers.smtx
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KC WILLIAMS, JR.
CEO & CREATIVE DIRECTOR
KENNETH CRAIG
WORLDWIDE
Highland Park / Dallas, Texas journalist K. Day Gomez
KC WILLIAMS, JR. As introduced by Earl Bynum, Jr., "Mr. International", founder & radio host of Onstage with Earl Bynum Radio… “Kenneth Craig “KC” Williams, Jr. has worked with me over 15 years and has built a name and career for himself from working with some of music's most famed artists, in addition to traveling the world as a professional interior designer. He wears so many hats as a business owner from being an award-winning music executive, published interior designer, published celebrity wardrobe consultant, working onset as an actor on FOX's EMPIRE and NBC's Chicago Justice and more. KC is an exceptional human being. Nominated four times by various company CEO's that he's worked for in 2021, Kenneth Craig was nominated again in 2022 for three Dallas ADMIN AWARDS and left the awards gala as a Finalist. The ADMIN AWARDS is the administrative profession's highest honor, widely known as the 'Academy Awards for Admins.' He started the New Year off as a requested Judge and Award Presenter for the 2023 Houston ADMIN AWARDS and has also been requested to Judge, present and additionally host a newly added segment to the awards show, LIVE on the Red Carpet for the 2023 Dallas ADMIN AWARDS hosted in November.” Kenneth Craig has been called "Mr. Worldwide," known as a jet-setter and master networker and has worked with famed clientele to include : Chrisette Michele, Devon Franklin, Karen Clark-Sheard, Earl Bynum, Crystal Aikin, The Clark Sisters, Kierra Sheard-Kelly, Shane & Shawn of Kangaroos (ROOS) Shoe Brand, Hope For Women Magazine, Tim Bowman, Jr., Tonya Baker, T.D. Jakes’ The Potter's House Dallas, TeleHelp 24/7 Mental Healthcare, and Karew Records to name a few.
came on the radio I was bobbing my head—be it Yolanda Adams, SWV or my cousin Deniece Williams.” It’s a passion that runs in the family.
INTERVIEW
As a multifaceted individual, KC nurtured other creative interests that he would come to make a career of as well over time. We asked what inspired his love of design and how he got his start? “Creativity and design has always been in my blood. I can recall watching my aunts (on my father’s side) design bridal gowns for clients, my aunts (on my mother’s side) decorate venues for citywide events and even my mother, decorate homes and work her side hustle as the family beautician.
We’re honored to have this opportunity to dive deep with KC Williams, Jr., taking it back to the very beginning, leading with his love of music. “I fell in love with music at the young age of 2 / 3. Music has always been a part of my household growing up and I've recently had the opportunity to look back at some vhs tape recordings of me as a child growing up. Let's just say, everytime music
My uncle owned a barber shop and is now a well sought after photographer. I guess you can say creativity spews from both sides of my family. I first got my start assisting my mother coordinate and organize religious events. I currently specialize in all of the above; i.e., published interior design, published wardrobe consulting and design, coordination for special events and my most recent 123
event, my best friend's destination wedding in Tobago, Port of Spain.” Such an expansive wellspring of creativity within the family is truly a treasure; one that KC is grateful for, though not without having been selfaware of testing fences. “l've always had a level of support from my family growing up, but I believe I was a little too adventurous for them. Okay, I will admit it...I was VERY adventurous! I'd take chances without thinking and sometimes it would get me into trouble. For example, my parents would come home from work and I'd reorganized the entire house— furniture moved to other rooms, decorations brought from other rooms into the house...yeah, I was a bubble full of ideas and I had to let them out. My current support from my family is unheard of. If I am traveling, they are there, if I am back home working, they are there and there is nothing more fulfilling than having the support of your loved ones.” In regard to fashion, styling and wardrobe consultation, we asked how all of that facet of his career life came about. “Honestly, word of mouth. Traveling the world and meeting people from all walks of life; I made myself a friend to all, which created opportunities. For example, as it pertains to working for Bishop TD Jakes & The Potter's House Dallas, I came as a referral from someone who'd heard of my work and work ethics from a friend of theirs. I couldn't tell you who that person was to save my life, but it pays to be nice to people because you never know who your next 124
blessing could come from.” Such an important statement about leading with kindness and cultivating empathy in all we do. It not only makes the world a better place, but opens doors that can change the direction of our own lives. “I've been afforded the opportunity to work with some amazing and inspiring people and entities like The Potter's House Dallas, Kelly RowlandWeatherspoon, Earl Bynum, Chrisette Michele, Devon Franklin, TD Jakes Ministries, Usher, N. Cindy Trimm and more influencers and multiaward winning artists. Due to my deep love for style and fashion, I'd quickly become known for my sense of fashion growing up. I couldn't afford to purchase some of the world's most favorable brands, so I would piece my own clothes together while adding a splash or hint of pazzaz to help make me stand out, and this started my love for sewing. I remember walking around SAKS Fifth Avenue pretending to shop and try on different clothes. While perusing around SAKS, I'd make my way up to the ladies area where I'd walk around complimenting strangers on their choices while recommending other pieces to add or take away in order to 'enhance' their looks. I will never forget one lady I'd helped pick out her wardrobe for a weeklong vacation with her family and in the end she purchased a few pieces from the men's collection for me. Keep in mind, I was not and have never been an employee or spokesman for SAKS Fifth Avenue— just a broke patron who just loved window shopping.
VERSACE, Burberry, GUCCI, Salvatore Ferragamo, Armani and so many other amazing designers I found myself trying on in fitting rooms and who would've thought decades later my closet would be filled with personal and authentic pieces.” The dreamer who dares to believe and takes the extra step of placing themselves where they want to be— these are the go-getters. And their formula to success is self belief + action + determination…and dare we say, a little bit of faith.
WHAT‘S NEXT Where do you hope your career will take you in the future? Any other talents you'd like to try your hand at? “Aside from my profession in the music industry, I've always secretly seen myself as an artist. What does that look like? I've not a clue, but I would love to record a few singles and release them...maybe here in the near future and that's all I have to say about that (*wink).” Any advice for others looking to pursue a career in these industries? “I've learned on this LONG journey that if you don't grow into your most authentic self, you will turn into whomever and whatever others expect you to be. There you will find yourself unhappy, miserable, struggling to find your true purpose and identity and most important, self hate. When you accept yourself for who you are and where you are in life at the current moment, you're able to see life a little clearer than someone who doesn't. Understanding your passion or drive will ultimately feed you. You'll hunger to grow daily and to be the best person you were created to be. And in that passion / drive, you find solutions and other ways to better not only yourself or brand, but the world in general.” Leaving people and places better than you found them—we’re all about that philosophy. Any big plans or exciting things coming up—what’s next for KC Williams, Jr.? “MANY big plans ahead! I am in the process of releasing my own clothing line for men, women and later children. There will also be a limited edition dinnerware line dropping soon and possibly a fragrance or two. As my uncle would say, "We stay busy over here..." Our readers can find KC and become a patron / fan online via his website KennethCraigWorldwide.com, on Instagram & Threads @KCWii & @KennethCraigWorldwide, and on Facebook at Kenneth Craig Worldwide. With so much to offer, so much passion for life and empowering others along the way, Kennith Craig is an absolutely worthwhile individual to get behind. We at PEPPER are excited to follow his progress and can’t wait to see what he creates and releases as time goes by. Beyond the sheer genius and work ethic is a heart of pure gold. And that’s something to celebrate. We’re here to give you your flowers, KC. Keep leading with love.
A MESSAGE FROM
M A R S ARTIST
MARS KIDD journalist & writer Elliot Carlyle at Current•ly Global photographer, creative director & stylist Edwin Pierrot New York, New York
culture. was in choosing my stage name. It’s just feeling like I’m not from here or that I’m different from everyone else; or my mindset is different from everyone else, at least. Mars is also an acronym. It stands for My Addiction Requires Success. Music is everything to me so if I’m addicted to it then I’m going to do whatever it takes to make it successful for me.”
I love this because I believe you’re the first person I’ve ever spoken with who has referred to their passion as an addiction in this way. When did you discover this for yourself? “I would say it was in the year 2013 or 2014 that I started to take music more seriously, seeing myself as a brand and exploring who I wanted to be in the industry. In 2015, I started to question myself : Who am I? What do I do? I rap. I sing. How do I translate that as my name or my purpose? It was during that time that I started to embrace that I’m not like anybody else. So, I just say I’m not from here.”
We welcomed certified audio engineer and recording artist, Mars Kidd, in the CURRENT•LY Studio. A Chicago native and resident of Atlanta, Mars personifies what it means to defy the odds to find success in your life calling. “I came from outer space you know I got them rocket options.” - Mars Kidd
Let’s go deeper. Mars. When we hear this name, most mental references that surface would cause us to think ‘planetary’ or ‘intergalactic’…perhaps extraterrestrial’ or even ‘supernormal’. I have two questions regarding your stage name : Why the name, Mars? Also, what do you want people to refer to or connect with when they hear your name as an artist? “To begin, like you said, Mars is ‘outer space’... ‘Not from here’…and that’s exactly where my mindset 130
I resonate with everything you say in that phrase. I believe that what you’ve identified is the mark of a true creative and artist. What you do on stage comes from intangible and invisible places and spaces. It’s an internal universe and many times you must dig deep to access your source. In considering what it takes to dig deep, the theme of this issue is “Courage Amidst Adversity.” I think anyone who embraces, celebrates, and owns their difference is courageous by default. It takes courage to acknowledge you are different and to portray, perform, and amplify that difference before the world. How does this theme resonate with you as an artist? “It resonates a lot actually! I’ll dive into it. I was born with a heart condition called, Hypoplastic Left Heart Syndrome (HLHS), which is a birth defect that affects normal blood flow through the heart. I’ve had three open heart surgeries. The doctors said I wouldn’t live past
kindergarten. They said, ‘this’ and ‘that’. Yet, here I am, almost 28 years old—thank You, God—and I’m doing things they told me I couldn’t do.
do the artistry like I do it, then do it to the fullest. Don’t hold back.”
Although this condition is very real and it affects me every single day, I still find the courage to keep fighting and pushing. I keep pursuing my passions regardless of the “conditions” I have in my life.
You just gave us something to sit with. As you were speaking, something came to mind that was shared with me a few years ago by a fellow business consultant : ‘Your circumstance is not indicative of your character or identity.’ In that moment, she was speaking of our finances. However, what you’re giving us here is for life! Thank you for this.
[Fact from the Center for Disease Control and Prevention (CDC) : About 20% to 60% of babies with hypoplastic left heart syndrome survive their first year of life. After that, the survival rate for the next five, 10 and 15 years is about 40%.]
Mars. Man, you’re what we call ‘a miracle in motion.’ You are defying the odds, going against the grain as to the limitations which have been presented to you. The energy that is presented in your testimony resonates deeply and is palpable even as we speak. Let me ask you, how does your artistry play a role in your healing? “It keeps me alive. It keeps me going. Being able to do what I do allows me to know that I can’t allow my condition to hold me back. So, I use that truth as a push or a shove to do what I do. My life says to me that if I can do these things, then that condition has no hold on me. So, every day the drive is ‘let’s keep doing what we’re doing. Let’s keep moving forward in this artist thing. Let’s stay in studio. Let’s keep traveling.’ Whatever it is, just keep going…and that helps keep your inside healed. Music is therapy. You know, people say that. But the creative side is different. Masses of people listen to music as consumers. But in actually creating it, there are so many battles. I get writer’s block. I have a son. We have life going on. So, to stay in it on top of having this condition, it’s a reminder that I’m not held back by the circumstance. If I can 132
Where most people allow their circumstance or situation to dictate their identity or expression, you have chosen to show up as your authentic self in every place and space that you occupy. Again, this takes courage. You mentioned that you’re also a father. How is your experience being an artist / dad? “Honestly, it’s a bit difficult. I just became a full-time dad. So, now I have my son all the time—but it’s cool because he’s an artist too. He’s very artistic. He draws and he does music, so it’s a fun experience. I get to teach him about what I do and see if he’s interested in it. He’s 7 now, so he gets to sit in the studio with me and watch me do my thing. It’s also therapeutic for me because I love that I can do what I do, and my son gets to be present as well. Everyone can’t take their kid to work. Growing up, we didn’t get to see what our dad did all the time. So, having my son in the studio
to see what I do, putting my all into it, and he can put that effort and energy into what he will do with his life. It’s always a learning thing with me…I like to teach my son.”
I can see that life has given you so many therapeutic resources and returns despite what you’ve been through and you’re overcoming. You truly don’t look like what you’ve been through. How does gratitude take play in your day-to-day? “Gratitude… I’m not supposed to be alive. So, I’m grateful for every single thing that happens in my life. I’m grateful for every day. I’m most grateful to God for blessing me with this mission that I’m on and this life that I have because I know a lot of people would not be able to walk in my shoes. There’s a lot that goes on behind the scenes and I’m just grateful that I was trusted with this mission.”
Speaking of missions, what would say your mission is in music, in your artistry? “The number one mission is to help bring awareness to Christ and let people know who God is and what He can do. In my music, I talk about my life, what I’ve been through, my heart condition, my surgeries, and even the things doctors told me that didn’t happen that were supposed to happen. My mission is to let you know that anything is possible. You can do anything despite what people tell you. Despite the negative comments. You can still make it happen; especially if you have God on your side! That’s where I come from with it.”
Let the Church say, ‘Amen!’ Something that you say often, “I’m not from here.” When you say that, what do you mean? If you could share where you’re from, what is the space that you reside in?
“I say I’m from Mars. It’s a place where everything is energy, and we vibrate at a high frequency. There’s no negativity on Mars. There’s enjoyment and happiness. Everything just flows there in harmony and in unity. I wish I could take everyone there.
You know what…you take us there when we get to experience you. You are that experience personified. Everything that you just said is a description of every moment that I’ve personally had with you. I’m excited that our readers will get to feel that energy and 134
frequency through these pages of this issue. You have already left a legacy and I’m excited to see how it expands and is amplified through the life ahead that you have yet to live! You have so many trips around the Sun as Mars to make. In final thought, is there anything that you’d like to leave for the creatives and artists who will read this page to take away from this conversation. Everything that you’ve said has been an empowering gem for life. But is there a statement— a message from Mars—that you’d like to leave us
with here? “My number one saying is, ‘expect the unexpected.’ I say that because you never know what can happen until you do it. Most people think the negative in most situations. My focus is to think the opposite of that. Go in with thinking the positive first. Stay focused and stay passionate about what you do. If you lose your passion, you lose the fun. That’s like working a 9 to 5 you don’t want to work. You’re not motivated, you don’t have the energy, and you don’t want to be there; but if you keep your passion in what you do, you’ll stay with it forever.” 135
LIFE & MUSIC
ACCORDING TO
e e D i m e D Words by slam poet, songwriter & recording artist Demi Dee photographer John Hendrick
SA / TX
A CONVERSATION… MUSICALLY.
“My music journey all started when I was 4 years old at Market Square. As I witnessed live music and fell in love with the thought of performing live, I had no clue what the music industry had in store for me. All I knew is that the passion I had from the jump outweighed any uncertainty I had.”
“Here we are 25 years later, 1 Album down, new music in the works, upcoming shows lined up & writing music more than ever. You are never too young or too old to chase after what you love doing. The only way you'll make the move, is taking that first leap after what you want.”
My Artist name is Demi Dee, and my full name is Demi Garcia Jacinto. I am a 29 year old female who goes by she / her pronouns, born and raised in San Antonio, Texas. I am a Singer / Songwriter, and Slam Poet. My music career started when I was 4 years old as that is when I did my first live performance in downtown San Antonio singing covers in both English and Spanish. After my first performance, I knew performing was something I wanted to do with all of my being. I began writing music and poetry at the age of 7 and quickly realized how much of a gap it filled when it came to opening up about topics I wanted to discuss that were harder to bring up on any ordinary day. I began writing Slam Poetry when I was 18 and through the journey of my writing styles evolving, it became apparent to me that this style of poetry was a full experience to write, but also to perform. Seeing Slam
who inspired me—such as Nathan and Tilton Zertuche, Kree23 and Chris Conde—they opened my eyes when it came to talking about deep rooted topics that would sweep anyone with the ability to share with an open mind off their feet. I performed Slam Poetry for the first time at a venue I miss greatly, The Blacknote Galleria, which is no longer open but a dream to have been a part of. I tested my new songwriting style of embedding Slam Poetry within my music. As a Singer / Songwriter, I wanted to find a style of music that would be performative, but at the same time have an impact on the community. I began writing songs in that style about topics from depression after heartbreak, to losing yourself with substance abuse, separating the idea of "identity" with what we see online—including our own versions of ourselves that we portray—and the power of people that have inspired me. After this era in my life where I started including slam poetry within my music, I saw reactions from the audience that I had never seen throughout my performance career. Emotions would fill the room. I would see into the eyes of each crowd member as I noticed their emotional barriers release and nod with the tempo as if my words would slowly open up experiences they had once felt, felt in the moment or memories of knowing someone who had dealt with those emotions. Healing together with the audience is truly an experience I had never felt before, until this writing style. Opening up and being vulnerable with the crowd is incomparable to any style of music genre that I have performed before. I don't believe it is me that has anything to do with
anyone's healing journey. I believe it has everything to do with the words and conversations that possibly haven't been voiced as frequently as they need to be or may not have been worded in such a way to make it a point.
album title is what I chose do—wanting to share with the world that brighter days are on the way, and they will get through whatever type of darkness they may be experiencing at this moment.
When attending a show or a concert, there is a sense of vulnerability already in the room. I find that to be the best place and opportunity to have a conversation musically. Not all of my songs have slam poetry, but when performing, my favorite thing to do is to embed at least a couple of the songs that do have Slam Poetry into the set and watch the reaction of the emotions shift with the different thought pattern slam poetry creates.
The purpose of the album is give people a sense of warmth knowing that greatness lies ahead and steps toward healing are closer than ever. I hope that it helps peoples’ mental health, for them to find beauty within themselves, for them to not run away from the emotions they have to feel in order to heal, and for them to feel love and supported.
My first album, "Brighter Days" has been a project I have worked on for the past decade. It consists of songs with slam poetry as well as R&B and soul. The
Instagram • @dee.demi Facebook • Demi Dee Youtube • Demi Dee
140
CONNECT WITH ARTIST DEMI DEE
Summer Rains SINENKOSI MSOMI Mbabane, Mpolonjeni
HUMANS OF
KATHMANDU
AN INTIMATE PORTRAIT & Snapshot in Time of the Capital of Nepal by photojournalist Corey Layne Davenport.
143
City of Temples "I was truly at a loss for words when I arrived in Kathmandu... In the best way possible. There's a strange calming energy that emits from every pore of the city amidst the chaos and I still can't describe its beauty. I went with the owner / artist, and another artist from the tattoo shop that I manage. Chris (the owner) has been to Kathmandu a few times, so it was cool having him show us around. As for Jacob (the other artist), I could tell that he was taking in all of the culture and knowledge he could, to incorporate it into his art. I got to meet so many awesome people! Buddha, our hotel concierge, Ram, our amazing cab driver for the entirety of the trip, and Juju, a good friend of Chris' just to name a few. The one person I met that I instantly made a connection with was a fellow photographer named Rachelle Steele. We hit it off immediately while talking about cameras. During the conversation, she mentioned that she had been working on a series of portraits of heavily tattooed men. While I was VERY
nervous about being the subject of a photo for the first time, our connection made me comfortable, and in the end, it was one of the most amazing experiences. We still keep in contact, and I am beyond grateful that we met. Surprisingly communication was very easy. There were a few instances that took some time trying to understand things, but the majority of Kathmandu was very fluent in English. Every single person we met was insanely friendly and accommodating. The traditions and culture around Kathmandu are a culmination of Hinduism and Buddhism which are both very heavily centered around humanity—and it shows. The hospitality and care that is given to strangers was more than I had ever experienced in my life.
VOGUING IN TENERIFE
THE KIKI
PRACTICE
BY SEIGAR
These portraits were taken in Paralelo Danza, in Tenerife, in December 2022. I was invited to shoot this event by Dani García (AKA DannKo 007), an ex-student of mine, and one of the organizers of this Kiki Practice, with Gabri García (AKA Lanhua 007). Both are young, professional, and talented. 153
ABOUT THE EVENT The voguers from the Canary Islands and other parts of Spain came together for this special occasion. In the judges' panel, we found the quintessential threesome Ängel Versace, Prince Gianma Crown, and Lanhua 007, while the dynamic MC was DannKo 007, and the experienced DJ was brtnLY. The participants competed in the following categories: Face OTA, Realness OTA, European Runway vs American Runway, Best Makeup, Hands Performance vs Arms Control, Old Way vs New Way, OTA Vogue Femme, Vogue to Everything, Dance Off, Shake that Ass, OTA Body and Lipsynch. With a strict white dress code, all the participants showed their unique personalities and styles. Before the event started, I witnessed backstage that people were really excited about this opportunity, and they were all ready to shine! Loving the camera, they made my work easy, and also thrilling. Dannko 007 has always been a charismatic person since I taught him back in high school, and he keeps on being this open soul. He was up for explaining all the categories and cheering people up during the whole night, showing also his mastery of Arm
Control for the delight of everyone there. The judges looked like celebrities and were welcomed like that by the audience at the event. The event, for some people, was more of a Kiki Ball rather than a Kiki Practice, proving that this scene already has a place in the heart of Tenerife. This group of artists is creating a whole movement on the island. I feel blessed to be able to leave this testimony of this scene. Long live Voguing in Tenerife! Seigar is an award-winning photographer and social commentator / journalist who writes for PEPPER Magazine, Dodho Magazine and The Cultural Magazine about pop culture, among others. Lately, he has experimented deeply with video art forms and collages. His last interests are documenting identity and spreading the message of the Latin phrase Carpe Diem. Recently, he received the Rafael Ramos Garcia International Photography Award. He also shares art and culture in his new blog: Pop Sonality.
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PEPPER Vol. 2 | no. 2
TALES OF BULGARIA
TRAVEL Bulgaria is a Balkan nation with diverse terrain encompassing Black Sea coastline, a mountainous interior and rivers, including the Danube. At the foot of domed Vitosha mountain is its capital city, Sofia, dating to the 5th century B.C.
This street photography series shows some unexpected finds in this Southeastern European country. In August 2019, I explored the vast Bulgaria: Sofia, Belogradchik, Venetsa Cave, Lovech, Prohodna Cave, Veliko Tavorno, Devetashka Cave, Sozopol, Nessebar, Kara Dere beach, Plodiv, Beli Plast and the inspiring Melnik. Its urban and rural landscapes seemed to possess a haunting beauty. Although I enjoyed and took photographs of the stunning caves, the rock formations, the sea, the beaches and the little villages, as a street photographer, I feel more emotions from this urban set. I would recommend the destination to all photographers interested in breathtaking sceneries—they will not be disappointed. This trip gave me the chance to take more than 100 photographs for My Plastic People project. I fell in love with these local, unique and realistic human beings. Tales of Bulgaria is my way to express to the world the message of Carpe Diem, and being conscious about our life. It is time to
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passport. conceptual artist & photojournalist Seigar
TRAVEL wake up, to live and to enjoy life loving ourselves. These memories represent our human beauty.
A cultural melting pot with Greek, Slavic, Ottoman, and Persian influences, it has a rich heritage of traditional dance, music, costumes, and crafts. A little history—“Founded in the 7th century, Bulgaria is one of the oldest states on the European continent. It’s intersected by historically important routes... Before the creation of the Bulgarian state, the empires of ancient Rome, Greece and Byzantium were strong presences, and people and goods traveled the land with frequency.” —Britannica
SEIGAR —is a passionate travel, street, social-documentary, conceptual, and pop visual artist based in Tenerife, Spain. He feels obsessed with the pop culture that he shows in his works. He has explored photography, video art, writing, and collage. He writes for some media. His main inspirations are traveling and people. Seigar’s aim as an artist is to tell tales with his camera, creating a continuous storyline from his trips and encounters. He is
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a philologist and works as a secondary school teacher. He is a selftaught visual artist, though he has done a two years course in advanced photography and one in cinema and television.
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He has participated in several international exhibitions, festivals, and cultural events. His works have been featured in numerous publications worldwide. His latest interests are documenting identity and spreading the message of the Latin phrase: Carpe Diem. Recently, he received the Rafael Ramos García International Photography Award. He shares art and culture in his blog: Pop Sonality. popsonality.blogspot.com
SUMMER IN BLOOM
ON THE RISE As the massive worldwide heatwave moves across our planet in this unforgettable recordbreaking year, many regions are categorically shifting from mild to tropical climate classification. And some from tropical to desert classification. This is not a fictional Sci-fi plot, though most of us sure wish it were. True to form, however, nature moves right on along doing her thing. Yes, these severe conditions can and do have catastrophic effects on the environment in a lot of areas. And yet, in others, new and unexpected life is being ushered in as the flora and fauna adapt to these permanent changes.
Exhibited in this editorial are captures by photographer and floral enthusiast Tatyana Boeva in Irkutsk, Russia. According to A-Z Animals, “Russia's biodiversity includes 25,000 species of fungi, 9,000 species of algae, and 12,500 species of vascular plants. Among these are numerous flowering plants, many of which are endemic to Russia. Some of these grow in the northern tundra, such as the wild hyacinth, a wildflower native to Russia.” Phenology, the study of the timing of organisms' life cycle events (i.e. when plants leaf out or flower), is arguably one of the most compelling and responsive metrics for documenting the effect of climate change on ecosystems. And it’s been confirmed that Siberian plants in particular have in fact shifted their phenology in response to climate change. All this to say, the biology of our world is changing right along with the overall climate. Fears aside, it is most curious to wonder what Earth will look like over the next century. Who will she become? Who will we become? Best for now, it seems, to ask the flowers…
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Photographer Ivan Safronov with model Julia Safronova Moscow, Russia
Rx.
Earthing as a Practice journalist K. Day Gomez
Earthing, or grounding, is a health practice of synchronizing the body to the natural rhythms of the earth. According to the Journal of Environmental and Public Health, “Grounding appears to improve sleep, normalize the day / night cortisol rhythm, reduce pain, reduce stress, shift the autonomic nervous system from sympathetic toward parasympathetic activation, increase heart rate variability, speed wound healing, and reduce blood viscosity.” These are all really good things… but how does it work? How does one ground themselves in this way? We’re here to demystify this valid health practice for those who aren’t yet familiar.
“Grounding or earthing refers to direct skin contact with the surface of the Earth, such as with bare feet or hands, or with various grounding systems. Subjective reports that walking barefoot on the Earth enhances health and provides feelings of well-being can be found in the literature and practices of diverse cultures from around the world.” Finding a safe area to walk barefoot over grass and soil for at least 30 minutes a day has been proven enough to experience benefits over time. It’s been coined “the ultimate biohack”. It all comes down to magnetics. We recommend checking out the blog MindValley.com if you’d like to learn more about the science behind it.
Fit to a T. WITH NUTRITIONIST & FITNESS EXPERT TINA SENA
Expert Health Advice Nutrition at any age, the best foods for all bodies.
Lifestyle Tips & Resources Links, great products and places to try.
Fitness Techniques Things you can try at home or at the gym.
Courage Over Fear Nutritionist & fitness expert Tina Sena
I would love to hear from you and tell me how you stepped into your confidence and courage or how can I help you get started!
Health and happiness,
Fit to a T.
a n i T
Tina works hands-on with clients in San Antonio, New Braunfels and surrounding areas.
I want to talk to you this month about courage. Why? Because most of us are avoiding the necessary challenges and changes we need in our lives to improve our health and wellness—because we have fear. I want to share with you that I have been in this business for over 25 years now and it's been my experience that most people don't want to start an exercise program or proper eating plan because they are afraid they are going to get hurt or fail. Only way you can fail is if you don't try. Today is a great day to conquer those fears! One body. One mind. A million opportunities to move it and fill it with all good things.
Find Tina online at tinasenaofficial.org or Instagram at @tinasenaofficial 179
Tina Sena
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POSITIVELY CRYSTAL
POSITIVELY CRYSTAL
Motivational Mindset Coach Crystal Lopez-Crebs
THE EMOTIONAL GUIDANCE SCALE What do joy, knowledge, empowerment, freedom, love, and appreciation all have in common? They are the top vibrations to be in on the emotional guidance scale. These are the thing we should all aspire to have and be in life. The emotional guidance scale is a chart of the vibrations we choose to live in each and every day, every moment of our life. It ranges from the highest vibration of the words above, to the lowest vibration—fear, grief, depression, powerlessness, and victimhood. Which part of the scale do you tend to be on? We all want to be at the top of the scale. That is when we are living our authentic, truest self. Unfortunately, most people default to the lower part of the scale. The media and programming that is all around like to feed you fear and negativity. And, people fall victim to what they hear or see, not realizing the implications of it. And once someone is in that low vibration, it’s a challenge for them to even see there is a light. More of the lower vibrations as you go up the scale, in order, include : insecurity, guilt, unworthiness, jealousy, hatred, rage, revenge, anger, discouragement, blame, worry, doubt, disappointment, overwhelm, frustration / irritation / impatience, pessimism and boredom. Do any of these sound familiar? Are you living with any of these, even in a small capacity? It’s possible you could be in denial of it, and yet deep down inside you know there is a higher calling for you because we all have that light inside of us. I want you to know these emotions so that you recognize them when they are present within
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you or from an outside source. The truth is, there are higher emotions that when we live them, deliver the abundance and true happiness we have all come here to experience. When the scale starts to tip upward, it begins with contentment and moves up to hopefulness, then optimism, positive expectation and belief. Next is enthusiasm, and passion, and finally into the top echelon of joy / knowledge / empowerment / freedom / love / appreciation and beyond to ultimate enlightenment. Now how can we move through these emotions to be on the highest plane. It seems like a challenge to navigate the ever-changing world and be on this constant high. There are 3 powerful things you can do daily to shift you, even ever so slightly, in a better direction. First thing is Gratitude. Here are a few ways to implement gratitude daily… Number 1 is a gratitude journal. Having a gratitude journal is incredible because you can write things you are grateful for at the beginning of your day and set your day that way. Or, if you decide to write in it at night, you can reflect on things that happened that day. Either way, the moment you begin to be grateful it immediately starts the shift in a positive direction. Second, you can send gratitude messages. Sending a gratitude message to someone not only makes you feel grateful, it will makes someone else feel your love and appreciation. Imagine if you received a message from someone saying how grateful they were for you. Love cup filled! And, third, just saying “Thank You” more throughout your day. People love to complain and want
everyone else to complain with them. Low vibration alert! That is how you stay stuck. Try going through your day with more appreciation and saying thank you to people or for an experience you have. That blooms the positive vibrations. Forgiveness is the second thing that helps you leave those low vibes behind. Forgiveness is one of the most powerful things we can do. No matter how bitter or angry you are, if you can allow yourself to forgive, you will release those lower emotions and create space for something better. First way to forgive is to actually tell someone that you forgive them. This could be one of the most difficult things for you to do. But, if you do this, there is a whole new future ahead and could break a cycle that might not ever be broken. You will feel lighter and freer. If that is something you absolutely cannot muster the courage to do, the second way is energetically forgiving. This option is something you can do from afar, but works wonders when you truly release them. And, lastly, a forgiveness journal. Just like the gratitude journal, a forgiveness journal lets you write it all out so it doesn’t stay festering inside of you. You’d be surprised at what can breed inside when you let something like this stay in your body. And remember that forgiving doesn’t mean that what they did or what happened was right, what it does do is releases you from that energy and creates a clean slate for you to move forward. And the final thing is positivity. So, how do you shift yourself into positivity? Affirmations and declarations can help to reprogram your mind to see things in a positive light. If there is something that would make you happier and bring you more joy, declare it, and do it daily. You can create the world you want to live in. Alternatively, what you are listening to can surround you with positivity. This could be a podcast or an audiobook, maybe classical music or music you love. And finally, what will bring you joy? Do joyful things that you know make you happy! We have a choice each day to allow our energy to vibe high, or vibe low. In every situation we can choose how we react to it. Don’t get sucked into the downward spiral of the emotional guidance scale. I promise you the better you feel the better life will be all around you.
home the journey back
to ‘self’
FINE ARTIST C.B. MARTINEZ MASON, TEXAS
PHOTOGRAPHER ZEN STEWARD JOURNALIST K. DAY GOMEZ
resources. "To make due" is often the theme that weaves its way in between the acrylics.”
Personal history— Taking it all the way back to childhood… “I was drawn to art at a very young age (it is one of my earliest memories). My mother and father were always working, sometimes two and three jobs at a time, so they would place me in art classes as a means of babysitting. When I wasn't there, I would spend a good deal of time with both my maternal and paternal grandparents. My grandmothers, specifically, would have me draw them pictures of cartoon characters as keepsakes. Little pictures of ninja turtles, Looney Toons, and muscled circus performers adorned their pea green and pale yellow refrigerators.
About the artist— Christopher Brian Martinez is an artist, creative and self-described ‘corner store philosopher’. The 38 year old painter resides in the hills Northwest of San Antonio, in Mason, Texas. “I am a single father fighting everyday to maintain my three plus year sobriety and steady my idle hands whilst keeping a household afloat. I tend to find my escape within acrylic tubes of paint.” His journey through sobriety and healing is something we hope will inspire others who struggle. “I culturally identify myself, and my work as modern chicano. It is colorful and playful, yet with depth. It has purpose but can also be easily digested. I enjoy painting the weathered and tattered images of the rural life I live. I find it necessary to add color to these images so that the universe may see the beauty that I see. I paint for those who are resourceful rather than those who have meaningful 188
The very first mediums I remember using were watercolors and of course pen and ink. Living in a small town in the middle of Texas was problematic when it came to gathering art supplies. I used to use a lot of spray paint at one time because it was one of the only mediums available for purchase within a 30 mile radius. These days, I mostly stick to acrylics as I tend to paint over a lot of my "mistakes" rather fast and this medium dries quickly. I was drawn to chicano style contemporary art because of the colors and the subject matter. To me, it is very relatable and is held close to my heart. When I was a baby, I was very sick, so I spent a lot of time at Santa Rosa Children's Hospital in downtown San Antonio. Every time we would visit the city, my parents would point out Jesse Trevino's beautiful mural, "The Spirit of Healing" that is painted on the side of Santa Rosa, and tell me that is where my life was saved. My dad tells a story of my grandmother one day (after a prolonged stay) spotting angel wings in my hospital room. It is at that time I started to recover and heal, thus leading to my release—or as my grandmother put it, my guardian angel had arrived. I correlate this mural (along with its bright colors and bold imagery) as a symbol of healing, thus leading to my love of contemporary chicano artists such as the late
psych. great Mr. Trevino, Wayne Healy and Carlos Alamraz just to name a few. The imagery is simple yet profound. The paintings always mean something to someone just as the "The Spirit of Healing '' means so much to me."
the piece takes over, but they are still there.
Family ties—
There is always a social or economical theme, but people living that life just find it normal and don't see the matter as an issue. I tend to use implications such as cognitive dissonance, grief, ego, spite, joy, and gratefulness in many of my pieces. Some catch it while others just enjoy the colors and representation of our people. This is ok by me because then, everyone can get a little bit of something from the painting.
We asked what CB’s family thought about all of this, and how they see him now. “My family has always been very supportive of my art. Sometimes I think a little bit too supportive [he laughs] as I sometimes need a bit of negative critiques and they'll never give me one! When I chose to go to art school right out of high school, they created the means necessary— both financially and logistically—to get me there. They still value my opinion when it comes to anything art-related. Whether it's asking me of my opinion on the living room color scheme, painting pictures of family members, or even helping design family reunion shirts. I am a single father, therefore financial stability is a key aspect of my life. Since I have become an adult this has alway been the first and foremost reason for choosing my career. As I grow into adulthood, I often dream of art as a full time gig. I can't say I have yet to make a career out of art, but rather it is more of who I am as an individual. I don't know what the future holds for me, but once my son is off living his own life, and if an opportunity arises, then I would be apt to make a go at the art career path.
I try to make the art relatable in that way. One person can look at the painting and see pain; another might see the playfulness. This makes it appealing to a number of different folks.
I think my work is relatable because I use real life scenarios and community issues. We often don't like to admit it, but our culture has a similar outlook on life. From East LA to Miami and the Rio Grande Valley to Minnesota, the lens through which we see the world is akin to that of our neighbor. Here lately, I have been toying with darker themes. Themes such as depression, the feeling of being trapped and even substance abuse. These are issues people around me often deal with on a daily basis. Although it's the elephant in the room that no one acknowledges (or wants to admit). I think that if I can combine these themes with bright colors and a "cartoony" style, then I can open the door for people to talk about these matters. To me, it could be a form of healing for people other than just myself.
My family is very encouraging. It is me internally holding myself back within the art world. I get flashes of negative self talk. Although, these are often banished by the supportive and heartening words of my aunts, uncles, cousins and close friends. They understand my situation, but tell me everyday that if I could, then I should.”
The message— His art is real, relatable and full of color while touching on some real sociological and economic issues. There is an important underlying message in most of what Martinez paints, even when it is not immediately clear. “I try to keep an underlying meaning in every painting that I do. Sometimes this message falls by the wayside, as often the humor in
The process— “My creative process begins with observation. I like to fancy myself as a passive observer. I can see what people are feeling sometimes. When 189
this happens, I try to capture it with my phone (before cell phones I would quickly sketch the idea or carry a disposable camera). Once I get to a quiet place I will then begin to look at the picture in its entirety and decipher what I think I am seeing. This changes depending on when I look at it, where I look at it, and how I am feeling.
only way to make sense out of change is to plunge into it, move with it, and join the dance", and this is how I approach my creative process.”
Colors begin to fly around in my mind. This is when I pull out a canvas and just start slapping paint on the blank sheet. I start with the colors that are popping up in my head then work from there. I find myself going off on tangents in the beginning stages of any piece. I will start carving out actual images once the splattering is done. Whatever starts to take shape in my mind will begin to reveal itself on the canvas. For example, if I took a picture of someone making salsa, and the hands are what is standing out, then only the hands will begin to appear. Once I begin to see what my brain has been focusing on, then I will give in to the idea and continue to build.
“Most of the stories I have relate to the paintings themselves. There are stories behind some of them that I cannot repeat [*this elicits another laugh].
Being creative is therapeutic to me, as I tend to be an overthinker, so I just allow the process to flow. Whatever color I grab out of the box first is the first to be used. Whichever brush my hand gravitates to is the tool I need at that time. After the main idea begins to flourish, that is when I turn my eyes and brain back on and start to whittle the paint into what I am seeing inside. Alan Watts once said, "The
Influence & storytelling—
As an artist, I am often influenced by the small stuff. For example, back in the 90's my uncle painted a mural of his son's local high school's mascot on their marching band's travel trailer. I always thought this was so cool. He made his mark, albeit in a small way, on the people of his community. Watching local guys paint murals in small Mexican restaurants always left me enamoured by the idea of permanence (even though I know they're often painted over). The "little guy" doing "big things" is something I hold dear. Professionally, I was invited to the Greater Austin Hispanic Chamber of Commerce art gala this last October which was very formative to my art career. I was inspired because it reassured my
artistic value.I got to see my art alongside some fabulous artists and understand the process of showing a bit better. I often find inspiration in small doses or from people that I can relate to on a certain level. My grandfathers often come up as visuals in my work. They have always been a life inspiration for me. They found the simplest tasks and ideas to be the greatest. They were mentors—not on an art level, on a life level. Although, I think for my art to resonate the way it does it needs to have this ‘idea’ behind it. I do have certain artists who inspire me as well. Local legends like the aforementioned Jesse Trevino, Cruz Ortiz, and even Alice Neel, Kerry James Marshall, Cesar Martinez often lend a hand whenever I need a spark."
What’s next? In regards to where he wants to go, CB says, “I am not very nomadic. When I find a place, I try to take in all I can and make that place the best place for me. For me, it's not the place, it's the people. 192
Although, if given the opportunity I would jump at the chance to see the art galleries and murals in and around Los Angeles. This is the mecca of sorts for contemporary chicano art. To see some of the paintings I see in books in real time would be a life milestone. Thinking bigger, I have always wanted to visit the Andes and Peru. The culture I see online and TV speaks to me. The colors, the themes, the ideologies are all intriguing." With all of the themes he touches on, we asked what kinds of change he’d like to see in the world around him. “I really want change to happen on a mental level. There is so much anxiety, depression, and mental negligence that goes on in today's society. I hear so much negative self-talk and "what will people think" banter that it often becomes frustrating. This is especially true knowing that my son will have to deal with this one day. Today's social media climate puts so much pressure on impressing others and being someone you are not—and for what? I just really want the people of our society to do what they want to do, be who they want to be, and be
content in their pursuit of happiness. This is why I paint what I see. I don't paint for others, I paint for myself. If others like it then cool. If they don't, then that's ok also. You can only be who you really are when you peel back the layers of what society has told you in regards to what you are ‘supposed to be’. Once your core has been revealed then you will find a good energy. This to me is happiness.” Any advice for those pursuing art as a career— or even as a means of healing and sobriety? “I think that anyone pursuing art should jump in and give in to the process. They shouldn't think about the end product, but think more about the process. If you enjoy how you are doing something, then that feeling will be noticeable in the end product. When it's done it's done. Find what you know and make it your own. There are other people like you out there, they just haven't had a chance to meet you or your work yet. The best feeling in the world is creating an idea into something tangible. The way you think can make an impression. Everyone has time to listen and look. For sobriety, I think that the same applies. You have to enjoy the process of getting sober. The mental fortitude to know that today you will be sober is something that you must wake up with and lay your head down with. As I said before, there are sober people out there fighting the same battle; they just haven't had a chance to meet you or your work yet. Everyone has time to support you in your art and your sobriety; you just have to find your reason first."
Say hello— Our readers can connect with artist C.B. Martinez online, become patrons and access his art. "I only use Instagram as I am a visual person. Anyone can find me @c.b.martinez on IG. I can also be reached by email at martinez924@gmail.com. Most of my work is on my Instagram page but I am always willing to send pics or show some more via email." In parting, he told us, "Thanks to you guys for giving me a voice and the opportunity to tell my story. I really appreciate your time and PEPPER's content.” We appreciate you and your artwork too, CB—we’re now fans ourselves.
LET’S TALK ABOUT THE FACTS :
PEPPER Magazine is founded & produced by survivors. We strongly encourage those effected by or witnesses of sexual assault and / or human trafficking to speak up, reach out & get help.
On average, there are 463,634 victims (age 12 or older) of rape and sexual assault each year in the United States.
RAINN (Rape, Abuse & Incest National Network) Hotline 1-800-656-4673
As of 1998, an estimated 17.7 million American women had been victims of attempted or completed rape. [1 out of every 6 American women has been the victim of an attempted or completed rape in her lifetime.]
The National Human Trafficking Hotline 1-888-373-7888
As of 1998, 2.78 million men in the U.S. had been victims of attempted or completed rape. [1 out of every 10 rape victims are male.] 21% of TGQN (transgender, genderqueer, nonconforming) college students have been sexually assaulted, compared to 18% of non-TGQN females, and 4% of non-TGQN males. Out of the child sexual abuse cases reported to CPS in 2013, 47,000 men and 5,000 women were the alleged perpetrators.
Photographer Michael S. Drapala with the help of several creatives & survivors in San Antonio, Texas, asks us to consider what we think we know about sexual violence.
It is estimated that as many as 40% of women with disabilities experience sexual assault or physical violence in their lifetimes and that more than 90% of all people with developmental disabilities will experience sexual assault.
Vol. 2, no. 2
prodigy.
T H E
B E S T
T H I N G S
A R E
IMAGINARY A R T I S T
L E O N A R D O R O D R I G U E Z C A L D A R O L A
M A D R I D ,
P A S T R A N A
S P A I N journalist K. Day Gomez
His family places special emphasis on treating this talent as naturally as possible, letting Leonardo enjoy being a child, and they encourage art as a game tool. As Picasso said, “All children are born artists. The problem is how to continue being artists growing up.” We can consider little Leonardo, a shortcut from art to the world of children and vice versa. Through it, not only many children become aware of art as a free creative interpretation and thus stimulated, they enjoy an extremely important discipline in intellectual and emotional development. In addition, the viewer opens up to a new vision of the child's potential. —official artist’s bio. At only nine years old, Leonardo has been able to experience what it means to be an artist on a global level. What for him is entertainment, sometimes born between the school desks, sometimes made at home, has become in Asia—specifically in Korea—a fresh and unique work. Among which stand out: KIAF (Korean International Art Fair) Art Busan Alleyway Gwanggyoo Some of his works have been integrated with augmented reality, so that the animations come to life for the viewer from their phones or tablets. Others have been turned into fiberglass sculptures, such as the "Dog" or Mickey's head. In Spain, his family organized together with the PLOM GALLERY, what became his first exhibition in 2017. He has exhibited at the RED GALLERY in Mallorca together with names such as Basquiat, Hirst, Rafa Macarron, etc. He is currently part of the artists represented by VILLAZAN internationally. Instead of taking him to painting classes, his parents have taken him to professional artists’ studios where he soaked up firsthand what they do. Antony Marest has always been his best mentor.
PEPPER Magazine is honored to have this opportunity to interview young Leonardo, not only because of his exceptional artistry, but on a more personal level. As an interviewer’s note, I’ve followed this young man’s journey since 2020 when he and my son became artistic pen pals via Instagram during the pandemic. They have actually been published by some of the same media outlets and exhibited alongside one another a couple of times. It is with great pleasure that we present his story.
INTERVIEW WITH LEONARDO
Art has been a part of Leo’s reality from the very beginning—as far back as he can remember. “Painting is a very natural way of expression. I started to paint since I was 3 years old and my mom let me paint all over my room; walls, wardrobe, furniture…”
Leonardo has been fortunate to have the support of his family and other special teachers along the way. “My parents support me always and stimulate me a lot. They make it happen that some of my ideas come true —together with carpenters, digital designers, sculptors... But what I like most is when they bring me to visit different artists' studios. For example, the artists Antony Marest and Roberta Lobeira have been great mentors to me. I love to hang around with them and paint together.” That is something really cool that not many kids get the opportunity to do, though hopefully more parents will be inspired to let their children mentor under grown up professionals in regard to their special interests. And as for his own inspiration, Leo tells us, “I get inspired by daily life, cartoons, books from my school… Also, visiting other exhibitions from other artists is very inspiring. I love Edgar Plans, Rafa Macarron, Invader... We usually go on Thursdays to Villazan Gallery exhibitions and meet new artists.” Though art is a central focus in Leonardo’s life, he and his family also take philanthropy seriously and make time to do meaningful things in the world around them. “We have been collaborating in Asia with "Save the Children" and with "After Eighteen" organizations always to support kids with less opportunities. Part of every single sale there was donated to them. Soon I will be joining also a Group Show in London, for which the mission includes supporting a refugee football team, outreach programs to help the homeless, and running art workshops for disadvantaged kids in various countries.” Exhibiting his artwork from an early age has made public life very normal for Leo—he’s never known anything else. “Honestly, I did not have any expectations since I started to
paint very young. I have been living this as a natural situation. Until now, everything is only fun; I can travel around the world, meet new people, create whatever I want. My exhibitions are like a party where I can invite many of my friends.” We brought up the potential overlap between his art career and school, to which Leo said, “yes. That's completely true. Last year school began to become harder with homework and exams. I also love meeting my friends and doing sports and Legos, so let's see what happens…” He’s just juggling life as it comes, and that’s all that matters. With so many environmental issues our planet is currently facing, we asked about what changes Leo would like to see. “I think we should use less plastics and recycle much more. Soon I will participate in an Auction with 4bysix. They bring a new life to retired London buses while making a positive impact in the world. They auction off these one-of-a-kind pieces, with all profits going toward social projects.” Next, we asked where he would like to see his art career take him in the future. “I don't know. I love how it is going right now. I would love to go to Mexico, Japan…..maybe I can do an exhibition on another planet, but I don't know if it's possible.” That’s a question for Elon Musk or the folks at NASA! Who knows? Nowadays it seems anything is possible. We’re rooting for your first solo exhibit on Mars! To other kids and youth interested in pursuing art professionally, Leo says, “My advice would be : you need to love painting and you have to practice a lot and try new things and tools.” So true.
So what’s up next? “In November, my mom Laura Caldarola (she is a writer) will release a new book and I did all the illustrations. It is a very special project. Stay tuned! I am preparing also new special artworks for a coming exhibition. Those are foldable like the papers we (kids) usually do at school to play with. Those artworks are kind of magic because they look like something and when you open them, they’re completely other things.” [Example below.]
Our readers can get in touch with and support Leonardo’s art journey online. “People can find my art on my Instagram @Leo_nar_do_paints —The account is managed by my parents.” We hope you will take the time to follow this brilliant young multidisciplinary artist as he is definitely one to watch. Next generation of the greats, in our book!
Check out these brilliant Ai renderings of some of Leonardo’s work, as well as an actual sculpture!
Coming of Age UKRANIAN MODEL SASHA STARYNETS NICE, FRANCE
Ukranian model Sasha Starynets bridges the youth gap as she transitions out of her teens, while still embracing soft innocence within her feminine style. photographer Hoang Xuan Bui makeup Anh Nguyen Mkup hair Nguyen Thu Thuy stylist Khuc Manh Quan
of Tennyson Corley
Sam Sun Sam Sun rises in the morning to the coffee already brewing, thanks to the handy preset option. He enjoys a slow morning lingering on the porch with his cup of coffee (cream and two sugars) and his second-hand banjo. He plays a few diddlies and then sets off down the same path, every day.
Columbia, South Carolina
See, Sam Sun is a creature of habit, some may even say a little OCD. There is this looming sense of existential dread, that if he veers, a catastrophe would ensue.
WHERE HE WAITS
FLASH FICTION AUTHOR JONATHAN DARREN GARCIA / SAN ANTONIO, TEXAS X PHOTOGRAPHER WESTON M.
‘Two cigarettes left,’ he mused silently. One tucked behind his ear the other gripped between his lips as he perched on the stairs. A promise to Sabrina, broken as easily as the wisps of smoke that escaped his grasp. Never did keep it. Not like it mattered much anymore.
turning to him with an unaffected smile, her hand outstretched even more, caressing his. —‘That was all I needed.’
He found himself atop the parking garage, four flights of stairs up, with no purpose in sight. The polluted sky, made of yellow and blue rust by the city lights, offered no solace in the form of shooting stars. Even the riverwalk failed to hold significance. Instead, it was a night to surrender to the harsh embrace of concrete and metal, his eyes fixated on the corner of the building.
He remained motionless, aware of their solitude atop. He picked out his final cigarette from his pocket and offered it to the stranger.
His mind retraced the moments when he sat on the very edge of the precipice, his back supported by Sabrina, both captivated by their fears. He made sure most of his weight shifted towards the safe parking space below. Easy landing. Only her hand kept him from surrendering to gravity. And in that moment, all he craved was a cigarette, something to soothe his frayed nerves.
The stranger lit the cigarette all the while holding a staunt smile. Eyes widened with an intensity reminiscent of a lost soul. The stranger took one deep drag before arching his head up and swallowed the burning cigarette whole, letting out a big “AHHHHH”
‘What if I fall into the street? Fuck! My hands are so sweaty!’ Yet, Sabrina leaned nonchalantly,
“Hey! Hey man, can I have a cigarette?” A stranger's voice broke his reverie.
“Do you have a light?” The stranger said. “Enjoy it bud.” He said handing the stranger his lighter as well.
“Right on man…” He said looking over his shoulder at the stranger before turning around and walking away. ‘Lantern hour, better get home.’
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AS THE SWEAT EVAPORATES AUTHOR ADRIJA JANA / KOLKATA, INDIA X PHOTOGRAPHER MANJEET SINGH And on a burning summer day by the side of the street sits a lone old man quiet in his bearded grief. On he has a white torn vest torn over patches like it's afraid to be re-patched and he has on his body marks, red from the patches, pus like from infections and scars from the experiences of a lifetime. He squats on the footpath as the sun blazes on, as if he wouldn't lose this bet— though life's bet was lost. Drops and drops of sweat trickle down a wrinkled forehead making a pool of salty water on the heated ground And the man still squats watching the sweat evaporate and new sweat form on his forehead, trickle along his grey hair... A solitary ant walks through the sweat. A group of laughing students take a turn about him, their foreheads scrunching at the "odious smell of the old man"... Suddenly he hears the growls and the rumbles from deep within 212
extends his hand, and brings forward a black polythene, lying beside him. He unties the knot with hands unsteady for a time so long—the rumbles shake his core as he finally pries the knot open. Blood and dirt from his nails enter the rotten food. But he is beyond the smell and the taste and the sense. As the food goes down his food pipe the Smell automatically evaporates... And as the rains come wash away half while he eats the other half, form small puddles in the torn patches, trickles on the scars and the marks… And still the man squats on the footpath.
ELEVATED MELANIN POET LAUREATE ANDREA ’VOCAB' SANDERSON / SAN ANTONIO TX PHOTOGRAPHERS NECHIRWAN KAVIAN, TITO TEXIDOR III & MIKE VON
We've been experiencing a series of tensions building up. There aren't enough poster boards or hashtags to comfort us or Quench the fire burning in our civilly unrested citizens who take to protesting in the streets. This is for those who suffer in silence and bare the burden with no relief. Yet we still hold fast to belief. We believe our change will come no matter the situation. Those that operate in hate will be Blinded by the gleam of my melanin Or the light of gems embedded
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in our diadem. There is an emancipated glory beaming bright As orbs jettison from beneath our skin. I am still forged from beauty even when I'm struggling. They can never purge our virtue by any means of degradation. I believe our change gone come, no matter the situation. For jubilant and exuberant is the melanin of our skin. From despair we have arisen.
We have a promise and a crown that awaits us in a higher skyscape. May our hope ascend to those golden streets and pearly gates. We will lift off to sessions in flight, taking our rightful place. Our wings are expansive, for we have already arisen. We have arisen to a better state. [RAP] A better state. I've been reading prophets so I meditate. Appreciate one in her own town. Shake the dust, fix my crown. Soles click the ground. My word's profound. Monuments and mountains, I chant them down. My voice resounds. I expound and script. Watch the text. The wisdom drips off my neck. Incredible! Tattooed Texas, indelible. I express this so hard in the paint. Eucharist, toast with saints. Soar with eagles, so never faint. Words so holy, never taints. Soar with eagles never faint. Levitate to a better state. Soar with eagles to a better state, Levitate. [CHORUS] Yellow drip, I levitate. Golden tint, I elevate. Do it for the darker shade. Do it—watch the haters fade. 215
LL RI AUTHOR NJABULO NKAMBULE / SWAZILAND, SOUTH AFRICA X PHOTOGRAPHER MAX WINKLER / GERMANY I will rise after every fall, I will rise and pick-up my fallen self from the soil. I will rise to walk and stand tall, Like the trees as they develop from seeds, They rise and grow great heights, still standing tall.
tears.
I will rise and make myself fruitful, I will rise like the sun that never conks-out, But sets every night, And every day it does rise.
I will rise ‘til I become triumphant, I will rise ’til my achievement is declared a promulgation. Even after falling once, twice or thrice— Again, again, and again.
I will rise up from the ashes like the phoenix. I will rise even when life gives me so many problems, I will still stand tall to find solutions, I will rise even after life has flooded my eyes with
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I will rise and then wear a smile on my face. I’ve come too far to give up now. I can’t quit because I wasn’t born to be a failure.
I will still rise to remain firm like the Eiffel Tower Because I know my grounds and abilities. I will rise, I will rise.
POEM BY AUTHOR K. DAY GOMEZ / SAN ANTONIO, TEXAS PHOTOGRAPHER JENNIFER CROWDER / MODEL K. DAY
It is, I think perhaps a cruelty to teach children fairytales...
So wake up, braveheart!
Little girls who hear them risk meeting broken heart after broken heart as age finds them. The thin hateful line between what is whimsy and what is real.
Wake up, get up, to your feet, child!
Teach them instead the mythos and the hero stories of old. Let them know David and Achilles and Perseus...Artemis, Andromeda and Atalanta. Pray you, bring them to know that true love's kiss is the fastest way to fall into the great sleep, and surely it is the riveting clamoring heartache that wakes the comatose sleeping beauty every time.
You are far from done here. And your story awaits your next movements. Waste no time to longing. Give no pace to the beating of your wounded heart. Rather pick up your armor, take up your sword, get back up on that horse and ride.
RIDE ! ! ! 217
FAILURE IS TEMPORARY AUTHOR & PHOTOGRAPHER SEFRA SCHWAB / SAN ANTONIO TX
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RETURN OF THE MATRIARCH
STREAMING ON ALL PLATFORMS
@returnofthematriarch
Messages of youth & female empowerment.
Andrea ‘Vocab’ Sanderson x Aminah Decé
@literallyrobertdean
L I N K T R . E E / D A B L U E K I D D I E
ALL HANDS, ALL
HEARTS Ready to Love & Be Loved
THE STORY OF MUTESA FOUNDATION A struggling orphanage’s outcry • Bugiri, Uganda • journalist K. Day Gomez
“THE WORLD IS A DANGEROUS PLACE, NOT BECAUSE OF THOSE WHO DO EVIL, BUT BECAUSE OF THOSE WHO LOOK ON AND DO N O T H I N G . ” —ALBERT EINSTEIN There is an old parable about the starfish on a beach. Have you heard it? As the story goes, an old man is enjoying a sunset walk along a beach when he comes upon a scene of many—hundreds—of starfish stranded from the low tide. Surely they will all dry out and die if the tide won’t come in to greet them soon enough. Off in the distance, he notices a young boy bending over 224
briefly, then standing and throwing something out into the waves. As he comes closer, he realizes what the boy is doing—he’s gingerly picking up each starfish he comes to and tossing it out into the water, a safe distance in to give it a fighting chance. As he comes close enough to the child to be heard, the old man begrudgingly tells the young man, “do you know, there are miles and miles of beach, and hundreds of them? You can’t possibly make a difference.” After hearing the old man’s complaint, the boy smiles, bends down, carefully picks up another starfish and throws it into the water. After which he replies, “I just made a difference for that one.” When it comes to orphanages in Uganda, this is the parable that most often comes to mind. For one of the poorest countries in the world, it can be overwhelming to imagine helping all of the sick and starving children. But what a difference you can make if you have the courage and means to help just one… PEPPER MAGAZINE
It is from this principle that we received the outcries for help from the Mutesa Foundation. This is the seventh children’s organization from the region that we have featured to date, and I’m sure we will cover dozens more as the years go by. The founder reached out personally, saying, “Hello PEPPER Magazine—I am called Mutesa Abasa from Eastern Africa. We've been living for the past 16 hours without food at the orphanage. We normally go to the forest and collect firewood and sell a little amount in town. It’s what we are depending on to protect the orphanage from hunger. But right now the government declared that no one should bring firewood from the forest and that's the only source of 226
our survival recently.” This is a common story for nongovernmental organizations like this. Interference from local authorities and constantly shifting policies are aimed to make it difficult for the impoverished populous to self-regulate and sell what they gather. “The hard thing right now is that we are renting and falling behind in rent. With no support from our government or overseas aid, I am worried that soon we will have no place to live and our debts will be so high that we will never be able to pay them back. So I am reaching out to the kindness of strangers to help us out of this situation.” This desperate and humble solicitation came as a
result of having seen the work we’ve done with other such orphanages in the same region. Mutesa went on to say, “I’ll be thankful and blessed if you can share your blessing with us here at the orphanage.” For us, that means telling their story, spreading the word and hoping that some of our global readers will have the means to step up. For them, their aim is simple—“to have some food, pay for shelter as we find other means to make a living.”
IN UGANDA, 41% OF PEOPLE LIVE IN POVERTY, AND ALMOST HALF OF UGANDA’S POPULATION IS UNDER THE AGE OF 15, REPRESENTING ONE OF THE YOUNGEST POPULATIONS IN THE WORLD. UGANDA ALSO HOSTS THE LARGEST REFUGEE POPULATION IN AFRICA—MORE THAN ONE MILLION REFUGEES HAVE FLED THEIR HOME COUNTRIES TO SEEK ASYLUM IN UGANDA. —OPPORTUNITY INTERNATIONAL
“The children will be greatfull for your support and you shall be given the feedback and the budget of your donation.” They’re taking the extra step to show receipts and what your specific donation provided. I asked Mutesa to tell us more about the story of how it all came to be. “I am from a humble family that loves Jesus Christ. I take care of helpless children, orphans, disabled and elderly people aged 50 and over. At the center, I have 4 disabled, 21 homeless children under eighteen years old, and 25 are children who have lost their parents”— over 50 dependents in counting. “I have been doing this beautiful charity for some good time in my life. We founded and built this organization two years back, myself with the help of two friends —they lost their parents and we met on the street. We are looking for more able people who can stand with us.” This means there is on-ground volunteer opportunity and partnership potential. “With my sincere mourning, I kindly request request your help. Alone, I cannot pay the prices of food, rent, clothes, water and many necessities for the daily life of these beautiful people. I watch over the people of Yahweh, and I firmly believe that when you give them any support, it will be a blessing to them. You and I can change someone's life. Any donation means alot to us. We kindly request any support, any amount that can be given.” They also mention a huge need for proper hygiene products for everyone and sanitary items for the female dependents. “I feel so sorry to see these children suffering so much.” Mutesa is a strong believer in prayer and says that even prayers help, but spreading the word and reaching out to our collective communities can help even more. Their fundraising organizer, Abiodun Shoyoye says, “we are gathering food, school materials, clothes, shoes and medical treatment.”
Donate directly at gofundme.com/f/mutesa-foundation and inquire via Instagram @charity_careing_organnisation_ . “We shall be grateful for your support.”
“THE SMALLEST ACT OF KINDNESS IS WORTH MORE THAN THE GREATEST INTENTION.” —KAHLIL GIBRAN
AURORE THE NEW ERA OF SEXY LITERATURE
FOUNDER CARLY PIFER BROOKLYN, NEW YORK JOURNALIST MANNY PORTILLO
AN INTRODUCTION… Carly Pifer is the founder and Editor in Chief of AURORE. A writer with a history of exploring taboo topics— including sex and sobriety, abortion, abusive relationships, and of course, real erotica—Carly has also helmed digital content and creative for several more vanilla interests, including Perrier (sparkling water), Burrow (couches), and actress Blake Lively (Gossip Girl star). With her writing and marketing experience combined, Carly has created an accessible digital magazine for the new dawn of sex-positivity —AURORE.
SO, WHAT IS AUROURE? Aurore is a digital space for real sexy stories, a curated collection of basedon-a-true-story erotica written by and for women and LGBTQ+ people. Aurore’s mission is to provide a platform for voices that aren’t typically part of mainstream pornography and create a space that feels safe and beautiful to consume this type of media.
WHERE DID THE IDEA FOR AURORE SPAWN FROM? So many things led to the conception and development of Aurore. One story is, I had been laid off from a job one summer and decided to travel and give myself an assignment, rather than stay home and freak out / stress over finding new work. I embarked on a trip through Europe and in each city, used Tinder to go on dates and subsequently
interview my dates about sex and dating in their culture. I wanted to find out what dating was like outside of New York (where it’s infamously bad) and understand how people’s approaches differed depending on cultural values. These dates and interviews unexpectedly led to intimate relationships. I discovered by breaking down the barriers of normal dating, ie. being vulnerable and asking personal questions on the first date, let us be honest and open to the point of sparking intimacy. When I returned from my trip and began to transcribe the interviews, I also wanted to tell the stories of the intimacy that transpired, but I couldn’t figure out where to pitch a story that was both about culture and sex. I felt like there should be a place for that, so the idea of Aurore began to form. Another experience that led to the founding of Aurore was the experience of being a woman in the era of #metoo and the Kavanaugh hearings. It became overwhelming with so much in the media about sexual assault and other bad sexual experiences. I wanted a space to retreat and celebrate good sex, even though I’m the first to acknowledge there’s a lot of bad sex (and worse) out there. Aurore is only for positive sexy stories, but should also be relatable. I dislike the discourse that often comes up around talking negatively about lovers, or divulging personal experiences that don’t reflect well on those involved. I believe sex is beautiful—it’s gross, too, awkward, and totally human. I wanted to put that all in a positive light.
WHY READ EROTICA INSTEAD OF WATCHING PORN? 229
Reading allows the mind to be activated— stimulating imagination keeps things interesting and creates space for new fantasies and experiences. Reading erotica also is a great alternative for those who find pornography to be too graphic or not representative of their body type, respectful to their race, etc. Erotica is a slow burn and careful unfolding. The turn on is drawn out rather than getting instant gratification. The slow movement is catching on in the midst of all our technology and I think it should be the same with sex. Exploratory, feeling your way through, trying new things—this is all possible with written erotica.
WHY DO WE NEED AURORE? We need a space for women and queer people to record their experiences, sharing exactly what they like. This creates a record of the kind of sex people are having—will be fun for future generations to compare notes. Aurore would make for amazing sex education as so many of young peoples’ first experience with sex is watching graphic pornography—Aurore creates a more educational experience through the written word. We need Aurore to share sexual scripts for those whose experiences aren’t in mainstream media. The amount of people who message me telling me they’ve never read a sexy story with someone like them, their interests, their identity until Aurore. That’s magic.
WHAT SETS AURORE APART FROM OTHER EROTICA WEBSITES? The fact that all the stories are real. Fantasy can be fun, but I prefer stories to be relatable. The easier it is for me to imagine myself in the action, the easier it is to get turned on. If something is cringe-y (like old school phrasing: “throbbing members”…) or feels like it’s afraid to describe things as they are, it totally takes me out of the moment. I want writing that is Pulitzer Prize worthy with equally sexy scenes.
HOW ARE ROMANCE NOVELS
PROBLEMATIC? A lot of romance novels depend on outdated tropes and gender roles that are not for me. Because romance novels must have a happy ending (it’s a rule of the genre!) they don’t usually feel very relatable to me. Some really popular romance novels such as 50 Shades of Gray mainstream-ify BDSM practices without making clear all the negotiations and safety precautions necessary. I mean, I get it. I like the idea of a dom daddy who happens to be super rich taking me to his dungeon to have his way with me, but this creates unrealistic and potentially unsafe situations. When experimenting with BDSM, there should always be communication about what’s okay and what’s not as well as establishing a safeword and so forth. These real life practicalities might take the reader out of the moment, but that’s the same kind of argument as putting a condom on ruins the mood. When we create media like this we have to assume all kinds of people will experience it—better to teach truths and safety in my opinion. A recent and very popular romance novel “It Ends With Us” details a character’s experience with domestic violence both as a child and as an adult in a romantic relationship. Personally, I was pretty disturbed by the way it was excused / normalized through the book—which I understand is often part of the process for a victim, however, the happy ending in this story seems troublingly unrealistic and even dangerous. Keeping someone who has physically
disquiet. harmed you in your life is very risky. Not to mention in your child’s life! I think the book did set out to show how someone can seem perfect on paper or from the outside when in reality they are troubled and / or abusive. But the repercussions for the actions and the lack of professionals involved in the issues was disturbing. This book is a bestseller and there’s a lot of discussion around these issues, so perhaps that’s a good thing that it brought stuff like this into the light. On Aurore, we’ve published several stories that tackle serious issues : one about how to be in a relationship with someone who is experiencing PTSD after sexual assault, another about the positives of hiring a sex worker for particular sexual exploration. I feel these stories educate rather than glamorize.
WHAT IS THE WRITING PROCESS LIKE AT AURORE? Anyone can submit a story through our site. I actually tend to prefer people who aren’t “professional” writers, because they come in with the most unique angles. I sift through submissions and if the story is a fit, I work with writers to edit their pieces, often gently urging them to go deeper or add more sexy descriptions of their bodies (this proves to be challenging for a lot of people). I think the process of writing real erotica is like therapy—you can release or explore past experiences and relationships, honor them, memorialize them, or write something dedicated to a current lover (the greatest gift is a sexy story about you).
EXPLORE AURORE! Visit ReadAurore.com and follow @readaurore on Instagram. photographers Lindsay Wynn & Femb0ttt
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disquiet.
THE ARTIVIST
ARTIST MONDLI KUNENE SOUTH AFRICA
JOURNALIST K. DAY GOMEZ
ARTIST’S STATEMENT Mondli "The Artivist" Kunene was mentored by late South African Visual Artist Speelman Mahlangu. He studied B.Ed. (Education) at the University of Johannesburg and after 10 years working within education, he left the sector back in 2018 to create art full-time.
Design Indaba chose him as one artist to currently look out for and this year he was nominated and awarded the honorary award for Theatre and Arts category, by Forty Under 40 Africa awards which took place in Ghana Accra on the 26th of March.
He has trademarked his name as part of his art brand "MONDLIART®". In 2016 he was the only visual Artist in South Africa invited to showcase MONDLIART® at the 20th Anniversary signing of the South African constitution. He has also been commissioned to paint huge murals in Sharpeville to Commemorate former President Nelson Mandela and Albertina Sisulu's centennial celebration. 2019
Mondli has been featured in local and international news publications and online publications including local and international exhibitions raising awareness about social contentious issues of elephant and rhino poaching (2020 Eco Awareness gallery in India), the Black Lives Matter Movement (New York) and he has also exhibited in a group exhibition in
Canada (2021 Liminal gallery).
Mondli also mentors younger Visual Artists and is working on establishing an Art hub whereby youth in his area can benefit largely. The medium he uses to create MONDLIART® includes but is not limited to ostrich and crocodile leather, acrylic and oil paint and defunct bank notes which he uses as a metaphor and that distinguishes him from his peers worldwide—including the fact that he does not draw background sketches as a guideline prior to painting. He paints free hand from start until finish, without even using the blocks and number system or using a UV light projector as an aid.
TAKING ON THE SYSTEM Among the conscientious issues Mondli takes on with his art are the preservation and humane treatment of the native wildlife in South Africa, human rights, abuses of power and classism, modern day servitude tied to currency and the preservation of cultural heritage. These themes are prevalent and easy to discern through his sharp intentional lines, vibrant color use
and bold typography which usually presents clear declarative statements. It’s a raised fist, beating against the walls of a corrupt system, one that is in drastic need of a full overhaul. He lends his voice to the oppressed, the downtrodden, the overlooked and the undervalued. In doing so, he has caught the attention of his nation and the global community —at least those who have been paying attention.
WE’RE LISTENING They say the greatest injustice one can do to art
is not to notice it. Mondli has developed a style that refuses to be ignored. Regardless where you’re sitting, the issues this artist points his flashlight on are issues that have an inescapable ripple effect. It begs the viewer a second glance and demands that we take responsibility and stand in unity, or wittingly choose to do nothing while knowing that makes us part of the problem. Art that holds the viewer accountable. Unforgiving, unflinching, and yet not without a promise. A promise that if we do nothing, nothing happens. But if we stand, we can change the world.
ICON
J O H N N Y Courage amidst adversity…a noble and visceral concept. This issue’s soft theme formulated in my mind simultaneously with the very individual I felt represented it most purely. None other than The Man in Black himself, Johnny Cash. As ever, we’re not interested in the surface level rebellion Cash exhibited against the corrupt system, not his atface-value outlaw persona. What interests us are the very real and meaningful ways he upturned the industry, confronted malignant politics and used his voice and fame to fight for marginalized and impoverished communities.
“It’s good to know who hates you, and it’s good to be hated by the right people.” —Johnny Cash
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C A S H
This legendary humanitarian wrote so much and was so frequently interviewed throughout his career that compiling this biographical essay has felt almost like I’ve interviewed the man himself. I have found it’s so much more impactful when it comes ’straight from the horse’s mouth’, as they say. So, here’s my interpretation of the impression John himself has left on me. Born J.R. Cash in Arkansas during the harsh unforgiving Depression era in 1932, our unlikely hero was raised working alongside his family members, making ends meet the best they could and finding solace in the church. Cash was surrounded by genuine compassion, despite the hard circumstances of those times. “My father was a man of love. He always loved me to death. He worked hard in the fields, but my father never hit me. Never. I don't ever remember a really cross, unkind word from my father.” His deep love of music began early. “I knew I wanted
journalist & illustrator K. Day Gomez accompanied by artists Jenny Ink & Ramona Nordal *This one’s for my dad, C.E. Day.
of his iconic Folsom Prison Blues. “I had a song called "Folsom Prison Blues" that was a hit just before "I Walk The Line." And the people in Texas heard about it at the state prison and got to writing me letters asking me to come down there. So I responded and then the warden called me and asked if I would come down and do a show for the prisoners in Texas.” Just like that, history was made. Cash was already becoming outspoken about his compassion and concern for prisoners. He read the letters, took into account what life must be like after making mistakes you can’t take back.
to sing when I was a very small boy. When I was probably 4 years old. My mother played a guitar and I would sit with her and she would sing and I learned to sing along with her.”—What did I tell you? This is a first hand conversation with the man himself. Sadly, at the age of 12, John experienced the tragic loss of his older brother, Jack, who was in every way John’s protector and (as he explained it) his philosophical inspiration. [According to his sister Joanne, on the day of Jack’s funeral, Cash went to the gravesite early. He took up a shovel and began to help the workers dig Jack’s grave. At the service, his clothes were dirty from the effort, and he wore no shoes since his foot was swollen from stepping on a nail.—Biography.com] Through his life, when faced with important decisions, John admitted to asking himself every time, “What would Jack do?” He bought his first guitar while in the Air Force, in Germany for about $5– probably the best $5 he could have ever spent. It was in that time he began writing his own songs. Together with a group of likeminded servicemen, they formed the ‘Landsberg Barbarians’ and not long after, he’d write the first version
It was this understanding and empathy that led him to continue going out of his way for his incarcerated fans. “The requests started coming in from other prisoners all over the United States. And then the word got around. So I always wanted to record that, you know, to record a show because of the reaction I got. It was far and above anything I had ever had in my life, the complete explosion of noise and reaction that they gave me with every song. So then I came back the next year and played the prison again, the New Year's Day show, came back again a third year and did the show.” Johnny took his concerns for the treatment of his fellow humans very seriously, breaching hard subjects in his music from civil rights issues to the sweeping aside of indigenous peoples to the gruesome truths about cruelty toward people of color in the south —even going as far as to graphically depict lynchings through his lyrics. He wasn’t aiming to hit the top of the charts. He was aiming to make a point about
Inequality and injustice. He went as far as to present such content in a White House performance, after which he grew increasingly vocal off stage. [In 1964, Cash made the thencontroversial career move to release Bitter Tears : Ballads of the American Indian, an entire album dedicated to advocating for the rights of Native Americans. It included the now-famous single “The Ballad of Ira Hayes”…which chronicled the story of the Pima Indian who helped raise the flag on Iwo Jima during World War II. The album and single were a big risk for Cash, who had just struck gold with his crossover hit, Ring of Fire. Native American rights were far from a popular cause at the time… when some radio station managers outright boycotted the song, Cash took out a full-page ad in Billboard asking the same question many Americans horrified of the events in Charlottesville are, tragically, still asking political leaders today; “Where are your guts?”—Billboard]
“Classify me, categorize me — STIFLE me, but it won’t work.‘Ballad of Ira Hayes’ is strong medicine. So is Rochester—Harlem—Birmingham and Vietnam… As an American who is almost a half-breed Cherokee-Mohawk (and who knows what else?)—I had to fight back when I realized that so many stations are afraid of Ira Hayes.Just one question : WHY???” Later, in 1961 he’d compile the album Blood, Sweat and Tears, essentially a concept album about race in America made in support of Black lives. [To put down on record—both vinyl and historical—evidence of the shameful, despicable practices of white bosses against Black men and their families made for a bridge of understanding that better suited Cash’s temperament than the freedom songs. On Blood, Sweat and 242
Tears, he sings of racial bondage, of racial violence, of racist murder. He recorded these songs not to inspire activists so much as to confront his mostly white listeners with the shocking, documented brutality their silence made possible.— Slate] Johnny wasn’t concerned with the way he was perceived—not ever. He had a firm understanding that people’s opinions were not only outside of his control, but we’re also subject to constant change and trends. Instead, he focused on remaining relatable by placing himself in the common man’s shoes. “You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing.” Love was always John’s base line, despite his rocky and colorful public record. “Follow your heart. That’s what I do. Compassion is something I have a lot of, because I’ve been through a lot of pain in my life. Anybody who has suffered a lot of pain has a lot of compassion.” He wasn’t a stranger to the long arm of the law, having been arrested seven times in his life. [Between the years 1959 to 1968, Cash was arrested for public drunkenness, reckless driving, drug possession, and memorably, picking flowers. In the small town of Starkville, Mississippi, Cash was drunkenly exploring the town at 2 a.m. when he decided to pick some flowers in someone’s yard…arrested by local police.—Biography]
Top • artist Jenny Ink / New York, New York Left • artist Ramona Nordal / Vancouver, British Columbia — Bottom • artist K. Day Gomez / San Antonio, Texas
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T H E
M A N
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B L A C K
Despite it all, he refused to hold grudges or sulk. “You build on failure. You use it as a stepping stone. Close the door on the past. You don’t try to forget the mistakes, but you don’t dwell on it. You don’t let it have any of your energy, or any of your time, or any of your space.” In a time when self help wasn’t a fad, he was already implementing the healthiest philosophies in his own life. “I’m not bitter. Why should I be bitter? I’m thrilled to death with life.” John was never without remorse and called himself out when he knew he could have done better. “I took the easy way, and to an extent I regret that. Still, though, the way we did it was honest. We played it and sang it the way we felt it, and there’s a lot to be said for that.” He held himself accountable to himself and those he loved, consistently working toward getting and doing better. “I learn from my mistakes. It’s a very painful way to learn, but without pain, the old saying is, there’s no gain.” The man truly lived a wild and incredible ride. He was a novelist on the side and ended up writing two autobiographies as well. He became an ordained minister in the late 70’s and even presided over his daughter, Karen’s wedding. He held a side career as a motion picture and TV actor (with cameo appearances in Columbo and Little House on the Prairie). He later in life married his best friend and muse, Country music singer June Carter. He lived poverty, he met disparity and great loss, he lived the American dream while fighting his own demons through addiction, he shook the very walls of a government that wasn’t ready to listen and pushed forward hand in hand with those who suffered most. “Somehow there’s been an immediate bonding between total strangers. We share each other’s triumphs, and when one of us gets hurt, we all bleed —it’s corny, I know, but it’s true.” Truly, he displayed courage, amidst adversity.
“You can ask the people around me. I don’t give up. I don’t give up…and it’s not out of frustration and desperation that I say I don’t give up. I don’t give up because I don’t give up. I don’t believe in it. —Johnny Cash
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PEPPER Magazine
07
R
cover artist.
July 2023
RAMONA NORDAL'23
in PEPPER Magazine, and the first time she’s led with the cover spot. For us, no one could capture The Man in Black himself in a way that reflects our own aesthetic better than Ramona. [See Ramona’s work in PEPPER Vol. 1, no. 8 and Vol. 1, no. 9]
p. 246
amona Nordal is a master painter and professional Canadian-born artist. She's studied art at the Emily Carr Institute of Art and Design in Vancouver, British Columbia. This marks the third time she’s been featured
As referenced from her biography, "The central theme that unites all of her work is the mixture of the traditional with the unconventional, not only in her subject matter and color palette but also in her approach to materials and technique. She focuses mainly on female subjects in her work in an attempt to capture their strength and uniqueness. At first glance her figures appear bold yet offer almost ethereal characteristics. Nordal pushes artistic boundaries by incorporating drawing within her work. This is evident in the intricate detailed pen work of her subjects' faces. The softness of the drawing mixed with the boldness of the bodies and background create an incredible fusion that offers just the right amount of tension. Her subjects are a mixture of the female form with references as early as the late 1800's to the 1970's. By combining several decades she somehow creates figures that are uniquely Nordal. She is hyper aware of art's relationship with human emotion and her subiects reflect this as they captivate you and entice you into their world." Most of her work is mixed media. "I mainly use acrylic paint but also use Bic pen in some of my work. The creative process when it comes to starting a new painting starts early on. Before I even begin working on a new painting, something might catch my eye a hat or braids or a certain color of orange and the image of that stays in my head. And without even realizing it, my mind starts to cultivate bits and pieces to add to that. A face, more colors, eyes, a specific position, and a mood. From there I take all those bits and pieces and begin to transform the canvas into what feels right. Through the
process it will change slightly, as the character begins to form, it guides me to change the eyes, the mouth etc...until it feels right. Its all about a feeling. I listen to very random music and I think that assists me in creating the work. Color is a big part of the process. The colors mixed with the mood and the figure take time to ensure it feels right." If her style really appeals to you, we hope you’ll check out the other issues she’s graced. You can also follow her career and inquire directly on Instagram @ramonanordal and via her website, RamonaNordal. com. “As far as upcoming events, I will be having a solo show September 7th at Galerie Blanche in Montreal.” Folks in that area should mark the date!
directory.
directory. @ultimateweddingexperien ce & @bridaleclecticmagazine / theultimateweddingexperie nce.com / photojournalist K.
Credits, Locations & Contact 6
Introduction by editor in
chief K. Day Gomez / San Antonio, Texas / Instagram @creative.consultant.kday / email hello.pepper@outlook.com / web directory msha.ke/kathleendaygomez / self portrait 2023 - mua Crystel Cortez • @bossbeautycrystel & hair colorist Terry Loredo • @belleza.by.terry 9
The Sum of Her Parts :
artist Aleksandra Stone / Dallas, Texas / Instagram @stone_aleksandra / aleksandrastone.com / journalist K. Day Gomez 17
It's All Fun + Games :
artist Connor Gottfried / Calgary, Canada / Instagram @connor.gottfried / connor.ca / journalist K. Day Gomez 25
Seeker in the Void : artist
Carmen Rosa / Tampa Bay, Florida / Instagram @carmenrosaart / journalist K. Day Gomez 37
The Ultimate Wedding
Experience : founder & owner Larissa Leath / San Antonio, Texas / Instagram
ON THE COVER Artist Ramona Nordal / Vancouver, British Columbia / Instagram @ramonanordal / ramonanordal.can m
9
Day Gomez / also interviewed, Nevetta & Darrell King / other Image Credits : Miguel Flores Photography • MUA Elite Eyebrows & Makeup Studio / Gillian Menzie Photography • MUA Elite Eyebrows & Makeup Studio / Infinite Photography SA • UWE model & rep. Mercedes Webb / RÊVER EN COUTURE promotional work Gillian Menzie Photography • models Curtis Lewis & Olivia Espinoza • HMUA Crystel Does Hair / Quantum Lotus photography 46 Barbie [2-Part Feature] Part 1 : Life in Plastic / San Antonio, Texas / photographer K. Day Gomez • @creative.consultant.kday / creative director, producer, stylist & Halo Hair Extensions by Terry Loredo • @halohairbyterry & @belleza.by.terry / hmua Crystel Cortez • @crysteldoeshair & @bossbeautycrystel / mua Letty Barolia • @lettysparkles / models Sofia Gallegos • @sofie.uh & Addison / locations SoBlow Dry Bar • @soblowdrybar & Pink Cappuccino • @pinkcappuccino.llc Part 2 : Let's Go Party! / Exeter, UK / photographer Jason Reading • @jason.reading.photograph y / models Ed Akay •
directory. Broadway, San Antonio, Texas • (210)826-7600 / reference
@edakaymodel & Helen Akay • @helenakaymodel 59
images sourced from public domain via Google
Jungle Man /
photographer Natalia
94 Period Modern : owner & curator Ted Allen / San Antonio, Texas / Instagram @periodmodern / periodmodern.com / 4347 McCullough Ave., San Antonio, Texas / (210)902-1217 / photojournalist K. Day Gomez
Sokolovska / Poltava, Ukraine / Instagram @natalie_sokolovska.ph / journalist K. Day Gomez 64
Rise of the Goddess
Review : Part 1 : "Empress" / Red Dessert, Dubai / recording artist Eliza May • @djelizamay /
104
photographer Anastasia Protas
Bar : chef Monte Sheffield / San Marcos, Texas / Instagram @palmers.smtx / palmerstexas.com / 218
• @anastasiaprotas Part 2 : "Fiery Majesty" / Lagos, Nigeria / model Qwinne Mabel • @qwinne_mabel / photographer Egbo dumebi Michael • @michaelsurplus /
59
creative director Onwuka Part 3 : "Pure Gold" / San Antonio, Texas / model Anissa Corralez • photographer Eric Schneeman / mua Krystalina Barcezen Part 4 : "Immersed in My River" Atlanta, Georgia / photographer Christian Powell Keke McNeill • @melaninhippie_ 85
Chinoiserie / Sustainable
fashion & lifestyle expert Becky Witte-Marsh / San Antonio , Texas / Instagram @beckywittemarsh / photojournalist K. Day Gomez • @creative.consultant.kday / model Szu Moy • @szumoy46 / location, décor & accessories Antiques at Broadway • @antiquesatbroadway • 5226
Moore St, San Marcos, Texas / (512)353-3500 / photojournalist K. Day Gomez 121 Kenneth Craig Worldwide : CEO & creative director KC Williams, Jr. /
Emmanuel Mayor
• @watchmyambition / model
Palmer’s Restaurant &
64
Highland Park - Dallas, Texas / Instagram @kcwii & @kennethcraigworldwide / kennethcraigworldwide.com / journalist K. Day Gomez / photographers Jerome Lynch Photography / Kenneth Craig Worldwide, LLC / Albert Chen Photography / Dupree Armon Photography / The Gallery Musee 128 A Message from Mars : recording artist Mars Kidd / New York, New York / Instagram @iammarskidd / journalist & editor Elliot Carlyle @elliotcarlyle at Currently Global @currentlyglobal / currentlyglobal.com / photographer, creative
directory. @safronoviv_photo / model
director & stylist Edwin
Julia Safronova • @safronovajv / journalist K. Day Gomez
Borquez Pierrot @edwinpierrotcreative 136
According to Demi Dee :
178 Fit to a T. : Nutritionist & fitness expert Tina Sena / New Braunfels, Texas / Instagram @tinasenaofficial / tinasena.org
recording artist, singer & songwriter Demi Dee / San Antonio, Texas / Instagram @demi.dee / linktree.ee/iamdemidee /
183 Positively Crystal : Motivational mindset coach Crystal Lopez-Crebs / San Antonio, Texas / Instagram
photographer John Hendrick 141
Summer Rains /
conceptual art photographer
@crystalmagic777 / linktr.ee/crystalmagic777
Sinenkosi Msomi / Mbabane, Mpolonjeni - Swaziland, Africa / Instagram @sinenkosi_msomii
186
/ latitudes.online/artists/sinenkos
Martinez / Mason, Texas / Instagram @c.b.Martinez / photographer Zen Steward • @zens.images / journalist K. Day Gomez
i_msomi 143
Humans of Kathmandu /
photojournalist Corey Layne Davenport / Kathmandu, Nepal / Instagram @coreylaynephoto 153
195 The Best Things Are Imaginary : artist Leonardo Rodriguez Pastrana Caldarola / Madrid, Spain / Instagram @leo_nar_do_paints / journalist K. Day Gomez
Voguing in Tenerife /
photographer Seigar / Tenerife, Canary Islands / Instagram @jseigar / Seigar.wordpress.com 163
PASSPORT : Tales of
Bulgaria / conceptual art
104
photographer Seigar / Instagram @jseigar / Seigar.wordpress.com 169
Summer in Bloom /
photographer Tatyana Boeva / @boeva_tattyana_photo / journalist K. Day Gomez 174
Talking With the Forest /
Moscow, Russia / Instagram
203 Coming of Age : Ukranian model Sasha Starynets / Nice, France / Instagram @sashastarynets / photographer Hoang Xuan • Bui • mua Anh Nguyen Mkup • hair Nguyen Thu Thuy • stylist Khue Manh Quan 210 The Tauntingly Tantalizing Tales of Tennyson
Irkutsk, Russia / Instagram
photographer Ivan Safronov /
The Journey Back
Home to ‘Self’ : artist CB
121
Corley / Columbia, South Carolina / Instagram @tennyson_corley_art / linktr.ee/tennysoncorleyart 211
Where He Waits : Flash
directory. 222 Mutesa Foundation / founder Mutesa Abasa /
fiction author & photographer Jonathan Darren Garcia / San
Bugiri, Uganda / Instagram @charity_careing_organnisat ion_ / Donate at GoFundMe.com/f/mutesafoundation / journalist K. Day Gomez / with supplemental photography by Antoine Plüss, Random Institute • Switzerland, Esteban Castle, Bill Wegener • Allen, Texas & Jeff Ackley
Antonio, Texas / Instagram @jupiterjazz27 212
As the Sweat Evaporates /
poet Adrija Jana / Kolkata, India / Instagram @adrija_jana2004 / photographer Manjeet Singh 213
Elevated Melanin / poet
laureate Andrea Vocab Sanderson / San Antonio, Texas
228 Aurore : founder Carly Pifer / Brooklyn, New York /
/ Instagram @vocabulous / directory linktr.ee/vocabulous /
Instagram @readaurore / readaurore.com / photographers Lindsay
photographers Nechirwan Kavian • @nechirwankavian / Tito Texidor III •
Wynn & Femb0ttt / journalist Manny Portillo
@tit000000foto_ • Phoenix, Arizona / Mike Von • @thevoncomplex • Los Angeles, California 216
I Will Rise / Njabulo
136
233 Mondli ‘The Artivist’ Kunene / South Africa / Instagram @mondliart / journalist K. Day Gomez
Nkambule / Swaziland, South Africa / Instagram @dablue_kiddie / linktr.ee/dabluekiddie / photographer Max Winkler • @maxwinkler02 •Iserlohn, Germany 217
Failure is Temporary /
poet & photographer Sefra Schwab / San Antonio, Texas / Instagram @sefravofthecherrytree &
240 ICON : Johnny Cash / journalist & illustrator K. Day Gomez accompanied by artists Jenny Ink & Ramona Nordal / direct quotes from Johnny Cash / with additional reference images sourced from public domain via Google.
NOMINATED FOR THE TFII •MAGAZINE OF THE YEAR• AWARD, 2023
@simply.sefra.photography 218
The Trouble with
Fairytales / poet & model K. Day Gomez / San Antonio, Texas / Instagram @kathleen.day.official / photographer Jennifer Crowder • @jennifer_crowder_artist • jennifercrowderartist.com
ADVERTISERS — 5
Curl Daddy vegan hair
directory. 80 ZAPATA House / San Antonio, Texas / Instagram @zapata.house / zapatahouse.com
care products—ethically made in America / Instagram @curldaddyworldwide / curldaddy.com / available on Amazon, at Wal-Mart & Gloss Wire Beauty / ad by Current•ly Global • New York, New York 7
Seigar / Spain / Instagram
163
82 NEMERS Boutique / San Antonio, Texas / Instagram @nemersboutique / nemersboutique.com / phone (210)310-6357
@jseigar / seigar.wordpress.com 8
83 U Got the Look Beautique / San Antonio,
This is Jane Project 501c3 /
Texas / Instagram @ugotthelookbeautique / ugotthelookbeautique.com /
Nonprofit Organization • A trauma-informed community of women & nonbinary people
5332 San Pedro SA/TX 78212 / phone (210)685-9275
healing together. / Instagram @thisisjaneproject / linktree.e/thisisjaneproject_ 35
Melanie Allison Art Gallery /
artist Melanie Allison / Austin, Texas / Instagram
174
marshbecky17@gmail.com
@melanieallisongallery / directory
102 Sloan/Hall / San Antonio, Texas / Instagram @sloanhall / 5934 Broadway SA/TX 78209 / phone (210)
msha.ke/melanieallisongallery 36
84 Sustainable Stylist Becky Witte-Marsh / San Antonio, Texas / Instagram @beckywittemarsh / email
Infinite Photography / San
Antonio, Texas / photographer
828-7738
Mandy Kadura / Instagram @infinitephotographysa / directory poplme.co/hash / email infinitephotographysaofficial@g mail.com / phone (210) 956-0588 45
RÊVER EN COUTURE : a
Floral Fashion Show / Sept. 6, 2023 at Rosenburg Skyroom, 6pm / event by The Ultimate Wedding Experience : founder & owner Larissa Leath / San Antonio, Texas / Instagram
186
103 Adam Ross Bespoke & Custom Clothiers / San Antonio, Texas / Instagram @adamrosscustom / AdamRossCustom.com / 18911 Hardy Oak Blvd. SA/TX 78258 / phone (713)221-4217 113 Palmer’s Restaurant Bar & Courtyard / San Marcos, Texas / Instagram @palmers.smtx / palmerstexa.com / 218 Moore St. SM/TX 78666
@ultimateweddingexperience / promotional work Gillian Menzie Photography • models Curtis Lewis & Olivia Espinoza • HMUA Crystel Does Hair
114 Ace of Steaks / San Antonio, Texas / Instagram @theaceofsteaks / theaceofsteaks.com / 20626
directory.
158
115
NOVEM Cuisine : gourmet
private chef services for events & home dining / chef Joe A.
159 Eric Konohia Photojournalist / Washington, DC / Instagram @33rd_eye_photography / ekonohiaphotography.com / email ekonohia196@gmail.com
Gomez III / San Antonio, Texas / Instagram @novem.cuisine / novemcuisine.weebly.com / phone (512)965-3383 116
Little Em’s Oyster Bar /
San Antonio, Texas / Instagram @littleemsoysterbar /
160
littleemsoysterbar.com / 1001 S.
Photographer John
Hendrick / San Antonio, Texas + New York / Instagram @johnhendrick_photo / email
Alamo St., San Antonio, TX / (210)257-0100 117
Corey Layne
Photography / Austin, Texas / Instagram @coreylaynephoto directory linktr.ee/coreylaynephoto
Stone Oak Pkwy SA/TX
The Hayden Diner &
hello@johnhendrick.com
Cocktails / San Antonio, Texas / 161 Darkhorse Photography / Michael Avila Christman / Instagram @darkhorsephotographysa & @heliosmediatx / media
Instagram @thehayden_sa / directory linktr.ee/thehaydensa / thehaydensa.com / phone (210) 437-4306 Two locations :
portfolio vimeo.com/heliosmediatx
1 - The Boardwalk on Broadway, 4025 Broadway SA/TX 78209 2 Alon, 10003 NW Military Hwy
162 Stacey Rae OlivaresGarcia / San Antonio, Texas / Instagram @staceyraeofficial / cloverbudphotography.com
#2115 SA/TX 78231 118
Taco Couture / San
Antonio, Texas / Instagram @taco.couture [DM to book / inquire] 119
Sip It / San Antonio, Texas
/ Instagram @sipittx /
212
173 Creative Consultant K. Day Gomez / San Antonio, Texas / Instagram @creative.consultant.kday / msha.ke/kdaygomez
sipittx.com / phone (915)2529468 120
NOVEM Bean Coffee :
local roasted premium coffee / chef Joe A. Gomez III / San Antonio, Texas / Instagram @novem.cuisine / novemcuisine.weebly.com / phone (512)965-3383 / also sold at PB&Jay with Tay
180 Whole Heart Foods by Tina Sena / Tina Sena Fitness / New Braunfels, Texas / Instagram @tinasenaofficial / tinasena.org 181 Kraft Fitness & Body by Kraft / personal trainer, fitness experts Shawn Kraft / San Antonio, Texas /
240
directory. Instagram @kraftfitness &
Mbabane, Mpolonjeni Swaziland, Africa / Instagram @sinenkosi_msomii / web portfolio
@bodybykraft / kraftfitness.com / email shawn@kraftfitness.com 182
latitudes.online/artists/sinenk osi_msomi
Clinician, Dr. Itxia Lee
Acevedo of POUT MedSpa /San Antonio, Texas / poutmedspa.com / / Instagram @pout_itxialee / ad created by K. Day Gomez 194
222
#Me Too : Sexual Assault
Campaign / photographer Michael S. Drapala / San Antonio, Texas / Instagram @drapalastudios / Disclaimer :
NONPROFITS — PEPPER Magazine proudly supports the following nonprofit organizations & community efforts. We strongly encourage our readers to do get involved. Please take a moment to
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encourages those effected by or witnesses of sexual assault and / or human trafficking to speak up, reach out & get help via RAINN (Rape, Abuse & Incest
228
National Network) Hotline 1-800-656-4673 or The National Human Trafficking Hotline 1888-373-7888 219
RETURN OF THE
MATRIARCH / Andrea 'Vocab' Sanderson × Aminah Decé / San Antonio, Texas / Instagram @returnofthematriarch / roftm.com 220
Author Robert Dean /
Austin, Texas / Instagram @literallyrobertdean / book : barnesandnoble.com/w/existent ial-thirst-trap-robertdean/1142963685 221
Author Njabulo Nkambule
/ Swaziland, South Africa / Instagram @dablue_kiddie / linktr.ee/dabluekiddie 278
Sinenkosi Msomi /
Since our public launch in May of 2022, we’ve also proudly supported through GoFundMe (and other means): The MAC • Literacy • Ukrainian San Antonio • Autism Advocacy • Uvalde Families post tragedy… And more; and this is only the beginning. OUR MISSION — support the arts • Fair Wages for Creatives • shop small business • curate sustainable ethically sourced fashion • recycle • be kind • repeat.
PEPPER STAFF K. DAY GOMEZ CEO & EDITOR IN CHIEF My name is Kathleen, editor in chief of PEPPER Magazine. For PEPPER, I am also CEO, creative director, artist, photojournalist, copy writer, social media manager and staff manager. As founder and chief editor, I run the creative department (from layout to full design and aesthetics). I am also an active photojournalist, writer and technical / fine artist for our global publication. This entails writing articles, shooting photos for content as well as for some of our advertisers, and even often times hand-designing (painting and mixed media) cover art and illustrating certain columns. I’m a 41 year old neurodivergent (autism / ADHD) business woman, first generation American on my father’s side (immigration from Australia and third generation American on my mother’s side (immigration from Ireland). I am a pansexual cisgender female and part of the LGBTQ community. I am the proud mother of an autistic child with a cognitive disability, for whom I founded this company in part. My goal is to provide my son who is an artist and animator (currently age 13) with gainful and meaningful career employment when he comes of age. I am married to my best friend Joe, the pillar of our family who has lovingly accepted Aiden as his own child. Everything I do is humanitarian based and
we are honored to work with nonprofits, community efforts and even refugees from all over the world. And I sit on the Advisory Board of the Alora Farm nonprofit for adult autists. “Alora Farm is a farmstead wellness haven for autist teens and adults to live and work as part of a thriving community.” [see AloraFarm.org] Other tidbits about me—I have children’s books in the works for which I am the illustrator and author. I also moonlight as a songwriter and vocalist occasionally, with my most recent projects being collaborations with local recording artists in the rap genre (believe it or not). On my background… My career life has been a bit of a juggling act. I’m an internationally published artist, author, creative consultant and intuitive life coach. I formerly ran a magical online boutique called The Imaginarium Wonder Emporium (it’s not dead, just sleeping until I can cultivate the time to wake it back up). I’ve been a photojournalist, art illustrator and content writer for various publications and blogs for over two decades. I formerly held a modeling career for over 17 years that led to acting and directing, which I still may pursue in the future. Who knows? My brilliant son is diagnosed autistic with a cognitive disability and is an internationally published artist himself. My husband is an amazing chef for his business, NOVEM Cuisine and I’m happy to run the creative department and be his occasional culinary assistant. My boys are the center of my world.
PEPPER STAFF I’m an internationally published artist, author, creative consultant and intuitive life coach. I also sit on the Advisory Board of the Alora Farm nonprofit for adult autists. I’ve been a photojournalist, art illustrator and content writer for various publications and blogs for over two decades. I formerly held a modeling career for over 17 years that led to acting and directing, which I still may pursue in the future. I always seek to be of the most help to our community and global humanitarian issues any way I can. It was with this intention that I founded PEPPER Magazine. As a creative, and member of the LGBTQ community, it is also my intent that the publication be inclusive, diverse and support marginalized communities and those with varied abilities / disabilities by creating a safe space for all to be heard. Thank you for taking the time to learn about our mission. I anticipate great things for the future. As a family, we are philanthropists. We always seek to be of the most help to our community and global humanitarian issues any way we can. You’ll find us enjoying beautiful San Antonio and the Alamo Heights area where we reside. Thanks for taking the time to get to know me. I look forward to connecting.
JOE A. GOMEZ III COO, CFO & MARKETING DIRECTOR An all-American Texas boy born and raised in
San Antonio, Joe A. Gomez III has been a strong community leader, a humanitarian and a true lover of life. A former city councilman having served on the board of the San Marcos Chamber of Commerce for several years, he's also the founder of JAG Enterprises with over 23 years of management experience. He is now PEPPER Magazine's CFO & Key Lifestyle Contributor. A chef to rival most, despite not having been classically trained, Joe's culinary expertise is impeccable. Enough so that over time he began to develop the ground work for what is now called NOVEM Cuisine. Since the founding of NOVEM, chef Joe's recipes have become more diverse and in turn, the public attention has grown. This has led to multiple international publications, to include London and Manchester, UK. And if you have the luck of tasting his food you'll understand why. There is no detail that escapes him, and the care he puts into the preparation and plating of every meal is nothing shy of five-star dining. The pièce de résistance is having him prepare it right from the comfort of the best restaurant in town; your own home.
BECKY WITTEMARSH SUSTAINABLE FASHION & LIFESTYLE EXPERT Becky found her passion for sustainable fashion and home furnishings at an early age when being sustainable was a necessity.
staff. A lifetime of creating her own personal style through sustainable sources, got the attention of those around her. Today, her innovative creations using vintage, thrift and self-made items will inspire a new way to look at dressing and styling your home. Becky will help you turn style sustainability from an inconvenience into an ADVENTURE!
ANDREA ‘ VOCAB’ SANDERSON POET LAUREATE Poet Laureate 20202023, performs as “Vocab” in her hometown of San Antonio, Texas. ”Watching her perform, the word “hero” comes to mind. And not “hero” for the sake of just skill, but for her work in her community: Sanderson teaches poetry workshops, mentors, builds up and encourages artists to pursue their art, and gives them platforms to showcase their talent. Sanderson’s interest in other people’s art and artistic development became a passion of hers, and she started curating her own shows and creating platforms for other artists to hone their craft by hosting open mics.” -The San Antonio Current, Jan. 16, 2018 She received awards, Performer of the Year, Influencer of the Year, from Project Forward, and Dream Voice, from the Dream Week Commission. Sanderson is the winner of the 2019 People’s Choice Award, awarded by Luminaria Artist Foundation (formerly
known as: Artist Foundation of San Antonio). In May of 2020 she was awarded Best Live Entertainment/Band Musician of the Year by the SEA Awards.
TINA SENA NUTRITIONIST & FITNESS EXPERT Hi, my name is Tina Sena and it has been my passion to motivate, inspire and encourage others to achieve health and wellness physically, mentally, emotionally and spiritually. For 24 years now I have been doing personal training, nutrition consulting, kids programs, developing a protein line of sweet treats and running my own businesses. I am a spouse and also a real estate business partner with my husband Michael, and we have a beautiful 13 year old daughter named Mia. It is my desire to build a community where we can share with others all the knowledge we have accumulated over the years to help create total health and wellness in their lives. I was an only child who grew up in a home with a mentally ill father and a mother who, although very strong, was also riddled with fear and anxiety while working all the time to provide for our family. We had very little so I was terribly ridiculed in school. I saw my first therapist at the age of 10. My father passed away at 44 and as a very independent 20 year old I was on a mission to help others to not suffer in all the ways myself and my family did physically, mentally and emotionally.
staff. Ibecame a personal trainer about 24 years ago while I was working as a model and living a completely unhealthy lifestyle. I wanted so much to have lean, sexy muscles which was a no no back then in that world. So I hired my first personal trainer who taught me how to lift weights and eat properly. I never felt better! My body, mind and health completely changed and off I went. I began training for triathlons and fitness competitions with some of the best trainers and decided that was it - I wanted to do for others what they had all done for me. So off to work I went. I am now an upscale fitness facility owner, protein treats line developer and I organize a nonprofit program changing the course for kids! I believe that we all have the power within us to get past the pain we endure in life. We just need the proper guidance and resources to get us there! It means everything to me to help my community to be encouraged and feel love and support through what might be their most challenging journey.....working on ourselves!!!”
ROBERT DEAN JOURNALIST & AUTHOR [In his own words...] Robert Dean is a journalist, raconteur, and ‘enlightened dumbass’. His work has been featured in places like MIC, Eater, Fatherly, Yahoo, Austin AmericanStatesman, Consequence of Sound, Ozy, USA Today, to name a few. He’s appeared on CNN and NPR. He also serves as features writer for Hussy Magazine and is editor in chief for Big Laugh Comedy, Texas’ biggest comedy production company. He lives in Austin and loves ice cream and koalas.
CRYSTAL LOPEZ-CREBS MOTIVATIONAL MINDSET COACH Crystal Lopez-Crebs received her degree in Fashion Design & Marketing from The International Academy of Design & Technology in Tampa, FL. She also interned with designer Tracy Reese in New York learning the ropes of New York Fashion Week (NYFW).
She owned an entertainment company in Tampa where she created costumes, did makeup, and stylized looks for her team. After moving to Texas, she mastered her crafts in the makeup industry working for MAC Cosmetics. She has also done makeup for LA & San Antonio Fashion Week, worked on film sets as both talent and wardrobe & production design, and developed her fashion production skills at Neiman Marcus. Crystal is now the talent coordinator for X Level Inc, a creative agency in San Antonio, TX, where she helps scout and develop talent. She is also the founder of the nonprofit, Fashionable Adoptions, that promotes animal adoption through fun fashion events, most notably her fashion shows that showcase adoptable animals walking the runway. She’s helped many people (and animals) improve their lives with her health & wellness business alongside her husband, especially through her story overcoming a health challenge. She loves to talk about vision and mindset to her audience to empower them to live a bigger life. Her unique style and excitement for living a healthy life can be felt as she shares her passions on social media
staff. and in person. Crystal brings her bright light & energy to inspire everyone to live an abundantly beautiful & healthy life from the inside out.
CHAZ NIELL PHOTOJOURNALIST Based in Washington DC, Chaz is an award-winning photographer with over 15 years of experience telling stories through his art to capture the emotion of every subject whether in sports, fashion, entertainment or social consciousness. He has long been a fan of the visual arts and his passion led him to attend the Art Institute of Pittsburgh where he was able to explore all facets of the industry and discover his deep passion for photography. Chaz Niell shares the philosophy of the great Nina Simone “as an artist it’s his duty to reflect the times in which he finds himself.” “How can I be an artist and not reflect the times”? His work has been featured in highly acclaimed periodicals and publications, such as Sports Illustrated, Rolling Stones, The Wall Street Journal, Vanity Fair, The New Yorker, Forbes, and Paris Match just to name a few. In addition, footwear manufacturer Nike in 2019 displayed his awe-inspiring photo of tennis champion Rafael Nadal on their New York City digital broad at 34th & 7th Ave. one block from Madison Square Garden. Chaz has also been commissioned to shoot the David Ortiz Celebrity Golf Classic, Hampton International Film Festival, New Balance, Art and Commerce, and British fashion retailer, AllSaints. His photographs
also appear in Leica Fotografie International (LFI) galleries. He is an official Getty Images contributor. His love for fashion and the creative philosophy “Dress every day like you’re going to Jimi Hendrix’s funeral” gives him the freedom to express the many sides of the Gemini that resides in him. We are honored to have him as a contributing member of the PEPPER Magazine team.
NJABULO NKAMBULE AUTHOR & POET Njabulo Nkambule also known as Njabulo N. is a writer, a poet hailing from the Kingdom Swaziland. “I'm also an author of the soon to be published anthology, DEEP-ROOTEDWORDS which will include mainly my written poems. I’m a devoted,multipassionate, hardworking poet with a keen eye for detail and an insatiable interest in the use of the written word. I'm one person who is so passionate about poetry having so many written poems under my name (not yet published). My writings (poems) include quite a number of poetic forms including rhymed poetry, narrative poetry, pastoral poetry, elegies poetry, limerick poetry, lyric and soliloquy poetry.” PEPPER is enriched by the presence and liter contributions of this gifted writer and we are excited to see how he helps to shape the overall landscape of our publication over time.
staff. scene from the late 1960’s forward. Over time, we will be sharing these archives which range from obscure to iconic. We are grateful to have Norman as part of our team. Currently, he is engaged in the development process as a key interview subject for our first documentary about the history of SAMOMA. In conjunction with our cinematographer Michael Avila Christman and editor in chief who is key interviewer for the independent filming project, Norman is providing priceless facts and contacts for the film’s creation.
MICHAEL AVILA CHRISTMAN DIRECTOR & CINEMATOGRAPHER Founder of Darkhorse Photography, as well as his media company Helios, San Antonio native creative professional Michael
Avila Christman is a fixture here. His projects range from short film to documentary to commercials to editorial fashion photography. He’s worked with well known models, designers, makeup artists, musicians, local celebrities and other professionals throughout his expansive career. Now, Michael is taking his passion for journalism and theatrical storytelling to new heights by collaborating with PEPPER Magazine and taking on a staff contributor role. He will be responsible for the majority of commercial video content for the
publication through his tenure to come.
STACEY RAE OLIVARESGARCIA PHOTOJOURNALIST Stacey is a San Antonio native, growing up down
the road from Karam's Mexican Restaurant and The Malt House. While residing in Austin, Stacey began to grow her passion for photojournalism by capturing the heart of the person behind the lens. She wanted to bring this fresh outlook with her to San Antonio. Returning to her hometown allowed her to focus on the art in a person's story. Stacey's work has been featured in several magazines such as; Entertainment Tonight Online, Voyage Houston, and S.A. Scene Magazine. She has captured photos for multiple businesses across various industries including Luzianne Tea and August Ink. er creative eye and ability to capture her H subjects’ stories with grace and dignity makes Olivares-Garcia the perfect addition to the PEPPER team.
MELANIE ALLISON NETWORKING LIAISON One day, I decided to take life by the (long)horns and got back to my roots by modeling
staff. and painting again. I wanted to break the fashion industry standards and stigmas by creating a need for a petite and classic model. I started working with local photographers in the Austin area, building a new portfolio. Soon I discovered independent magazines and learned how to submit my work. I was finally published and on the cover of a magazine for the first time in October 2016. Soon after that, I was signed with TL Modeling Agency in Houston, Texas. But things don’t always go as planned. After enduring occasional rejection from magazine editors, I founded my own art & fashion magazine called Bevie in November 2016. My mission with Bevie was to showcase emerging, local and international talent such as artists, models, photographers, designers, and other creatives. By making a sophisticated publication more approachable, I was able to help my fellow colleagues get established or further along in their career. After two years of publishing my bimonthly mag, I decided to go back to work full-time and the last issue was released in December 2018. Bevie still has quite the following today! Today, I am now focused on creating mixed media art, establishing my networking event, turned group called Girl Flock Party, and becoming a part of the local artist community. It has been an amazing journey and I am grateful for every experience along the way!” Melanie is a great asset to the PEPPER team and provides valuable guidance, lead finding and creative / marketing advice from her home base in the Georgetown / Austin area.
ROMY NAVA HEALING PRACTITIONER Romy Nava has been actively developing his gift as a healer since the beginning of 2013. As a Sound Healing and Reiki practitioner, he has formulated a signature holistic protocol.
His clients are comforted and claim to experience a relaxed calming sensation for days following each session he provides. Also a media tech and podcast host, Romy aims to educate and hold space for enlightened thought by way of his platform. He establishes a dialogue that is relatable with the intention of getting to the core of the human psyche, spirit and mind-body connection. He examines the choices we make vs. practical and functional resolution. All of this expertise and experience makes him an incredible asset to PEPPER Magazine. Say hello to Romy and open yourself up to learning something new… maybe even about yourself.
ANDREW BARRAZA MEN’S GROOMING STYLE CONSULTANT Andrew is a graphic novel artist & comic book enthusiast who also happens to be a mustache connoisseur. “Men are always just kinda left out when it comes to
staff. grooming topics. I had to learn all my tricks on the street. I’m and ambassador for a couple of stache grooming brands. It’s been a blast growing it, helping others with tips and making new friends. I still draw when I have the chance. Love comics and art.” He is here to lend PEPPER Magazine his expertise in mens grooming, the subcultural aspect that goes along with this niche and other great products, tips and resources for men. “It’s really funny, without knowing when I got into it, there’s a giant mustache community out there of dudes that are happy to encourage, give tips, even help out with charities and events. One of the companies that I ambassador for donates part of every sale to first responders. Turns out there’s a lot of firemen that make and sell mustache wax also. And seeing people randomly, I ALWAYS get compliments from people. And I’m happy they think it’s cool and get a kick outta it. Even gotten some free beers in the bars. That’s worth it right there alone.”
SINENKOSI MSOMI PHOTOJOURNALIST & CONCEPTUAL ARTIST Sinenkosi Msomi is an exceptional photographer born in Eswatini and currently residing in Mbabane, Mpolonjeni. His work consists of staged and conceptual photography. The themes contained in his
work include addressing mental health issues, the importance of self-expressions and exploring the significance of one's childhood memories. His upbringing plays a major role in how his work eventually plays out. He recollects the different sides of growing up in an African extended family and how that helped shape him. His pictures help him talk about things that he sometimes finds no words to fully express. Msomi is an incredible asset to PEPPER Magazine and will continue to work remotely, bringing impactful documentary through the personal and unique storytelling of his imagery.
COREY LAYNE DAVENPORT PHOTOJOURNALIST A Texas native, with a curiosity of the human experience. “Having always been fascinated by the psychology / sociology of people, while also lacking the ability to focus my interests, and thoughts into words, I knew at a young age that photography was my outlet to show the world what I see. With inspiration from some of the classic greats like Elliot Erwitt, Gary Winogrand, Henri Cartier-Bresson, and Weegee, my passion for street photography / photojournalism will continue to be the driving force behind what I do with a camera. Living in Austin, TX for the majority of my life, has also given me the best environment to mix my love of music, and
staff. photography into something that I have excitedly worked on for the last 13+ years. Whether it be going to local venues, traveling for festivals, or touring with bands on and off over the years. My opportunity to capture the raw emotion of the artists is an experience that will never cease to fill me with joy. With more doors opening, I plan to continue learning about, and expanding my craft, while striving for more new experiences throughout my ever growing life as a photographer.” Corey will be covering various leads and events for PEPPER in Austin and surrounding areas. He’s also working on showcasing some intense and striking documentary imagery from his archives over time.
JOHN HENDRICK PHOTOJOURNALIST & CONCEPTUAL ARTIST Born in the Bronx, New York, and raised in Queens, John’s artistic upbringing and his path to photography began shortly after his parent's separation when he was seven years old. He initially lived with his father, who would provide the foundation for his artistic eye, having John learn to play the piano, draw, and paint to stay off the streets. He would then go on to live with his mother, where he would spend much of his youth raised by his mother, a single mom of two. His mother worked nights, and his brother, who was four years older, was never home, leading John to become accustomed to independence.
John grew up skateboarding in the mid-’80s and into the late ’90s when NYC was the melting pot of pop culture. Without knowing it, this would start his photographic journey, always carrying a camera and taking pictures of his friends. He worked as a messenger, becoming familiar with every inch of the city. Soon after, he would work at the Metropolitan Museum of Art, expanding his artistic vocabulary surrounded by the works of all the greats. For the past 23 years, John has traveled worldwide and lived abroad in countries such as Italy, Spain, and Japan; each location is inspiring and influences his point of view. Currently, he lives in San Antonio, where he teaches photography at the Southwest School of Art. After all these years of traveling and photographing the world, he has found his artistic voice and this creative
CHARITY STEWART STYLE CONSULTANT “My name is Charity Stewart. I was born and raised in Houston, Texas. I am a very family oriented person. I grew up with two sisters and a brother. In high school is where I met my now husband, we have been together since 2015 and have been married since 2021. I went to Sam Houston State University to run track and I majored in business. I moved to San Antonio in 2021. I am a licensed disability job coach. One of my passions is helping people and being certified allowed me the opportunity to help people with disabilities from the ages of 17-23
staff. find a job and be equipped for the workforce. My husband and I are in the process of launching our brand called Team Faithful. We started this because we want to encourage young couples to stay committed and honor each other despite what the culture is saying today. We believe that life is about community and helping others which makes me so happy to be a part of PEPPER Magazine where helping people is in our DNA. Growing up, I have always had a passion for fashion. I remember getting up on Saturdays to put outfits together and giving my family a fashion show in the living room. Now as an adult I am able to make a fashion show for myself every day and also for PEPPER Magazine.” Charity will be sharing her favorite fashion and beauty tips, hacks and trends (old and new) as well as the brands and entrepreneurs she recommends in her own column.
old (when I was published in an international magazine) and picked up photography over a decade ago, always pushing myself and my equipment as far as I could, developing my style to show people how vibrant, beautiful, and varied the world is. I have sold prints of my photography, as well as being published in periodicals. Pepper will be the first publication where I will be contributing regularly as I've spent several years focusing on horse training and more recently, being a single mom to a very bright and busy toddler. I am so excited to be part of Pepper, and I hope we'll be seeing each other for a long time to come!"
JONATHAN DARREN GARCIA FLASH FICTION WRITER
SEFRA SCHWAB PHOTOJOURNALIST “I'm Sefra, and while I have a lot of interests that I feel deeply about, the most important things to me are my faith, my daughter, and my deep-seated love for animals and the people who love them (especially horses). As a recently diagnosed autistic following several years of misdiagnoses, I have an intense interest in philosophy and all the different ways that humans are. I have been writing - mostly poetry, and short stories - since I was about 10 years
Jonathan Darren Garcia is a San Antonio based writer. He was a featured poet in That Gray Zine: San Antonio's Collective Carefest. He has been published in multiple literary magazines including Crepe & Penn (Now known as C&P Quarterly), Scum Gentry Alternative Arts, Beyond The Veil, From Whisper To Roars, Royal Rose, etc. Notable works include "You Both Need To Leave Right now!", "The Energy Of A Stone" and "Samson". He dreams of a story worth telling. On his off time he enjoys a good cup of coffee from one of the many local spots in San Antonio. With his compelling handle on the flash fiction genre, Jonathan will maintain a gripping monthly column in PEPPER Magazine.
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MANDY KADURA
PHOTOJOURNALIST & CONCEPTUAL ARTIST
PHOTOGRAPHER
Seigar is an awardwinning photographer. A passionate travel, street, social-documentary, conceptual, and pop visual artist based in Tenerife, Spain. He feels obsessed with the pop culture that he shows in his works. He has explored photography, video art, writing, and collage. He writes for some media. His main inspirations are traveling and people. Seigar’s aim as an artist is to tell tales with his camera, creating a continuous storyline from his trips and encounters. He is a philologist and works as a secondary school teacher. He is a self-taught visual artist, though he has done a two years course in advanced photography and one in cinema and television. He has participated in several international exhibitions, festivals, and cultural events. His works have been featured in numerous publications worldwide. His latest interests are documenting identity and spreading the message of the Latin phrase: Carpe Diem. Recently, he received the Rafael Ramos García International Photography Award. He shares art and culture in his blog: Pop Sonality. Currently, Seigar is our travel columnist, heading out the section with his “Tales of” series. We look forward to learning about the world around us through his skillful and artful lens.
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Hi, my name is Mandy Rose. Im a wife, mother, and entrepreneur—I own Infinite Photography SA. I believe in the power of art and media. “Art is chaos taking shape” —Pablo Picasso My photography is an expression of who I am and what I stand for : love, life, and creativity. I’ve been a photographer for 10 years. Five years into the art, I created my business Infinite photography SA. After that, I never stopped my momentum. I now own 2 businesses and have become the entrepreneur I always wanted to be [with Dropyourlashes being my second business]. I have worked with many families along my career and recently broke my way into the fashion industry. It’s exciting to have an outlet to create more art. To me, being able to be a part of Pepper Magazine—a world wide publication—is an honor and I am so excited to provide quality images for a magazine that I myself have supported and continue to read and follow.
WINNER MAGAZINE OF THE YEAR
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CURRENT•LY GLOBAL ELLIOT CARLYLE CHIEF CONSULTING DIRECTOR X EDWIN PIERROT CHIEF CREATIVE DIRECTOR Elliot Carlyle, Chief Consulting Director, and Edwin Pierrot, Chief Creative Director, of CURRENT•LY Global are a dynamic, AfroLatino-duo inspired to help people and brands reimagine, redefine, and represent through creativity. "We work with entrepreneurs, corporations, and brands across industries, including: fashion, entertainment, jewelry, and lifestyle to create unforgettable experiences. Together, we elevate brand awareness using creativity, innovation, and strategy. We make brands more purpose-driven, intriguing, consistent, and enigmatic." Elliot and Edwin have a combined skillset which covers art direction, creative direction, photography, styling, movement coaching, brand development, social media strategy, program development, and more. Together, the dynamic duo have paired up to serve as a collective creative force for PEPPER Magazine. Combining their efforts as photographers, journalists, content creators and advisors, they work in unison as a team out of New York. With their keen
industry insights across genres and their commitment to editorial excellence and empowering others, they prove an invaluable asset to our humanitariandriven publication.
TENNYSON CORLEY FINE ARTIST & STORYTELLER Meet the author and fine art illustrator who is reinventing the old comic strip via a completely innovative approach to short form periodical storytelling in PEPPER Magazine! Tennyson Corley is a sculptor, or as she calls it, ceramic illustrator residing in Columbia, South Carolina. Her practice explores the use of earthen clay as an illustrative tool to create creatures with carefully crafted backstories. Each a mixture of Beatrice Potter illustrations and an Orwellian Animal Farm character. Tennyson was raised by her mother, an illustrator, in the heart of South Carolina on a large horse stable. With her formative years spent in her own mother's studio, Tennyson was encouraged creatively and gained a lasting love for art. Today, as a proud mother, she encourages her own child’s art journey. “My childhood has led me to my current body of work. I am the product of an illustrator who chose books based on the beauty of the illustrations. I have continued this collection. Referencing characters and ideas for my own work. I grew up surrounded by animals on our
partners. farm. Studying them, the ways animals interact and coexsist among each other, how species intermingled, the hierarchies that arose. I gave them personalities in my mind. Constructing back stories and human characteristics for each one. Fast forward to 2018, when I took my first pottery class which landed me with a membership at a pottery studio. I began to find what my artistic practice was craving. It took me back to my childhood, constructing animals out of playdoh and drying them on my shelf. In a full circle moment, I combined my love for childrens book illustrations, building back stories for the creatures around me, and moving from playdoh to clay to create, what I call, my ceramic illustrations. Each sculpture is a mix of Beatrice Potter and an Orwellian Animal Farm character. Conceptualized in my mind, where I work out their features, back stories, faults, and qualities. Then, through my hands, they are birthed into life through earthen clay, underglazes, and the fire of the kiln.” —And you privileged readers will get to know them one by one via her monthly column in our kids and youth section. “In talking with PEPPER Magazine, I felt rooted in my practice again. It brought about a connection that led to a new opportunity. Something I wanted but didn't feel like it was for this path that I was on. The one of a small scale sculpture artist from Columbia, South Carolina. I will be an Arts Contributor going forward with my own work. One ceramic illustration will be featured in each issue along with its story. Something like that of an evolved comic strip. And I like that. It feels fantastic. I love this weird little life full of ups and downs, bumps and highs. Chance connections and opportunities. Weird little pathways carved out like water from a
spilled cup.” We are honored to have Tennyson’s whimsical characters come to life and play on our stage here. It is our truest hope that they come to be a thing everyone looks forward to, and that they stay with you like strange little old friends.
ERIC KONOHIA PHOTOJOURNALIST & WRITER Eric Konohia is a native Hawaiian photographer based in Washington, D.C. His interest in photography started at an early age watching his father capturing family moments and placing all of the photos in albums. He remembers knowing what album had which photos in them if he needed to recall a certain moment in time. More specifically he still remembers how looking at each photo gave him a specific feeling and took him back to the exact time and place it was taken. When Eric entered high school in the 70’s he registered for the photography class as an elective and received his very first camera from his father. It was a Leica M2 35mm film camera, which he still has today. He instantly fell in love with the analog process of shooting, developing and printing his work. His analog beginnings are the foundation of how he approaches photography today. He is considered “Old School” by many but the word “purist”
partners. probably better fits his philosophy, style and approach. His primary love is black & white and primarily shoots with natural light. Eric is unashamed of his choice of cameras and the purist in him will readily tell you, “Don’t waste your money on any camera if you’re going to shoot – AUTO”.
international staff. [The United States • United Kingdom • Spain • Africa] WHAT WE ARE BUILDING IS A PLATFORM FOR EVERYONE ON THE PLANET—A PLACE WHERE THE HUMAN STORY IS TOLD, & A VEHICLE TO HELP INDIVIDUALS CELEBRATE THEIR JOURNEY.
Eric’s work has been published in several print and digital media and several of his photographs have been selected as “Master Shots” by Leica Fotographie International. He is also published writer and the coauthor of an Amazon Best Seller, “Securing the Sacred, Making your House of Worship a Safer Place”
A platform for ALL people, all ages, all cultures, religious affiliations (or not), orientations and all disabilities and abilities.
Eric’s philosophy of photography is simple: “Life is a constant geometric intersection of Souls on this broad platform of life and creation. The Art of Photography allows us to capture a specific moment of the Creator at work that would be otherwise fleeting.”
Nevetta King
A very special thank you for being part of our journey...
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BECOME A PEPPER PARTNER OUR FIRST YEAR HAS BEEN PHENOMENAL! We continue to be a platform for ALL people, all ages, all cultures, religious affiliations (or not), orientations and all disabilities and abilities to tell their stories.
PEPPER PARTNERS PEPPER MAGAZINE IS GROWING PEPPER Magazine is an independent INCLUSIVE global publication with an
PLEASE CONSIDER HELPING US CONTINUE TO TELL THOSE STORIES. Become a PEPPER Partner & be recognized on this page in every issue. DONATE at gofund.me/1338dddf
readers. TO OUR READERS… A MOST HUMBLE THANK YOU It is not a cliché when we say we would be nothing without you. Our purpose is intrinsically tied to the importance our fellow humans place on what we deliver. Thank you for believing in what we do and daring to dream with us.
back to you in a timely manner. We are also on Kavyar for professional photographers and models looking to submit through a publisher approved platform.
DO YOU OR SOMEONE YOU KNOW GAVE A GREAT STORY TO TELL? PEPPER Magazine holds open rolling submissions, year round, globally. Simply reach out to us at hello.pepper@outlook.com and pitch us your story, send in your bio, some example images anddon’t forget your social media handles and website. Our staff will get
Our journalism is completely free of charge when conducting interviews, publishing articles and editorials. Those seeking paid advertising can contact our CFO & Marketing Director, Joe A. Gomez III at (512)965-3383 or jagomezthree@icloud.com.
@sinenkosi_msomii • @latitudes.online • @afrikanizm_art
CONCEPTUAL ARTIST & PHOTOGRAPHER
SINENKOSI MSOMI Mbabane, Mpolonjeni